English 11.67
Unit 3: American Constructions of Irish Identity
Writing Spotlight: Ethos & Active Voice


unit project

Unit 3 project:

Purpose: to convince your audience of your creative argument's validity
Audience: insiders, American college students familiar with Irish culture and history who are majoring in the humanities. This audience already knows some basic information, and will be intrinsically interested in your project.
Writing Focus: organization, concision, active voice

Take the outline you created for Feeder 3B, along with the comments received by your peers, and shape a substantial essay containing your strongest prose, your most convincing voice, your most proficient use of rhetoric, and your most creative impulses. Put together a paper that presents original, unexpected connections and ideas.

Your4-5 page paper will consider issues of representation as you engage a series of images that represent certain constructions of Irish culture and identity by producers (film directors, advertisers, artists) of American culture. 2-5 of these images will be screen-captured by you as you watch (on your laptop) one of the three American films on reserve in the undergraduate library (The Quiet Man, Michael Collins, The Devil's Own), and you will also use 1-3 images drawn from the course gallery you helped create. Your analysis of the film should focus on static images captured with the image-capture function in your laptop's DVD player. While your discussion of film images will necessarily engage theme and issues of characterization, you should foreground your analysis of static images, relegating such related elements as dialogue, soundtrack, pacing, and editing to the periphery of your argument.

Your paper should work within a humanities mindset, applying an interpretive schema to the images you select for consideration. I recommend creating and referencing an image set of no fewer than three and no more than five images. Your paper should reference at least three secondary sources (film criticism, art history texts, journal articles on advertising, etc.), all of which should be included in your Works Cited page. Follow MLA guidelines for an essay that does not include a separate title page (your name, my name, the course name and date should all be on the first page, up against the left margin). Include a title, and make sure you also have an appendix at the end which includes all images referenced.

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Draft Workshop: Unit Project 3

Assess the work of the 3 students whose names lie beneath your own in the list. Send it to yourself simultaneously and open it to insure that the attachment actually went through and is readable.

For instance, Rhyn will send her paper to Amanda, Sandeep, and Rachel.


Kirsten Ahlstrom (kahlstro@email.unc.edu)
Victoria Allen (allenva@email.unc.edu)
Rhyn Chung (rchung@email.unc.edu)
Amanda Corner (corner@email.unc.edu)
Sandeep Daiya (daiya@email.unc.edu)
Rachel Dent (rdent@email.unc.edu)
Justin Dobies (new) (dobies@email.unc.edu)
" Corey" (Chris) Eaton (cceaton@email.unc.edu)
Richard Haywood (haywoodr@email.unc.edu)
Erin Jones (reneejo@email.unc.edu)
Katie Lancaster (unckatie@email.unc.edu)
Simone Martin (srmartin@email.unc.edu)
Caitlin McShane (cmcshane@email.unc.edu)
Shannon Morrison (shannonm@email.unc.edu)
Jordyn Saunders (jasaunde@email.unc.edu)
Matt Scarborough (mtnbikermateo@yahoo.com)
Whitney Scarborough (wscarbor@email.unc.edu)
Michelle Sutton (mdsutton@email.unc.edu)
" Jake" (Jacob) Wilson (wilsonjb@email.unc.edu)

 

 


Paul Marchbanks
marchban@email.unc.edu