"Last Night We Watched South Pacific" by James Applewhite

spring 2003 vol. 55, no. 2

 

I wake to see a cardinal in our white
            crape myrtle.  My eye aches.  Bees celebrate
morning come with their dynamo-hum
                                    around a froth of bloom.

Though presently it’s paradise for the bees,
            noon will reach ninety-nine degrees.
Le vierge, le vivace et le bel aujourd’ hui
                                    will stultify in ennui. 

I watched Raging Planet on TV.
            Earth’s orbit around the sun appears
to alter every hundred thousand years.
                                    Each thirty million years,

mass extinctions attend Earth’s
            traverse of the galactic plane.
The asteroid rain that cratered the moon
                                    returns, brings species’ deaths.

In the Hudson Bay region of Quebec,
            the Laurentide ice sheet
only a geological eye-blink
                                    ago lay two miles thick.

Disasters preceded us, like violent parents.
            Pangaea’s fragmenting land mass
drowned origins like lost Atlantis:
                                    an enigma for consciousness.

These continents will re-collide
            in their rock-bending tectonic dance,
as once before Tyrannosaurus died.
                                    So change continues by chance,

as if meaningless—granite to sand,
            sand to sandstone, sandstone to sand.
In five billion years, the sun will expand
                                    to Venus and Mars, then end 

planet Earth.  The hydrangea blooms
            its dry blue, burns a brown lavender.
Earth whirls in space and August comes—
                                    this slanted light my calendar.

As I water the pink phlox, I wonder
            what use there is for a world of matter—
why the universe exploding into being invents
                                    night and star-incandescence?

 

We are the part of it that feels it,
            thinks it, seeing this time in its slant
on bloom with our physical brains that
                                    change it as they sense it.

We become.  We hum a story as tune,
            in sonata form that runes this sphinx-
riddle sequence as notes that the pharynx
                                    fluctuates, to mean.

So “This Nearly Was Mine” assuages,
            braced against old loss and war.
Emile de Becque sounds rich with knowledge
                                    of children and love, before.


James Applewhite's ninth and most recent book of poems is
Quartet for Three VoicesA Diary of Altered Light (from which this poem comes) is forthcoming from Louisiana State University Press.

cquarter@unc.edu
 © 2003 The Carolina Quarterly