|
|


The M.A. program in
Folklore stresses flexibility, inviting students to craft a
course-plan to meet their particular needs. Master's students
must complete ten courses (30 hours); of these, only two-"The
Art of Ethnography" and "Introduction to Folklore
Theory"-are required. Other courses must demonstrate a
rough balance between genre (e.g., Vernacular Traditions in
African American Music, Issues in Material Folk Culture), theory
(e.g., Consciousness and Symbols, Fictions of Gender), and practice
(e.g., Public Folklore, Oral History, Documentary Photography).
In addition to classes in the core program, students traditionally
take courses from a variety of associated graduate programs,
including Anthropology,
Communications Studies,
English and Comparative Literature , History,
and Music. Needless
to say, this vastly expands the available course list, embracing
such classes as Performance and Oral History, Medical Anthropology,
and The South in Comparative Perspective. Students may also arrange to take courses at Duke University, including courses in the Department of Cultural Anthropology http://culturalanthropology.duke.edu/, ethnomusicology courses in the Department of Music http://music.duke.edu/grads/, and courses offered by the Center for Documentary Studies http://cds.aas.duke.edu/. Students
pursuing an M.A. must demonstrate reading proficiency in a foreign language. Students opting for a Folklore minor in another Ph.D.
program must complete six courses, chosen in consultation with the Coordinator of the Folklore Program.
At the beginning of their fourth semester, students take a comprehensive exam that tests their understanding of folklore theory, history, and practice. In addition to drawing on their coursework and fieldwork, the exam presumes knowledge of the core texts in a reading list jointly prepared (and regularly revised) by faculty and students. The approximately 60 items on the list encompass key texts and monographs, articles, films, and sound recordings. Materials and updates will be posted on a Blackboard website to which students will have access. Students also have the option of tailoring a section of the exam to their particular research interests.
The final requirement for the M.A. is an original thesis of approximately 70-100 pages, based on fieldwork and/or library research. Once again, creative freedom is the rule; recent theses have explored topics ranging from the the collage art of a Cuban cigar roller to the evolving musical and political experience of a local women’s chorus. Working closely with a thesis advisor and two readers, students ideally develop a proposal for their thesis during their third semester of study and complete the thesis during their fourth semester or the following summer.

For undergraduates the Folklore Program offers both a minor directly and a major arranged through Interdisciplinary Studies (http://www.unc.edu/depts/uc/ht_idst.html and http://www.unc.edu/ugradbulletin/depts/interdisciplinary.html. The undergraduate minor requires five courses that strike a balance between genre, practice, and theory; the major calls for a similar interdisciplinary distribution of eight courses. Both the minor and major give undergraduates an opportunity to earn formal recognition for their work in Folklore. They are designed to:
-
introduce
the discipline of Folklore;
-
explore
the complexities of the art of ethnography;
-
recognize
the experience and achievements of folk artists and
groups who are often neglected or misunderstood by the
dominant culture.
The
Folklore Program is small, informal, and intimate. Undergraduate
students work closely with faculty and with the
consultants they meet while doing fieldwork. Excellent
local resources for study and research include
the Southern
Folklife Collection (containing 90,000 sound
recordings), the Archie Green Labor Song Collection,
the American Religious Tunebook Collection, and
the Southern Historical Collection.
The
undergraduate minor in Folklore consists of five
three-hour courses, as specified in the categories listed below:
-
FOLK
485 Introduction to Folklore
-
Two
courses on genre from: FOLK 334, 375, 470, 484, 487, 502, 550, 560, 571,585, 610; ANTH 147, 151; MUSC 144, 145, 146, 147
-
One
course on community from: FOLK 130, 230, 340, 342, 488, 587, 589, 684; ANTH 142, 155, 205, 226, 234; MUSC 240
-
One
course on theory from: FOLK 323, 428, 429, 435, 454, 455, 473, 525, 537, 562, 565, 670, 675, 688; ANTH 120
From time to time, current or visiting faculty will offer additional Folklore courses not listed here. The Program will post these to the semester's course listingand will determine-- on a course-by-course basis-- which minor requirements each will fill.
Patricia Sawin, Coordinator of the Folklore Program, serves as the advisor for minors. Those interested in pursuing an Interdisciplinary Studies major with a Folklore focus are also strongly encouraged to consult with Professor Sawin as well as with the Associate Dean for Undergraduate Curricula, who directly advises IDTS majors.
|