UNC Curriculum in Folklore: Program Information Applying Program Profile Master's Reading List Degree Requirements

 
   
Elvis Portrait at Graceland
Courses
and
Activities
Weaver's Hands People
Face Jugs Resources
and
Facilities
Brownie McGhee Southern
Folklife
Collection
Burlon Craig's Kiln Home
UNC Old Well UNC Home
Photo Facts  

Master's Reading List

1) FORMS

Feintuch, Burt, ed. 1995. Common Ground: Keywords for the Study of Expressive Culture. Journal of American Folklore 108 (430): 391-549.

A) ORAL EXPRESSION

Baldwin, Karen. 1985. Woof! A Word on Women's Roles in Family Storytelling. In Women's Folklore, Women's Culture. Eds. Rosan A. Jordan and Susan J. Kalcik. 149-162.

Basso, Keith. Portraits of "the Whiteman": Linguistic Play and Cultural Symbols Among the Western Apache. Chs. 1, 3, 4.

Bauman, Richard. 1977. Verbal Art as Performance.

Glassie, Henry. 1982. Passing the Time in Ballymenone. Parts I and 11.

Rosenberg, Bruce. 1988. Can These Bones Live? The Art of The American Folk Preacher. 3-170.

B) BELIEF

Hufford, David. 1976. Ambiguity and the Rhetoric of Belief. Keystone Folklore 21: 11-24.

---. 1982. Traditions of Disbelief. New York Folklore 8: 47-55.

Toelken, Barré. 1975. Folklore, Worldview, and Communication. In Folklore: Performance and Communication. Eds. Dan Ben-Amos and Kenneth Goldstein. 265-286.

Turner, Edith. 1994. A Visible Spirit Form in Gambia. In Being Changed by Cross-Cultural Encounters: The Anthropology of Extraordinary Experience. Eds. David Young and Jean-Guy Goulet. 71-95.

C) MUSIC AND DANCE

Abrahams, Roger. 1992. Singing the Master. Chs. 1-5.

Bronson, Bertrand. 1969. The Ballad as Song. Ch. 17.

Goertzen, Chris. 1991. Mrs. Joe Person's Popular Airs: Early Blackface Minstrel Tunes in Oral Tradition. Ethnomusicology 35: 31-53.

Nettl, Bruno. 1983. The Study of Ethnomusicology. 1-14, 65-103, 118-130, 345-354.

Pena, Manuel. 1985. From Ranchero to Jaiton. Ethnomusicology 29: 29-55.

Toelken, Barré. 1991. Ethnic Selection and Intensification in the Native American Powwow. In Creative Ethnicity: Symbols and Strategies of Contemporary Ethnic Life. Eds. Stephen Stem and John Allan Cicala. 137-156.

D) MATERIAL CULTURE

Babcock, Barbara. 1986. Modeled Selves: Helen Cordero's "Little People." In The Anthropology of Experience. Eds. Victor Turner and Edward Bruner. 316-343.

Glassie, Henry. 1999. Material Culture, Introduction, Chapters 4 & 5.

Martin, Charles. 1984. Hollybush. OR Williams, Michael Ann. 1991. Homeplace.

Neustadt, Kathy. 1992. Clambake: A History and Celebration of an American Tradition.

Stewart, Susan. 1984. On Longing. Chs. 2 and 5.

Williams, Brett. Why Migrant Women Feed Their Husbands Tamales: Foodways as a Basis for a Revisionist View of Tejano Family Life. In Ethnic and Regional Foodways in the United States. Ed. Linda Keller Brown and Kay Mussell. 113-126.

Zug, Charles. 1986. Turners and Burners. Ch. 13.

2) HISTORY OF FOLKLORE STUDIES

Abrahams, Roger. 1992. The Foundations of American Public Folklore. In Public Folklore. Eds. Robert Baron and Nick Spitzer. 245-263.

Cantwell, Robert. 1993. When We Were Good: Class and Culture in the Folksong Revival. In Transforming Tradition. Ed. Neil V. Rosenberg. 35-60.

Fine, Elizabeth. 1984. The Folklore Text. Ch. 2.

Fox, Jennifer. 1993. The Creator Gods: Romantic Nationalism and the En-Genderment of Women in Folklore. In Feminist Theory and the Study of Folklore. Eds. Susan Hollis, Linda Pershing and Jane Young. 29-40.

Hirsch, Jerrold. 1988. Cultural Pluralism and Applied Folklore: The New Deal Precedent. In The Conservation of Culture. Ed. Burt Feintuch. 46-67.

Kodish, Deborah. 1993. Absent Gender, Silent Encounter. In Feminist Theory and the Study of Folklore. Eds. Susan Hollis, Linda Pershing and Jane Young. 41-50.

Williams, John. 1975. Radicalism and Professionalism in Folklore Studies. Journal of the Folklore Institute 11: 211-234.

Wilson, William. 1973. Herder, Folklore, and Romantic Nationalism. Journal of Popular Culture 4: 819-835.

3) RESEARCH APPROACHES

Clifford, James. 1983. On Ethnographic Authority. Representation 1: 118-146.

Hurston, Zora Neal. 1935. Mules and Men.

Lawless, Elaine. 1991. Women's Life Stories and Reciprocal Ethnography as Feminist and Emergent. Journal of Folklore Research 28: 35-59. OR

Lawless, Elaine. 1992. "I was afraid someone like you. . . ": Negotiating Interpretive Differences Between Ethnographers and Subjects. Journal of American Folklore 105: 302-314.

Schrager, Samuel. 1983. What is Social in Oral History? International Journal of Oral History 4: 76-98.

4) PUBLIC FOLKLORE

Cantwell, Robert. 1992. Feasts of Unnaming: Folk Festivals and the Representation of Folklife. In Public Folklore. Eds. Robert Baron and Nicholas Spitzer. 263-305.

Cohen, Erik. 1988. Authenticity and Commoditization in Tourism. Annals of Tourism Research 15: 371-386.

Green, Archie. 1988. P.L. 94-201-A View from the Lobby. In The Conservation of Culture. Ed. Burt Feintuch. 269-279.

Kirshenblatt-Gimblett, Barbara. 1991. Objects of Ethnography. In Exhibiting Cultures. Eds. Ivan Karp and Steven D. Lavine. 386-443.

Staub, Shalom. 1988. Folklore and Authenticity: A Myopic Marriage in Public Sector Programs. In The Conservation of Culture. Ed. Burt Feintuch. 166-179.

5) MEDIA

A) FILM

Appalshop. 1988. Dreadful Memories: the Life of Sarah Ogan Gunning.

Attakapas Films. 1993. Dance for a Chicken.

Balkan Arts Center. 1978. The Povovich Brothers of South Chicago.

Brazos Films. 1976. Chulas Fronteras.

Off White Productions. 1991. Paris is Burning.

First Run/Icarus Films. 1998. Family Name OR Appalshop Films. 2000. Stranger with a Camera

UNC/Davenport Films. 1983. A Singing Stream. (Also: 1989. Special Issue: A Singing Stream: A Black Family Chronicle. North Carolina Folklore Journal 36).

B) RECORDING

Seeger, Anthony. 1992. Ethnomusicology and Music Law. Ethnomusicology 36: 345-360.

Whisnant, David. 1991. Turning Inward and Outward. Retrospective and Prospective Considerations in the Recording of Vernacular Music in the South. In Sounds of the South. Ed. Daniel Patterson. 165-181.

6) CROSSCUTS (Broader considerations of topics such as Class, Ethnicity, Gender, Occupation, Race, and Region)

DeNatale, Doug. 1990. The Dissembling Line: Industrial Pranks in a North
Carolina Textile Mill. In Arts in Earnest. Eds. Daniel Patterson and Charles Zug. 254-276.

Hymes, Dell. 1975. Folklore's Nature and the Sun's Myth. Journal of American Folklore 88: 345-69.

Levine, Lawrence. 1977. Black Culture and Black Consciousness. Chs. 1-3.

Radner, Joan and Susan Lanser. Strategies of Coding in Women's Folk Cultures. Feminist Messages: Coding in Women's Folk Cultures. Ed. Joan Radner. 1-29.

Samuels, David. 1999. The Whole and the Sum of the Parts. Journal of American Folklore 112 (445): 464-74.

Whisnant, David. 1983. All That is Native and Fine. Ch. 3.

Reading list is as of April 23, 2005

WRITTEN EXAMINATION

The M.A. Written Examination consists of four one-hour sections:

(1) Five identifications (one hour);

(2) Three one-hour essays, chosen from a field of at least six questions;

OR

(3) Two one-hour essays drawn from this field, and a one-hour essay on a topic of personal interest developed from an individual reading list. This personalized question is created by the student and a faculty member from conversations and a modest but well-focused reading list developed well before the exam.