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Department of Germanic Languages
University of North Carolina
438 Dey Hall, CB# 3160
Chapel Hill  NC 27599

Phone: 919-966-1642
Fax: 919-962-3708
Email: german@unc.edu


Kathryn Starkey
kstarkey@email.unc.edu | Profile

ACADEMIC POSITIONS

2004-present Associate Professor, Department of Germanic Languages and Literatures, University of North Carolina at Chapel Hill

1998-2004 Assistant Professor, Department of Germanic Languages and Literatures, University of North Carolina at Chapel Hill


EDUCATION

1998 Ph.D. German (Literature and Culture), University of California, Berkeley
1993 MA. German (Germanic Linguistics), University of California, Berkeley
1990 BA (Honours). German, Linguistics, Queen's University, Kingston, Canada

POST DOCTORATE ACADEMIC HONORS AND AWARDS

Trans-Coop Program Award, Alexander von Humboldt Foundation, Sept. 2005-Sept. 2008
Spray-Randleigh Fellowship, UNC Chapel Hill, 2004-5
Alexander von Humboldt Research Fellowship , Berlin, October 2003-August 2004; June-December 2005
University Research Council Award, UNC Chapel Hill, Spring 2003
Endowment for Scholarly Publication Award, Spring 2003
UNC Institute for the Arts and the Humanities Fellowship, UNC Chapel Hill, Spring 2002
UNC University Center for International Studies "Globalizing the Curriculum" Grant, Summer 2001
Junior Faculty Development Grant, UNC Chapel Hill, Spring 2001
Williamson Bequest for Gay and Lesbian Studies Course Development Grant, UNC Chapel Hill, 1999-2000
University Research Council Research Grant, UNC Chapel Hill, 1998


PUBLICATIONS

BOOKS
Kathryn Starkey and Horst Wenzel, eds. Visual Culture and the German Middle Ages. New York: Palgrave Press, 2005.

Kathryn Starkey, Reading the Medieval Book. Word, Image, and Performance in Wolfram von Eschenbach's "Willehalm." Notre Dame: University of Notre Dame Press, 2004.

ARTICLES
Co-authored with Haiko Wandhoff. "Mouvance - Varianz - Performanz: Die New Philolog y und der unfeste Text." In Walthers von der Vogelweide "Nemt, frouwe, disen kranz." Zehn Modellanalysen, edited by Lydia Myklautsch and Johannes Keller. Stuttgart: Reclam. (In print)

"Das unfeste Geschlecht. Űberlegungen zur Entwicklung einer volksprachlichen Ikonographie am Beispiel des Welschen Gastes." In Visualisierungsstrategien in mittelalterlichen Bildern und Texten, edited by Horst Wenzel, C. Stephen Jaeger. Berlin: Erich Schmidt, 2006.

"Das Spiegelbild bei Thomasîn von Zerclaere: (Selbst-)Reflexion und Imago in der Entwicklung des höfischen Subjekts." In Inszenierung von Subjektivität in der Literatur des Mittelalters, edited by Martin Baisch, Jutta Eming, Hendrikje Haufe, and Andrea Sieber, 230-248. Berlin : Ulrike Helmer Verlag, 2005.

" Tristan Slippers. An Image of Adultery on a Symbol of Marriage?" In Medieval Fabrications: Dress, Textiles, Clothwork and Other Cultural Imaginings, edited by E. Jane Burns, 35-53. New York: Palgrave, 2004.

"Brunhild's Smile. Emotion and the Politics of Gender in the Nibelungenlied." In Codierungen von Emotionen in der Kultur und Literatur des Mittelalters und der frühen Neuzeit: Paradigmen und Perspektiven, edited by C. Stephen Jaeger and Ingrid Kasten, 159-173. Berlin: de Gruyter, 2003.

"Bilder erzählen - Die Visualisierung von Erzählstimme und Perspektive in den Illustrationen eines Willehalm-Fragments. " In Mediale Performanzen. Historische Paradigmen und Perspektiven, edited by Jutta Eming et al., 21-48. Berlin: Rombach Verlag, 2002.

"Die Androhung der Unordnung: Inszenierung, Macht und Verhandlung in Wolframs Willehalm." Zeitschrift für deutsche Philologie 121 (2002): 321-341.

"Traversing the Boundaries of Language. Multi-Lingualism and Linguistic Difference in Wolfram von Eschenbach's Willehalm." German Quarterly 75: 1 (2002): 20-34.

"From Symbol to Scene: Changing Models of Representation in Thomasîn von Zerclaere's Welsche Gast." In Beweglichkeit der Bilder. Text und Imagination in den illustrierten Handschriften des 'Welschen Gastes' von Thomasîn von Zerclaere, edited by Horst Wenzel and Christina Lechtermann, 121-142. Pictura et poesis 15. Cologne: Boehlau, 2002.

"Ordnung und Unordnung in mittelalterlicher Literatur. Deutsch-amerikanische Mediävistentagung in München/Ruhpolding 20.-23.6.2000." Zeitschrift für deutsche Philologie 120 (2001): 426-9. (Co-authored with Andreas Kraß).

"Imagining an Early Odin: Gold Bracteates as Visual Evidence." Society for the Advancement of Scandinavian Studies 71 (1999): 373-392.

Co-author with Rauch, I. et al. "Bay Area German V: PC German." In Insights in Germanic Linguistics II, edited by G.F. Carr and I. Rauch, 207-226. Berlin: Mouton de Gruyter, 1996.

Co-author with Rauch, I. et al. "English Phonetic Contrasts in San Francisco Bay Area German." In Across the Oceans: Studies from East to West in Honor of Richard K. Seymour, edited by C. Moore and I. Rauch, 167-175. Honolulu: University of Hawaii Press, 1995.

BOOK REVIEWS, ABSTRACTS, ENCYCLOPEDIA ENTRIES

“ Johnson, L. Peter, Geschichte der deutschen Literatur von den Anfängen bis zum Beginn der Neuzeit, 2: Vom hohen zum späten Mittelalter, pt. 1: Die höfische Literatur der Blütezeit (1160/70-1220/30). Tübingen: Max Niemeyer, 1999. Paper. Pp. xi, 465 plus 16 black-and-white plates. DM 48.” Speculum.  

“Von Aufführung zu Text und Bild: Performanz und medienvermittelte Wahrnehmung der höfischen Literatur.” In Akten des X. Internationalen Germanistenkongresses Wien 2000.Band 5: Mediävistik und Kulturwissenschaften/Mediävistik und Neue Philologie, 69-74. Vienna : Peter Lang, 2002.

“Paleography.” Medieval Germany: An Encyclopedia, edited by James Jeep. 609-610. New York : Garland Press, 2001.


INVITED ACADEMIC LECTURES

"Brunhilds Lächeln. Emotion und Politik im Nibelungenlied. "
Sonderforschungsbereich 496: Symbolische Kommunikation und gesellschaftliche Wertesysteme vom Mittelalter bis zur französischen Revolution. Universität Mnster, May 2004.

"Creating a Textual/Visual Language. Technologies of Communication in the Secular German Middle Ages." Stanford History of the Book Workshop. Stanford University, March 2001.

"Perception and Reception of Medieval Secular Manuscripts and their Illustrations: Word and Image in Thomasin von Zerclaere's Welsche Gast." Standing Seminar for German History, Center for German and European Studies, Georgetown University, March 2000.

"Word and Image in a Thirteenth-Century Fragment of Wolfram von Eschenbach's Willehalm." Department of Art History, Tea Talk Lecture Series, UNC Chapel Hill, March 24, 2000.


ACADEMIC CONFERENCE PAPERS

"(Re)Constructing Gender in the Visual Program of Thomasin 's Welsche Gast." MLA, Philadelphia, December 2004.

"Das unfeste Geschlecht: Űberlegungen zur Entwicklung einer volksprachlichen Ikonographie am Beispiel des Welschen Gastes." Visualisierungsstrategien in mittelalterlichen Texten. Munich-Berlin-Urbana Medieval Studies Conference, University of Illinois at Urbana-Champaign, October-November 2003.

"Brunhild's Smile. Emotion and the Politics of Gender in the Nibelungenlied." The Thirty-Eighth International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 2003.

"Smiling and the Politics of Gender in the Nibelungenlied." Conference on Emotions and Sensibilities in the Middle Ages and Early Modern Period. University of Illinois at Urbana-Champaign, September 2002.

"Visualizing Narrative Voice and Perspective in the Images of a Willehalm Fragment." On the Cutting Edge - Intermedial Performances in a Historical Perspective. International Symposium. Sonderforschungsbereich 'Kulturen des Performativen'. Free University, Berlin, October 2001.

"Artistic License and the New Medium: Creating a Textual-Visual Language for Secular Audiences in the Thirteenth Century." Nature-Nurture: art and lêre in Medieval and Early Modern Germany. German-American Conference on Medieval and Early Modern German Literature, Cornell University, September-October 2000.

"Inszenierte Unordnung in Wolframs Willehalm." Ordnung und Unordnung in der deutschen Literatur des Mittelalters. Munich-Seattle Medieval Studies Conference, Ruhpolding, Germany, June 2000.

"Von Aufführung zu Text und Bild: Performanz und medienvermittelte Wahrnehmung der höfischen Literatur des 13. Jahrhunderts." 10. Weltkongress der internationalen Vereinigung für germanische Sprach- und Literaturwissenschaft, Vienna, September 2000.

"Sex and the Slipper. An Image of Adultery on a Symbol of Marriage." International Medieval Congress, Leeds, England, July 2000.

"Lying, Boasting and Mockery. The Faces of Falsehood in Thomasîn von Zerclaere's Welsche Gast." The 34th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 1999.

"Herbergen ist loyschieren genannt. Translation and the Problem of Mediation in Wolfram's Willehalm." MLA, Toronto, December 1997. "was sol ich da von sprechen nu? Wort, Bild und das Problem der gegenseitigen Wahrnehmung in Wolframs Willehalm." Mittelbautreffen der Mediävistik, Free, Humboldt, and Technical Universities, Berlin, May 1997.

"First Impressions: The Ritual of Arrival in the Nibelungenlied." The Thirty-First International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 1996.

"Chanting, Spitting, Blowing. The Healer in Early Germanic." 85th Annual Meeting of the Society for the Advancement of Scandinavian Studies, Washington State University, Pullman, April 1995.

"Imagining an Early Odin: Gold Bracteates as Visual Evidence." Townsend Center Research Group on Medieval History and the Visual Document, UC Berkeley, April 1995.

"In Sickness and in Health-Re-evaluating the Role and Identity of the Healer in Early Medieval Germanic Mythology." 29th Annual Meeting of the Medieval Association of the Pacific, UC Berkeley, March 1995.

"The Metropolitan Jew: Cultural Ambivalence in Lang's Metropolis." Weimar Film to Nazi Cinema: Historical Shapes and Textual Surfaces, Stanford University, Palo Alto, May 1994.

"English Phonetic Contrasts in San Francisco Bay Area German." (panelist). Berkeley-Michigan Roundtable on Germanic Linguistics, UC Berkeley, April 1993.


TEACHING AND RESEARCH INTERESTS

Medieval Literature and Culture
Arthurian Romance, Chivalry, Chronicles, Courtly Culture, the Crusades, Emotion, Gender, Old Norse Sagas, Orality and Literacy, Performance, Ritual and Representation, Space and Time, Viking Age, Violence, Women in the Middle Ages, Word and Image.

Early Modern Literature and Culture
The City, Drama, Fictions and Histories (Chronicles), Gender and Sexuality, Humor and Satire, Literature and the Court, Marriage, Print Culture, Visual Narratives.

Linguistics, Language and Textual Criticism
Early New High German, Gothic, History of the German Language, Literary Theory, Middle High German, Narrative Theory, Old High German, Old Norse, Old Saxon, Paleography, Structure of German, Translation.


LANGUAGES

German, French, Latin, Middle High German, Old High German, Old English, Old Saxon, Old Norse, Gothic.
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