(Plate g)

The goddess is crossing her arms on the chest. On her right shoulder is a man struggling with a lion and on the left is a leaping figure who is almost identical with the one on plate (c) and base plate. The man on the right is often associated with a motif borrowed from the theme of Heracles and the Nemean Lion. However, it is a widespread motif of ancient times which can be traced back beyond classical art to Near Eastern and oriental prototypes. Bergquist and Taylor compare this plate with that of a silver jug from Orlovo in south Russia. In the latter, a female face is flanked by figures of men: the man on her right is wrestling with an animal and the other on the left is standing alone. They also have flower blooms around their bodies as shown on this plate. On the other hand, Olmsted associates the head of the goddess with that on the Marborough Vat found in Britain; he notes that the technique of rendering the eye, nose, eye ridges, and hair is similar.

         (Orlovo Jug)                         (Marborough Vat)

Go to the Main Page, Plate (A), (B), (C), (D), (E), (a), (b), (c), (d), (e), (f), (g), (base)