Studies in Philology
Contents of volumes 51 (1954) through 99 (2002), listed by volume
This page of the Studies in Philology Online Database is its primary level and provides the most complete single listing of the journal's contents. It includes all items published in Studies in Philology from 1954 until the present, including the Extra Series, the Texts and Studies series, bibliographies, indexes, dedication essays, and authorial and editorial corrigenda. Editorial announcements have been excluded except in cases that appeared to have special significance.
This page and the other parts of the Studies in Philology Online Database will continue to be updated at least through volume 100 (2003), thus completing a survey of the fifty years and fifty volumes of Studies in Philology that will have passed since the journal was last cumulatively indexed, after volume 50 (1953).
Any comments, including notification of omissions, inconsistencies, or errors, should be directed to Britt Mize (bmize@email.unc.edu).
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| Maureen Fries | The Evolution of Eve in Medieval French and English Religious Drama | 1-16 |
| Roger A. Ladd | The Mercantile (Mis)Reader in The Canterbury Tales | 17-32 |
| Michael D. Friedman | In Defense of Authenticity | 33-56 |
| Alzada Tipton | The Transformation of the Earl of Essex: Post-Execution Ballads and "The Phoenix and the Turtle" | 57-80 |
| Esther Gilman Richey | "When he shall know me trulie": The Trial of the Subject in Ben Jonson's Letters and Religious Lyrics | 81-104 |
99.2
| Sheryl L. Forste-Grupp | A Woman Circumvents the Laws of Primogeniture in The Weddynge of Sir Gawen and Dame Ragnell | 105-22 |
| Roger E. Moore | The Spirit and the Letter: Marlowe's Tamburlaine and Elizabethan Religious Radicalism | 123-51 |
| Thomas C. Fulton | "The True and Naturall Constitution of that Mixed Government": Massinger's The Bondman and the Influence of Dutch Republicanism | 152-77 |
| Paul D. Cannan | Ben Jonson, Authorship, and the Rhetoric of English Dramatic Prefatory Criticism | 178-201 |
| Lucy Morrison | Conduct (Un)Becoming to Ladies of Literature: How-To Guides for Romantic Women Writers | 202-28 |
99.3
| Craig E. Bertolet | "Wel bet is roten appul out of hoord": Chaucer's Cook, Commerce, and Civic Order | 229-46 |
| Eric C. Brown | The Allegory of Small Things: Insect Eschatology in Spenser's Muiopotmos | 247-67 |
| Alan Roper | Absalom's Issue: Parallel Poems in the Restoration | 268-94 |
| Susan Glover | Glossing the Unvarnished Tale: Contra-dicting Possession in Castle Rackrent | 295-311 |
| Jalal Uddin Khan | Wordsworth's Revision and Publication of "Vaudracour and Julia" and "Lament of Mary Queen of Scots" | 312-35 |
99.4
| Rachel Mines | An Examination of Kuhn's Second Law and Its Validity as a Metrical-Syntactical Rule | 337-55 |
| John Tanke | Beowulf, Gold-Luck, and God's Will | 356-79 |
| Elizabeth Scala | Disarming Lancelot | 380-403 |
| Maurice Hunt | Dismemberment, Corporal Reconstitution, and the Body Politic in Cymbeline | 404-31 |
| Nicholas D. Smith | Jacopo Sannazaro's Eclogae Piscatoriae (1526) and the "Pastoral Debate" in Eighteenth-Century England | 432-50 |
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| Caroline D. Eckhardt | Havelok the Dane in Castleford's Chronicle | 1-17 |
| Ananya J. Kabir | Forging an Oral Style? Havelok and the Fiction of Orality | 18-48 |
| Myra Seaman | Engendering Genre in Middle English Romance: Performing the Feminine in Sir Beves of Hamtoun | 49-75 |
| Denise Ryan | Womanly Weaponry: Language and Power in the Chester Slaughter of the Innocents | 76-92 |
| Kathryn DeZur | Defending the Castle: The Political Problem of Rhetorical Seduction and Good Huswifery in Sidney's Old Arcadia | 93-113 |
| Kenji Go | Unemending the Emendation of "still" in Shakespeare's Sonnet 106 | 114-42 |
98.2
| Michael Kensak | Apollo exterminans: The God of Poetry in Chaucer's Manciple's Tale | 143-57 |
| Seth Lerer | An Art of the Emetic: Thomas Wilson and the Rhetoric of Parliament | 158-83 |
| Gavin Alexander | Sidney's Interruptions | 184-204 |
| R. Chris Hassel, Jr. | "No boasting like a fool"? Macbeth and Herod | 205-24 |
| Pamela Coren | In the Person of Womankind: Female Persona Poems by Campion, Donne, Jonson | 225-50 |
| Neil D. Graves | Milton and the Theory of Accommodation | 251-72 |
98.3
| Christopher M. Cain | Phonology and Meter in the Old English Macaronic Verses | 273-91 |
| Clifford Davidson | Violence and the Saint Play | 292-314 |
| Su Fang Ng | Translation, Interpretation, and Heresy: The Wycliffite Bible, Tyndale's Bible, and the Contested Origin | 315-38 |
| Steven R. Mentz | The Heroine as Courtesan: Dishonesty, Romance, and the Sense of an Ending in The Unfortunate Traveler | 339-58 |
| Roslyn L. Knutson | Histrio-Mastix: Not by John Marston | 359-77 |
| Daniel Jaeckle | Bilingual Dialogues: Marvell's Paired Latin and English Poems | 378-400 |
98.4
| John Klause | New Sources for Shakespeare's King John: The Writings of Robert Southwell | 401-27 |
| Peter Pesic | Proteus Unbound: Francis Bacon's Successors and the Defense of Experiment | 428-56 |
| Frederick G. Ribble | Fielding and William Young | 457-501 |
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| Terence Bowers | Margery Kempe as Traveler | 1-28 |
| R. W. Maslen | William Baldwin and the Politics of Pseudo-Philosophy in Tudor Prose Fiction | 29-60 |
| Barbara Hart Wyman | Boethian Influence and Imagery in the Poetry of George Herbert | 61-95 |
| Kate Aughterson | Redefining the Plain Style: Francis Bacon, Linguistic Extension, and Semantic Change in The Advancement of Learning | 96-143 |
| Paul A. Marquis | Politics and Print: The Curious Revisions to Tottel's Songes and Sonettes | 145-64 |
| Maurice Hunt | The Reclamation of Language in Much Ado about Nothing | 165-91 |
| Eric P. Levy | "Things standing thus unknown": The Epistemology of Ignorance in Hamlet | 192-209 |
| Joseph Candido | Prefatory Matter(s) in the Shakespeare Editions of Nicholas Rowe and Alexander Pope | 210-28 |
| Anne Barbeau Gardiner | "Be ye as the horse!"—Swift, Spinoza, and the Society of Virtuous Atheists | 229-53 |
| Louise Gilbert Freeman | "The Metamorphosis of Malbecco: Allegorical Violence and Ovidian Change": Author's Errata | slip inserted before p. 255 |
| John Finlayson | Petrarch, Boccaccio, and Chaucer's Clerk's Tale | 255-75 |
| Colin Fairweather | Inclusive and Exclusive Pastoral: Towards an Anatomy of Pastoral Modes | 276-307 |
| Louise Gilbert Freeman | The Metamorphosis of Malbecco: Allegorical Violence and Ovidian Change | 308-30 |
| Andrew Barnaby | The Politics of Garden Spaces: Andrew Marvell and the Anxieties of Public Speech | 331-61 |
| T. G. A. Nelson | Pre-loved Partners in Early Modern Comedy | 362-78 |
| Andrew Fleck | Here, There, and In Between: Representing Difference in the Travels of Sir John Mandeville | 379-400 |
| Candace Lines | "To Take on them judgemente": Absolutism and Debate in John Heywood's Plays | 401-32 |
| Elizabeth A. Spiller | The Counsel of Fulke Greville: Transforming the Jacobean "Nourish Father" through Sidney's "Nursing Father" | 433-53 |
| Jack Lynch | "The ground-work of stile": Johnson on the History of the Language | 454-72 |
| Nicholas A. Joukovsky | George and Mary Meredith, the East India Company, and the Society of Arts: New Light on the Author's Early Career | 473-93 |
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| Robert Epstein | Chaucer's Scogan and Scogan's Chaucer | 1-21 |
| Heather Richardson Hayton | "Many privy thinges wimpled and folde": Governance and Mutual Obligation in Usk's Testament of Love | 22-41 |
| Sheryl L. Forste-Grupp | A Possible Irish Source for the Giant Coulin of Spenser's Faerie Queene | 42-50 |
| Elizabeth Oakes | The Duchess of Malfi as a Tragedy of Identity | 51-67 |
| Melinda Gough | Jonson's Siren Stage | 68-95 |
| Jeffrey Johnson | Spectacle, Patronage, and Donne's Sermon at Hanworth, 1622 | 96-108 |
| Mel Storm | Speech, Circumspection, and Orthodontics in The Manciple's Prologue and Tale and the Wife of Bath's Portrait | 109-26 |
| Clifford Weber | Intimations of Dido and Cleopatra in Some Contemporary Portrayals of Elizabeth I | 127-43 |
| Robert Viking O'Brien | Astarte in the Temple of Venus: An Allegory of Idolatry | 144-58 |
| Craig Rustici | The Smoking Girl: Tobacco and the Representation of Mary Frith | 159-79 |
| Peggy Samuels | Duelling Erasers: Milton and Scripture | 180-203 |
| Anthony John Harding | Coleridge, the Afterlife, and the Meaning of "Hades" | 204-23 |
| Victor I. Scherb | Blasphemy and the Grotesque in the Digby Mary Magdalene | 225-40 |
| Judith Rice Henderson | John Heywood's The Spider and the Flie: Educating Queen and Country | 241-74 |
| Gregory Kneidel | "Mightie Simpleness": Protestant Pastoral Rhetoric and Spenser's Shepheardes Calender | 275-312 |
| Kate Narveson | Flesh, Excrement, Humors, Nothing: The Body in Early Stuart Devotional Discourse | 313-33 |
| Ken Simpson | Rhetoric and Revelation: Milton's Use of Sermo in De Doctrina Christiana | 334-47 |
| Anthony Low | "Umpire Conscience": Freedom, Obedience, and the Cartesian Flight from Calvin in Paradise Lost | 348-65 |
| Jane Zatta | The Vie Seinte Osith: Hagiography and Politics in Anglo-Norman England | 367-93 |
| Robert R. Edwards | The Desolate Palace and the Solitary City: Chaucer, Boccaccio, and Dante | 394-416 |
| Michael Baird Saenger | Did Sidney Revise Astrophil and Stella? | 417-38 |
| Andrea R. Nagy | Defining English: Authenticity and Standardization in Seventeenth-Century Dictionaries | 439-56 |
| Oddvar Holmesland | Margaret Cavendish's The Blazing World: Natural Art and the Body Politic | 457-79 |
| Robert D. Hume | Jeremy Collier and the Future of the London Theater in 1698 | 480-511 |
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| Siân Echard | With Carmen's Help: Latin Authorities in the Confessio Amantis | 1-40 |
| James H. Morey | Plows, Laws, and Sanctuary in Medieval England and in the Wakefield Mactacio Abel | 41-55 |
| Paul Suttie | Edmund Spenser's Political Pragmatism | 56-76 |
| Amy Elizabeth Smith | Travel Narratives and the Familiar Letter Form in the Mid-Eighteenth Century | 77-96 |
| Jennifer Sampson | Sybil, or the Two Monarchs | 97-119 |
| Lister M. Matheson | The Peasants' Revolt through Five Centuries of Rumor and Reporting: Richard Fox, John Stow, and Their Successors | 121-51 |
| David Baker | Cavalier Shakespeare: The 1640 Poems of John Benson | 152-73 |
| Alfred Lutz | The Politics of Redemption: The Case of Goldsmith's "The Deserted Village" | 174-96 |
| William Richey | The Politicized Landscape of "Tintern Abbey" | 197-219 |
| Manfred Markus | The Isle of Ladies (1475) as Satire | 221-36 |
| Cyndia Susan Clegg | Justice and Press Censorship in Book V of Spenser's Faerie Queene | 237-62 |
| Jessica Slights and Michael Morgan Holmes |
Isabella's Order: Religious Acts and Personal Desires in Measure for Measure | 263-92 |
| Marlin E. Blaine | Epic, Romance, and History in Davenant's "Madagascar" | 293-319 |
| Eric C. Walker | Charlotte Lennox and the Collier Sisters: Two New Johnson Letters | 320-32 |
| Rowena Fowler | Robert Browning in The Oxford English Dictionary: A New Approach | 333-50 |
| T. G. A. Nelson | Doing Things with Words: Another Look at Marriage Rites and Spousals in Renaissance Drama and Fiction | 351-73 |
| Anthony Presti Russell | "Thou seest mee striue for life": Magic, Virtue, and the Poetic Imagination in Donne's Anniversaries | 374-410 |
| Aparna Dharwadker | The Comedy of Dispossession | 411-34 |
| Stephen Szilagyi | The Sexual Politics of Behn's Rover: After Patriarchy | 435-55 |
| A. A. Markley | Barbarous Hexameters and Dainty Meters: Tennyson's Use of Classical Versification | 456-86 |
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| William Harmon | English Versification: Fifteen Hundred Years of Continuity and Change | 1-37 |
| Jeffrey B. Morris | To (Re)fashion a Gentleman: Ralegh's Disgrace in Spenser's Legend of Courtesy | 38-58 |
| Alan Fisher | Jonson's Funnybone | 59-84 |
| Bruce Boehrer | Jonson's Catiline and Anti-Sallustian Trends in Renaissance Humanist Historiography | 85-102 |
| Andrew Shifflett | "How Many Virtues Must I Hate": Katherine Philips and the Politics of Clemency | 103-35 |
| Ad Putter | Sources and Backgrounds for Descriptions of the Flood in Medieval and Renaissance Literature | 137-59 |
| James P. Helfers | The Explorer or the Pilgrim? Modern Critical Opinion and the Editorial Methods of Richard Hakluyt and Samuel Purchas | 160-86 |
| Carolyn E. Brown | The Homoeroticism of Duke Vincentio: "Some Feeling of the Sport" | 187-220 |
| Anthony M. Esolen | "The isles shall wait for His law": Isaiah and The Tempest | 221-47 |
| Brian Vickers | The Authenticity of Bacon's Earliest Writings | 248-96 |
| Frederick M. Biggs | Deor's Threatened "Blame" Poem | 297-320 |
| Colleen Donnelly | Aristocratic Veneer and the Substance of Verbal Bonds in The Weddynge of Sir Gawen and Dame Ragnell and Gamelyn | 321-43 |
| Cami D. Agan | The Platea in the York and Wakefield Cycles: Avenues for Liminality and Salvation | 344-67 |
| J. Christopher Warner | Poetry and Praise in Colin Clouts Come Home Againe (1595) | 368-81 |
| Lee Erickson | Satan's Apostles and the Nature of Faith in Paradise Lost Book I | 382-94 |
| Ann W. Astell | Chaucer's "St. Anne Trinity": Devotion, Dynasty, Dogma, and Debate | 395-416 |
| Victoria L. Weiss | Grail Knight or Boon Companion? The Inconsistent Sir Bors of Malory's Morte Darthur | 417-27 |
| Christopher Hodgkins | Stooping to Conquer: Heathen Idolatry and Protestant Humility in the Imperial Legend of Sir Francis Drake | 428-64 |
| Emily E. Stockard | Patterns of Consolation in Shakespeare's Sonnets 1-126 | 465-93 |
| Joost Daalder and Antony Telford Moore |
Mandrakes and Whiblins in The Honest Whore | 494-507 |
| Jalal Uddin Khan | The Allegories of Wordsworth's "The Pilgrim's Dream; or, The Star and the Glow-Worm" | 508-22 |
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| Janet Schrunk Ericksen | Lands of Unlikeness in Genesis B | 1-20 |
| Caroline D. Eckhardt | The Meaning of "Ermonie" in Sir Tristrem | 21-41 |
| Albert C. Labriola | Painting and Poetry of the Cult of Elizabeth I: The Ditchley Portrait and Donne's "Elegie: Going to Bed" | 42-63 |
| Robert Mayer | The History of Myddle: Memory, History, and Power | 64-92 |
| Richard J. DuRocher | The Wounded Earth in Paradise Lost | 93-115 |
| Brenda M. Hosington | England's First Female-Authored Encomium: The Seymour Sisters' Hecatodistichon (1550) to Marguerite de Navarre. Text, Translation, Notes, and Commentary | 117-63 |
| Antonina Harbus | Deceptive Dreams in The Wanderer | 164-79 |
| Jonathan Wilcox | Mock-Riddles in Old English: Exeter Riddles 86 and 19 | 180-87 |
| Elizabeth Freeman | Geffrei Gaimar, Vernacular Historiography, and the Assertion of Authority | 188-206 |
| Harold L. Weatherby | Spenser's Legend of |
207-17 |
| William H. Halewood | The Predicament of the Westward Rider | 218-28 |
| Eric Jager | Did Eve Invent Writing? Script and the Fall in "The Adam Books" | 229-50 |
| Åke Bergvall | Formal and Verbal Logocentrism in Augustine and Spenser | 251-66 |
| John S. Pendergast | Christian Allegory and Spenser's "General Intention" | 267-87 |
| Hugh de Quehen | Ease and Flow in Lucy Hutchinson's Lucretius | 288-303 |
| William A. Ulmer | Wordsworth, the One Life, and The Ruined Cottage | 304-31 |
| Scott Gwara | A Metaphor in Beowulf 2487a: guðhelm toglad [N.B.: The u, o, and a in "guðhelm toglad" should all have macrons to indicate vowel length; HTML does not support these characters] | 333-48 |
| Christopher Stuart | Havelok the Dane and Edward I in the 1290s | 349-64 |
| Craig E. Bertolet | "My wit is sharp; I love no taryinge": Urban Poetry and The Parlement of Foules | 365-89 |
| Carlo M. Bajetta | Ralegh's Early Poetry and Its Metrical Context | 390-411 |
| Jason Scott-Warren | The Privy Politics of Sir John Harington's New Discourse of a Stale Subject, Called the Metamorphosis of Ajax | 412-42 |
| Anthony Martin | George Herbert and Sacred "Parodie" | 443-70 |
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| Theodore L. Steinberg | The Sidneys and the Psalms | 1-17 |
| Ellen C. Caldwell | Jack Cade and Shakespeare's Henry VI, Part 2 | 18-79 |
| Michael D. Friedman | "Service is no heritage": Bertram and the Ideology of Procreation | 80-101 |
| Esther Gilman Richey | "Small Rent": Seventeenth-Century Parable and the Politics of Redemption | 102-17 |
| W. Hutchings | Conversations with a Shadow: Thomas Gray's Latin Poems to Richard West | 118-39 |
| Seiichi Suzuki | Anacrusis in the Meter of Beowulf | 141-63 |
| Daniel Donoghue | Passing the Test with Style: A Response [to Keddie in 90 (1993): 1-28] | 164-80 |
| Joel Fredell | The Three Clerks and St. Nicholas in Medieval England | 181-202 |
| Ian McAdam | Edward II and the Illusion of Integrity | 203-29 |
| Leslie Thomson | "With patient ears attend": Romeo and Juliet on the Elizabethan Stage | 230-47 |
| Ivo Kamps | Ruling Fantasies and the Fantasies of Rule: The Phoenix and Measure for Measure | 248-73 |
| Mark J. Bruhn | Approaching Busyrane: Episodic Patterning in The Faerie Queene | 275-90 |
| Ross King | Tristram Shandy and the Wound of Language | 291-310 |
| Barbara M. Benedict | Reading Faces: Physiognomy and Epistemology in Late Eighteenth-Century Sentimental Novels | 311-28 |
| Kurt Fosso | Community and Mourning in William Wordsworth's The Ruined Cottage, 1797-1798 | 329-45 |
| Bruce E. Graver | "Honorable Toil": The Georgic Ethic of Prelude I | 346-60 |
| Andrew Elfenbein | Managing the House in Dombey and Son: Dickens and the Uses of Analogy | 361-82 |
| Richard Levin | Negative Evidence | 383-410 |
| Tom McAlindon | Testing the New Historicism: "Invisible Bullets" Reconsidered | 411-38 |
| Gerald Snare | The Practice of Glossing in Late Antiquity and the Renaissance | 439-59 |
| Robert Lane | "The sequence of posterity": Shakespeare's King John and the Succession Controversy | 460-81 |
| Nicholas von Maltzahn | Samuel Butler's Milton | 482-95 |
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| Edwin Duncan | Metrical and Alliterative Relationships in Old English and Old Saxon Verse | 1-12 |
| B. R. Hutcheson | The Realizations of Tertiary Stress in Old English Poetry | 13-34 |
| María Bullón-Fernández | "By3onde þe water": Courtly and Religious Desire in Pearl | 35-49 |
| Diane R. Uhlman | The Comfort of Voice, the Solace of Script: Orality and Literacy in The Book of Margery Kempe | 50-69 |
| Edward Wheatley | Scholastic Commentary and Robert Henryson's Morall Fabillis: The Aesopic Fables | 70-99 |
| Kathleen Coyne Kelly | The Bartering of Blauncheflur in the Middle English Floris and Blauncheflur | 101-10 |
| Robert L. Kelly | Penitence as a Remedy for War in Malory's "Tale of the Death of Arthur" | 111-35 |
| Craig A. Berry | Borrowed Armor / Free Grace: The Quest for Authority in The Faerie Queene 1 and Chaucer's Tale of Sir Thopas | 136-66 |
| Paul E. J. Hammer | The Earl of Essex, Fulke Greville, and the Employment of Scholars | 167-80 |
| John Klause | Hope's Gambit: The Jesuitical, Protestant, Skeptical Origins of Donne's Heroic Ideal | 181-215 |
| Anne Barbeau Gardiner | Milton's Parody of Catholic Hymns in Eve's Temptation and Fall: Original Sin as a Paradigm of "Secret Idolatries" | 216-31 |
| Timothy Jones | Geoffrey of Monmouth, Fouke le Fitz Waryn, and National Mythology | 233-49 |
| Russell A. Peck | The Phenomenology of Make Believe in Gower's Confessio Amantis | 250-69 |
| Sidney Logan Sondergard | "To scape the rod": Resistance to Humanist Pedagogy and the Sign of the Pedant in Tudor England | 270-82 |
| Edward T. Bonahue, Jr. | "I know the place and the persons": The Play of Textual Frames in Baldwin's Beware the Cat | 283-300 |
| D. Allen Carroll | The Player-Patron in Greene's Groatsworth of Wit | 301-12 |
| Sheila T. Cavanagh | Nightmares of Desire: Evil Women in The Faerie Queene | 313-38 |
| Anne K. Krook | Satire and the Constitution of Theocracy in Absalom and Achitophel | 339-58 |
| John W. Sider | "One Man in His Time Plays Many Parts": Authorial Theatrics of Doubling in Early English Renaissance Drama | 359-89 |
| Marcy North | Ignoto in the Age of Print: The Manipulation of Anonymity in Early Modern England | 390-416 |
| Willy Maley | Spenser's Irish English: Language and Identity in Early Modern Ireland | 417-31 |
| Anna R. Beer | "Left to the world without a Maister": Sir Walter Ralegh's The History of the World as a Public Text | 432-63 |
| Anne Cotterill | The Politics and Aesthetics of Digression: Dryden's Discourse Concerning the Original and Progress of Satire | 464-95 |
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| James Keddie | Testing the Test: How Valid Is The Test of the Auxiliary? [see also Donoghue's response in 92 (1995): 164-80] | 1-28 |
| Donna Crawford | The Architectonics of Cleanness | 29-45 |
| David Baker | "To Divulgate or Set Forth": Humanism and Heresy in Sir Thomas Elyot's The Book Named The Governor | 46-57 |
| Patricia G. Pinka | Donne, Idios, and the Somerset Epithalamion | 58-73 |
| James Doelman | George Wither, the Stationers Company, and the English Psalter | 74-82 |
| Sidney Gottlieb | Allusions to George Herbert in Robert Overton's Gospell Obseruations, & Religious Manifestations | 83-100 |
| Lionel Lackey | Plausibility and the Romantic Plot Construction of Quentin Durward | 101-14 |
| Nancy Mason Bradbury | The Traditional Origins of Havelok the Dane | 115-42 |
| Roy Eriksen | Spenser's Mannerist Manoeuvres: Prothalamion (1596) | 143-75 |
| Burton J. Weber | The Interlocking Triads of the First Book of The Faerie Queene | 176-212 |
| M. L. Stapleton | "My False Eyes": The Dark Lady and Self-Knowledge | 213-30 |
| Barbara L. DeStefano | Ben Jonson's Eulogy on Shakespeare: Native Maker and the Triumph of English | 231-45 |
| Gilian West | The Second-Meaning Pun in Shakespeare's Emotional Verse | 247-76 |
| Maurice Hunt | Malvolio, Viola, and the Question of Instrumentality: Defining Providence in Twelfth Night | 277-97 |
| Inge Leimberg | The Letter Lost in George Herbert's "The Jews" | 298-321 |
| Paul Elledge | Byron and the Dissociative Imperative: The Example of Don Juan 5 | 322-46 |
| Richard Braverman | Politics in Jewish Disguise: Jacobitism and Dissent on the Post-Revolutionary Stage | 347-70 |
| Christopher J. Wheatley | Thomas Durfey's A Fond Husband, Sex Comedies of the Late 1670s and Early 1680s, and the Comic Sublime | 371-90 |
| J. P. Vander Motten | "Sometimes Admiration Quickens Our Endeavours": Dryden, Galileo, and the Essay of Dramatic Poesy | 391-425 |
| Richard Terry | Hudibras amongst the Augustans | 426-41 |
| Nicolas H. Nelson | Narrative Transformations: Prior's Art of the Tale | 442-61 |
| [Jerry Leath Mills] | Shakespeare and Stylometry: An Editorial Note [regarding Smith in 89 (1992): 434-44] | 462 |
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| Raphael Falco | Instant Artifacts: Vernacular Elegies for Sir Philip Sidney | 1-19 |
| A. Leigh DeNeef | The Poetics of Orpheus: The Text and a Study of Orpheus His Journey to Hell (1595) | 20-70 |
| Antony Hammond | Encounters of the Third Kind in Stage-Directions in Elizabethan and Jacobean Drama | 71-99 |
| Peggy Thompson | The Limits of Parody in The Country Wife | 100-14 |
| E. Douka Kabitoglou | Adapting Philosophy to Literature: The Case of John Keats | 115-36 |
| Anne Scott | Language as Convention, Language as Sociolect in Havelok the Dane | 137-60 |
| Phoebe S. Spinrad | Dogberry Hero: Shakespeare's Comic Constables in Their Communal Context | 161-78 |
| Bruce Young | Parental Blessings in Shakespeare's Plays | 179-210 |
| Claude J. Summers | Donne's 1609 Sequence of Grief and Comfort | 211-31 |
| Gary M. Bouchard | Phineas Fletcher: The Piscatory Link Between Spenserian and Miltonic Pastoral | 232-43 |
| David W. Landrum | "To Seek God": Enthusiasm and the Anglican Response in Robert Herrick's Noble Numbers | 244-55 |
| Joan G. Haahr | Criseyde's Inner Debate: The Dialectic of Enamorment in the Filostrato and the Troilus | 257-71 |
| Clare Regan Kinney | "Who made this song?": The Engendering of Lyric Counterplots in Troilus and Criseyde | 272-92 |
| Karl P. Wentersdorf | Pandarus's Haselwode: A Comparative Approach to a Chaucerian Puzzle | 293-313 |
| Lynn Staley Johnson | Chaucer, the Tale of the Second Nun, and the Strategies of Dissent | 314-33 |
| L. O. Purdon | The Pardoner's Old Man and the Second Death | 334-49 |
| John Withrington | Caxton, Malory, and The Roman War in the Morte Darthur | 350-66 |
| Laurel Means | Electionary, Lunary, Destinary, and Questionary: Toward Defining Categories of Middle English Prognostic Material | 367-403 |
| Eugene D. Hill | The First Elizabethan Tragedy: A Contextual Reading of Cambises | 404-33 |
| M. W. A. Smith | Shakespeare, Stylometry, and Sir Thomas More [see also the editoral note in 90 (1993): 462] | 434-44 |
| William G. Riggs | Poetry and Method in Milton's Of Education | 445-69 |
| Richard Nash | Translation, Editing, and Poetic Invention in Pope's Dunciad | 470-84 |
| Barbara M. Benedict | "Dear Madam": Rhetoric, Cultural Politics, and the Female Reader in Sterne's Tristram Shandy | 485-98 |
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| William Keith Hall | A Topography of Time: Historical Narration in John Stow's Survey of London | 1-15 |
| Sherman Hawkins | Structural Pattern in Shakespeare's Histories | 16-45 |
| Frederick B. Jonassen | The Meaning of Falstaff's Allusion to the Jack-a-Lent in The Merry Wives of Windsor | 46-68 |
| A. Kent Hieatt, Charles W. Hieatt, and Anne Lake Prescott |
When Did Shakespeare Write Sonnets 1609? | 69-109 |
| N. I. Matar | Peter Sterry and the Puritan Defense of Ovid in Restoration England | 110-21 |
| Karen Swenson | Death Appropriated in The Fates of Men | 123-39 |
| S. K. Heninger, Jr. | Sidney, Spenser, and Poetic Form | 140-52 |
| Jean R. Brink | Who Fashioned Edmund Spenser? The Textual History of Complaints | 153-68 |
| Maren-Sofie Röstvig | Golden Phrases: The Poetics of Giles Fletcher | 169-200 |
| [Lawrence Manley, E. Jennifer Ashworth, and David Rosand] |
London 1590: A Conference: Papers by Lawrence Manley, E. Jennifer Ashworth, and David Rosand [itemized below] | 201-49 |
| Lawrence Manley | Fictions of Settlement: London 1590 | 201-24 |
| E. Jennifer Ashworth | Logic in Late Sixteenth-Century England: Humanist Dialectic and the New Aristotelianism | 224-36 |
| David Rosand | Dialogues and Apologies: Sidney and Venice | 236-49 |
| James Dean | Gower, Chaucer, and Rhyme Royal | 251-75 |
| William F. Woods | "My Sweete Foo": Emelye's Role in The Knight's Tale | 276-306 |
| Anne Lake Prescott | Marginal Discourse: Drayton's Muse and Selden's "Story" | 307-28 |
| Nathaniel Wallace | Cultural Tropology in Romeo and Juliet | 329-44 |
| Joan Ozark Holmer | "Myself Condemned and Myself Excus'd": Tragic Effects in Romeo and Juliet | 345-62 |
| Scott Cutler Shershow | The Pit of Wit: Subplot and Unity in Middleton's A Trick to Catch the Old One | 363-81 |
| David R. Carlson, ed. | The Latin Writings of John Skelton | 125 pp. |
|
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| Michael Flachmann | The First English Epistolary Novel: The Image of Idleness (1555). Text, Introduction, and Notes | 1-74 |
| Joan Rees | Justice, Mercy, and a Shipwreck in Arcadia | 75-82 |
| Homer Swander | Editors vs. a Text: The Scripted Geography of A Midsummer Night's Dream | 83-108 |
| S. K. Heninger, Jr., Susan C. Staub, John T. Shawcross, and Anne Lake Prescott |
The Interface Between Poetry and History: Gascoigne, Spenser, Drayton [itemized below] | 109-35 |
| S. K. Heninger, Jr. | Opening Remarks | 109-10 |
| Susan C. Staub | "According to My Source": Fictionality in The Adventures of Master F. J. | 111-19 |
| John T. Shawcross | Probability as Requisite to Poetic Delight: A Re-view of the Intentionality of The Shepheardes Calender | 120-27 |
| Anne Lake Prescott | Drayton's Muse and Selden's "Story": The Interfacing of Poetry and History in Poly-Olbion | 128-35 |
| Lynn Staley Johnson | Inverse Counsel: Contexts for the Melibee | 137-55 |
| John Finlayson | Richard, Coer de Lyon: Romance, History, or Something In Between? | 156-80 |
| David Renaker | A Miracle of Engineering: The Conversion of Bensalem in Francis Bacon's New Atlantis | 181-93 |
| W. Scott Blanchard | Ut Encyclopedia Poesis: Ben Jonson's Cary-Morison Ode and the "Spheare" of "Humanitie" | 194-220 |
| Theodora A. Jankowski | Defining/Confining the Duchess: Negotiating the Female Body in John Webster's The Duchess of Malfi | 221-45 |
| John Villalobos | William Blake's "Proverbs of Hell" and the Tradition of Wisdom Literature | 246-59 |
| Michael A. Calabrese | May Devoid of All Delight: January, The Merchant's Tale, and The Romance of the Rose | 261-84 |
| Anthony M. Esolen | The Disingenuous Poet Laureate: Spenser's Adoption of Chaucer | 285-311 |
| Heather Dubrow | The Arraignment of Paridell: Tudor Historiography in The Faerie Queene, III.ix | 312-27 |
| John J. O'Connor | Terwin, Trevisan, and Spenser's Historical Allegory | 328-40 |
| William A. Oram | Spenser's Raleghs | 341-62 |
| John C. Ulreich, Jr. | Making Dreams Truths, and Fables Histories: Spenser and Milton on the Nature of Fiction | 363-77 |
| R. J. Reddick | Clause-Bound Grammar and Old English Syntax | 379-96 |
| James H. Morey | Adam and Judas in the Old English Christ and Satan | 397-409 |
| Richard Newhauser | The Meaning of Gawain's Greed | 410-26 |
| James A. Riddell and Stanley Stewart |
Jonson Reads "The Ruines of Time" | 427-55 |
| Christopher Hodgkins | "Betwixt This World and That of Grace": George Herbert and the Church in Society | 456-75 |
| Marilyn Francus | An Augustan's Metaphysical Poem: Pope's Eloisa to Abelard | 476-91 |
|
|
| John F. Vickrey | Exodus and the Robe of Joseph | 1-17 |
| Jonathan Haynes | Representing the Underworld: The Alchemist | 18-41 |
| Anthony Miller | "These forc'd ioyes": Imitation, Celebration, and Exhortation in Ben Jonson's Ode to Sir William Sidney | 42-68 |
| Jeanne Moskal | The Problem of Forgiveness in Blake's Annotations to Lavater | 69-86 |
| Dorothy Bilik | Josephus, Mosollamus, and the Ancient Mariner | 87-95 |
| Joseph C. Sitterson, Jr. | Oedipus in the Stolen Boat: Psychoanalysis and Subjectivity in The Prelude | 96-115 |
| R. D. Fulk | West Germanic Parasiting, Sievers' Law, and the Dating of Old English Verse | 117-38 |
| Jerome Bush | The Resources of Locus and Platea Staging: The Digby Mary Magdalene | 139-65 |
| Anne Lake Prescott | Spenser's Chivalric Restoration: From Bateman's Travayled Pylgrime to the Redcrosse Knight | 166-97 |
| Steven R. Shelburne | Principled Satire: Decorum in John Marston's The Metamorphosis of Pygmalions Image and Certaine Satyres | 198-218 |
| Ann Lauinger | "It makes the father, lesse, to rue": Resistance to Consolation in Jonson's "On my first Daughter" | 219-34 |
| Joshua Scodel | Genre and Occasion in Jonson's "On My First Sonne" | 235-59 |
| Lawrence M. Clopper | The Life of the Dreamer, the Dreams of the Wanderer in Piers Plowman | 261-85 |
| Thomas J. Farrell | The Style of The Clerk's Tale and the Functions of Its Glosses | 286-309 |
| Patrick Cheney | "And Doubted Her to Deeme an Earthly Wight": Male Neoplatonic "Magic" and the Problem of Female Identity in Spenser's Allegory of the Two Florimells | 310-40 |
| Reid Barbour | John Ford and Resolve | 341-66 |
| Raymond A. Anselment | "Clouded Majesty": Richard Lovelace, Sir Peter Lely, and the Royalist Spirit | 367-87 |
| Brennan O'Donnell | Numerous Verse: A Guide to the Stanzas and Metrical Structures of Wordsworth's Poetry | 136 + xvi pp. |
|
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| Patrick Gerard Cheney | "Secret Powre Unseene": Good Magic in Spenser's Legend of Britomart | 1-28 |
| Arthur F. Kinney | Shakespeare's Comedy of Errors and the Nature of Kinds | 29-52 |
| J. M. Armistead | Dryden's King Arthur and the Literary Tradition: A Way of Seeing | 53-72 |
| David F. Venturo | The Poetics of Samuel Johnson's Epitaphs and Elegies and "On the Death of Dr. Robert Levet" | 73-91 |
| Syndy McMillen Conger | Reading Lovers' Vows: Jane Austen's Reflections on English Sense and German Sensibility | 92-113 |
| Edward Copeland | Fictions of Employment: Jane Austen and the Woman's Novel | 114-24 |
| Angela G. O'Donnell | Tennyson's "English Idyls": Studies in Poetic Decorum | 125-44 |
| Hoyt N. Duggan | The Evidential Basis for Old English Metrics | 145-63 |
| Thomas D. Hill | The Devil's Forms and the Pater Noster's Powers: "The Prose Solomon and Saturn Pater Noster Dialogue" and the Motif of the Transformation Combat | 164-76 |
| Gregory M. Sadlek | The Archangel and the Cosmos: The Inner Logic of the South English Legendary's "St. Michael" | 177-91 |
| W. H. Herendeen | William Camden: Historian, Herald, and Antiquary | 192-210 |
| Larry S. Champion | "By Usurpation Thine, by Conquest Mine": Perspective and Politics in Edmund Ironside | 211-24 |
| William C. Carroll | New Plays vs. Old Readings: The Division of the Kingdoms and Folio Deletions in King Lear | 225-44 |
| Cristina Malcolmson | George Herbert's Country Parson and the Character of Social Identity | 245-66 |
| Dwayne E. Carpenter | Fickle Fortune: Gambling in Medieval Spain | 267-78 |
| David Carlson | Politicizing Tudor Court Literature: Gaguin's Embassy and Henry VII's Humanists' Response | 279-304 |
| Edward Berry | Hubert Languet and the "Making" of Philip Sidney | 305-20 |
| Harold L. Weatherby | Two Images of Mortalitie: Spenser and Original Sin | 321-52 |
| John Klause | Venus and Adonis: Can We Forgive Them? | 353-77 |
| Clark Hulse, Andrew D. Weiner, and Richard Strier |
Spenser: Myth, Politics, Poetry [itemized below] | 378-411 |
| Clark Hulse | Spenser and The Myth of Power | 378-89 |
| Andrew D. Weiner | Spenser and The Myth of Pastoral | 390-406 |
| Richard Strier | Divorcing Poetry from Politics—Two Versions: Clark Hulse and Andrew Weiner on Spenser | 407-11 |
| Frederick M. Biggs | The Passion of Andreas: Andreas 1398-1491 | 413-27 |
| Mary Blockley | Constraints on Negative Contraction with the Finite Verb and the Syntax of Old English Poetry | 428-50 |
| Theresa Tinkle | The Heart's Eye: Beatific Vision in Purity | 451-70 |
| Åke Bergvall | The "Enabling of Judgment": An Old Reading of the New Arcadia | 471-88 |
| Harold Weber | Representations of the King: Charles II and His Escape from Worcester | 489-509 |
| John F. Tinkler | Humanist History and the English Novel in the Eighteenth Century | 510-37 |
|
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| Judith H. Anderson | The Conspiracy of Realism: Impasse and Vision in King Lear | 1-23 |
| Sibyl Lutz Severance | Soul, Sphere, and Structure in "Goodfriday, 1613. Riding Westward" | 24-43 |
| Julia M. Walker | Donne's Words Taught in Numbers | 44-60 |
| Renée Hannaford | "Express'd by mee": Carew on Donne and Jonson | 61-79 |
| Thomas Wilson Hayes | Nicholas of Cusa and Popular Literacy in Seventeenth-Century England | 80-94 |
| Anne Barbeau Gardiner | Dryden's Eleonora: Passion for Public Good as a Sign of the Divine Presence | 95-118 |
| Sara Sturm-Maddox | The Rime Petrose and the Purgatorial Palinode | 119-33 |
| Kurt Olsson | John Gower's Vox Clamantis and the Medieval Idea of Place | 134-58 |
| Margarita Stocker | Remodeling Virgil: Marvell's New Astraea | 159-79 |
| Josephine Koster Tarvers | "The Deep Still Land of Colours": Color Imagery in The Defence of Guenevere and Other Poems | 180-93 |
| Paul Zietlow | The Ascending Concerns of The Ring and the Book: Reality, Moral Vision, and Salvation | 194-218 |
| Otice C. Sircy | "The Fashion of Sentiment": Allusive Technique and the Sonnets of Middlemarch | 219-44 |
| M. Teresa Tavormina | Piers Plowman and the Liturgy of St. Lawrence: Composition and Revision in Langland's Poetry | 245-71 |
| Stanton B. Garner, Jr. | Theatricality in Mankind and Everyman | 272-85 |
| Harold L. Weatherby | What Spenser Meant by Holinesse: Baptism in Book One of The Faerie Queene | 286-307 |
| Mark Thornton Burnett | Tamburlaine: An Elizabethan Vagabond | 308-23 |
| David Scott Kastan | Workshop and/as Playhouse: Comedy and Commerce in The Shoemaker's Holiday | 324-37 |
| George D. Gopen | Private Grief into Public Action: The Rhetoric of John of Gaunt in Richard II | 338-62 |
| William Harmon | Rhyme in English Verse: History, Structures, Functions | 365-93 |
| Eugene R. Cunnar | Typological Rhyme in a Sequence by Adam of St. Victor | 394-417 |
| D. W. Robertson, Jr. | The Probable Date and Purpose of Chaucer's Knight's Tale | 418-39 |
| Russell Rutter | William Caxton and Literary Patronage | 440-70 |
| D. Allen Carroll | The Badger in Greenes Groats-worth of Witte and in Shakespeare | 471-82 |
| Peter D. Wiggins | Preparing towards Lucy: "A Nocturnall" as Palinode | 483-93 |
| R. W. Burrow | Swift and Plato's Political Philosophy | 494-506 |
|
|
| James P. Carley | John Leland in Paris: The Evidence of His Poetry | 1-50 |
| Mark Eccles | Claudius Hollyband and the Earliest French-English Dictionaries | 51-61 |
| Warren W. Wooden | Sir Thomas Bodley's Life of Himself (1609) and the Epideictic Strategies of Encomia | 62-75 |
| Michael Rudick | The Text of Ralegh's Lyric, "What is our life?" | 76-87 |
| Martin C. Battestin | Fielding's Contributions to the Universal Spectator (1736-7) | 88-116 |
| Nancy Williams | The Eight Parts of a Theme in "Gascoigne's Memories: III" | 117-37 |
| Jill Colaco | The Window Scenes in Romeo and Juliet and Folk Songs of the Night Visit | 138-57 |
| Graeme J. Watson | Political Change and Continuity of Vision in Henry Vaughan's "Daphnis. an Elegiac Eclogue" | 158-81 |
| Martin Bidney | Christabel as Dark Double of Comus | 182-200 |
| Raymond F. Hilliard | Pamela: Autonomy, Subordination, and the "State of Childhood" | 201-17 |
| Lee C. R. Baker | The Open Secret of Sartor Resartus: Carlyle's Method of Converting His Reader | 218-35 |
| O. B. Hardison | Tudor Humanism and Surrey's Translation of the Aeneid | 237-60 |
| Bruce E. Graver | Wordsworth and the Language of Epic: The Translation of the Aeneid | 261-85 |
| Yakov Malkiel | Designations of the Cupbearer in Older Hispano-Romance | 286-302 |
| Constance Jordan | The Narrative Form of Pulci's Morgante | 303-30 |
| Ross Kilpatrick | The De Aetna of Pietro Bembo: A Translation | 331-58 |
| Marian Rothstein | When Fiction Is Fact: Perceptions in Sixteenth-Century France | 359-75 |
| Robert H. Ray, compiler and ed. | The Herbert Allusion Book: Allusions to George Herbert in the Seventeenth Century | 182 + ix pp. |
|
|
| Marsha Siegel | What the Debate Is and Why It Founders in Fragment A of The Canterbury Tales | 1-24 |
| Edwin D. Craun | Blaspheming Her "Awin God": Cresseid's "Lamentatioun" in Henryson's Testament | 25-41 |
| George D. Gopen | The Essential Seriousness of Robert Henryson's Moral Fables: A Study in Structure [see also the addendum in 82 (1985): 399] | 42-59 |
| Nathaniel Owen Wallace | The Responsibilities of Madness: John Skelton, "Speke, Parrot," and Homeopathic Satire | 60-80 |
| Charles E. Fantazzi | Ruzzante's Rustic Challenge to Arcadia | 81-103 |
| Anne Williams | Natural Supernaturalism in Wuthering Heights | 104-27 |
| George T. Wright | Wyatt's Decasyllabic Line | 129-56 |
| Sandra Clark | Hic Mulier, Haec Vir, and the Controversy over Masculine Women | 157-83 |
| Anne Parten | Falstaff's Horns: Masculine Inadequacy and Feminine Mirth in The Merry Wives of Windsor | 184-99 |
| Stacy M. Clanton | The "Number" of Sir Walter Ralegh's Booke of the Ocean to Scinthia | 200-11 |
| Raymond A. Anselment | The Countess of Carlisle and Caroline Praise: Convention and Reality | 212-33 |
| J. Douglas Canfield | Royalism's Last Dramatic Stand: English Political Tragedy, 1679-89 | 234-63 |
| Karl P. Wentersdorf | The Old English Rhyming Poem: A Ruler's Lament | 265-94 |
| Clare Kinney | The Needs of the Moment: Poetic Foregrounding as a Narrative Device in Beowulf | 295-314 |
| Alfred Hoelzel | Faust and the Fall | 315-31 |
| Frederick A. de Armas | Caves of Fame and Wisdom in the Spanish Pastoral Novel | 332-58 |
| T. G. A. Nelson | Sir John Harington and the Renaissance Debate over Allegory | 359-79 |
| Jennifer Brady | Jonson's "To King James": Plain Speaking in the Epigrammes and the Conversations | 380-98 |
| George D. Gopen | Addendum to SP, LXXXII, 51 | 399 |
| Craig Kallendorf | Boccaccio's Dido and the Rhetorical Criticism of Virgil's Aeneid | 401-15 |
| Janet M. Cowen | Chaucer's Legend of Good Women: Structure and Tone | 416-36 |
| T. M. Smallwood | Chaucer's Distinctive Digressions | 437-49 |
| Joseph A. Barber | The Irony of Lucrezia: Machiavelli's Donna di virtú | 450-59 |
| Kathleen M. Swaim | "Heart-Easing Mirth": L'Allegro's Inheritance of Faerie Queene II | 460-76 |
| Ann W. Astell | The Medieval Consolatio and the Conclusion of Paradise Lost | 477-92 |
| Peter M. Briggs | Locke's Essay and the Tentativeness of Tristram Shandy | 493-520 |
|
|
| Joseph A. Dane | Parody and Satire in the Literature of Thirteenth-Century Arras, Part I [see 81 (1984): 119-44 for part 2] | 1-27 |
| Sara Sturm-Maddox | "Tenir sa terre en pais": Social Order in the Brut and in the Conte del Graal | 28-41 |
| R. F. Yeager | Aspects of Gluttony in Chaucer and Gower | 42-55 |
| William E. Sheidley | "The Autor penneth, wherof he hath no proofe": The Early Elizabethan Dream Poem as a Defense of Poetic Fiction | 56-74 |
| Barbara L. DeStefano | Evolution of Extravagant Praise in Donne's Verse Epistles | 75-93 |
| John Hayden | Wordsworth, Hartley, and the Revisionists | 94-118 |
| Joseph A. Dane | Parody and Satire in the Literature of Thirteenth-Century Arras, Part II [see 81 (1984): 1-27 for part 1] | 119-44 |
| Jane Chance | The Medieval Sources of Cristoforo Landino's Allegorization of the Judgment of Paris | 145-60 |
| John C. Shields | Jerome in Colonial New England: Edward Taylor's Attitude toward Classical Paganism | 161-84 |
| Harry M. Solomon | Tragic Reconciliation: An Hegelian Analysis of All for Love | 185-211 |
| Oliver W. Ferguson | Goldsmith as Ironist | 212-28 |
| Thomas R. Preston | The Uses of Adversity: Worldly Detachment and Heavenly Treasure in The Vicar of Wakefield | 229-51 |
| O. B. Hardison | Blank Verse before Milton | 253-74 |
| Roy T. Eriksen | Two into One: The Unity of Gascoigne's Companion Poems | 275-98 |
| Richard A. McCabe | Wit, Eloquence, and Wisdom in Euphues: The Anatomy of Wit | 299-324 |
| Jill L. Levenson | Romeo and Juliet before Shakespeare | 325-47 |
| Mihoko Suzuki | "Signiorie ouer the Pages": The Crisis of Authority in Nashe's The Unfortunate Traveller | 348-71 |
| Thomas McAlindon | The Numbering of Men and Days: Symbolic Design in The Tragedy of Julius Caesar | 372-93 |
| William Craft | The Shaping Picture of Love in Sidney's New Arcadia | 395-418 |
| Daniel Traister | "To Portrait That Which in This World Is Best": Stella in Perspective | 419-37 |
| George E. Rowe, Jr. | Ben Jonson's Quarrel with Audience and Its Renaissance Context | 438-60 |
| Lee Piepho | The Latin and English Eclogues of Phineas Fletcher: Sannazaro's Piscatoria among the Britons | 461-72 |
| Dale B. J. Randall | The Ironing of George Herbert's "Collar" | 473-95 |
| W. Hutchings | Syntax of Death: Instability in Gray's Elegy Written in a Country Churchyard | 496-514 |
|
|
| Laura Kendrick | Rhetoric and the Rise of Public Poetry: The Career of Eustache Deschamps | 1-13 |
| David F. Bright and Barbara C. Bowen |
Emblems, Elephants, and Alexander | 14-24 |
| Mary Ann Cincotta | Reinventing Authority in The Faerie Queene | 25-52 |
| Jeanne M. Shami | Donne's Protestant Casuistry: Cases of Conscience in the Sermons | 53-66 |
| Thomas H. Fujimura | Dryden's Virgil: Translation as Autobiography | 67-83 |
| Derek Hughes | Art and Life in All for Love | 84-107 |
| Paul Beekman Taylor | Searoniðas: Old Norse Magic and Old English Verse | 109-25 |
| Rei R. Noguchi | Wyatt's Satires and the Iambic Pentameter Tradition | 126-41 |
| John N. Wall, Jr. | The English Reformation and the Recovery of Christian Community in Spenser's The Faerie Queene | 142-62 |
| William E. Cain | Self and Others in Two Poems by Ben Jonson | 163-82 |
| Sibyl Lutz Severance | "To Shine in Union": Measure, Number, and Harmony in Ben Jonson's "Poems of Devotion" | 183-99 |
| John R. Knott, Jr. | Bunyan and the Holy Community | 200-25 |
| John L. Selzer | The Wanderer and the Meditative Tradition | 227-37 |
| Marjorie M. Malvern | "Who peyntede the leon, tel me who?": Rhetorical and Didactic Roles Played by an Aesopic Fable in The Wife of Bath's Prologue | 238-52 |
| Eugene R. Hammond | In Praise of Wisdom and the Will of God: Erasmus' Praise of Folly and Swift's A Tale of a Tub | 253-76 |
| Judith Lee | The English Ariosto: The Elizabethan Poet and the Marvelous | 277-99 |
| John Klause | Shakespeare's Sonnets: Age in Love and the Goring of Thoughts | 300-24 |
| James R. Aubrey | Timon's Villa: Pope's Composite Picture | 325-48 |
| Melodie Monahan, ed. | Ashworth: An Unfinished Novel by Charlotte Brontë | 133 pp. |
|
|
| Robert M. Longsworth | Sir Orfeo, the Minstrel, and the Minstrel's Art | 1-11 |
| Richard M. Berrong | An Exposition of Disorder: From Pantagruel to Gargantua | 12-29 |
| J. de Oliveira e Silva | Recurrent Onomastic Textures in the Diana of Jorge de Montemajor and the Arcadia of Sir Philip Sidney | 30-40 |
| Donald Stump | Sidney's Concept of Tragedy in the Apology and in the Arcadia | 41-61 |
| Grace Starry West | Going by the Book: Classical Allusions in Shakespeare's Titus Andronicus | 62-77 |
| William L. Stull | Sacred Sonnets in Three Styles | 78-99 |
| Wendy Morgan | "Who Was Then the Gentleman?": Social, Historical, and Linguistic Codes in the Mystère d'Adam | 101-21 |
| Carter Revard | Gilote et Johane: An Interlude in B. L. MS. Harley 2253 | 122-46 |
| Cedric C. Brown and Maureen Boyd |
The Homely Sense of Herbert's "Jordan" | 147-61 |
| Nicholas R. Jones | Texts and Contexts: Two Languages in George Herbert's Poetry | 162-76 |
| Dennis Todd | The "Blunted Arms" of Dulness: The Problem of Power in the Dunciad | 177-204 |
| Michael Munday | The Novel and Its Critics in the Early Nineteenth Century | 205-26 |
| Deborah Nelson | Marcabru, Prophet of Fin'amors | 227-41 |
| Hope H. Glidden | Babil / Babel: Language Games in the Bigarrures of Estienne Tabourot | 242-55 |
| Dayton Haskin | The Burden of Interpretation in The Pilgrim's Progress | 256-78 |
| Brainerd P. Stranahan | Bunyan and the Epistle to the Hebrews: His Source for the Idea of Pilgrimage in The Pilgrim's Progress | 279-96 |
| Joseph C. Sitterson | Narrator and Reader in Lamia | 297-310 |
| Janet Freeman | Ways of Looking at Tess | 311-23 |
| Mark Eccles | Brief Lives: Tudor and Stuart Authors | 135 pp. |
|
|
| Suzanne Speyser | Dramatic Illusion and Sacred Reality in the Towneley Prima Pastorum | 1-19 |
| Robert B. Pierce | Ben Jonson's Horace and Horace's Ben Jonson | 20-31 |
| Sara van den Berg | A Jonsonian Crux: The Identity of "Elizabeth, L. H." | 32-46 |
| Huston Diehl | "Reduce Thy Understanding to Thine Eye": Seeing and Interpreting in The Atheist's Tragedy | 47-60 |
| A. D. Cousins | The Cavalier World and John Cleveland | 61-86 |
| D. W. Odell | The Argument of Young's Conjectures on Original Composition | 87-106 |
| W. H. Herendeen | The Rhetoric of Rivers: The River and the Pursuit of Knowledge | 107-27 |
| Joseph A. Barber | The Role of the Other in Dante's Vita Nuova | 128-37 |
| John Block Friedman | Another Look at Chaucer and the Physiognomists | 138-52 |
| Carolyn Asp | "Be bloody, bold and resolute": Tragic Action and Sexual Stereotyping in Macbeth | 153-69 |
| Jonathan Z. Kamholtz | Ben Jonson's Green World: Structure and Imaginative Unity in The Forrest | 170-93 |
| Ronald E. Becht | Shelley's Adonais: Formal Design and the Lyric Speaker's Crisis of Imagination | 194-210 |
| Victor Castellani | Heliocentricity in the Structure of Dante's Paradiso | 211-23 |
| Currie K. Thompson | Unstable Irony in Lope de Vega's El castigo sin venganza | 224-40 |
| Anne Falke | "The Work Well Done That Pleaseth All": Emanuel Forde and the Seventeenth-Century Popular Chivalric Romance | 241-54 |
| June Dwyer | Fulke Greville's Aesthetic: Another Perspective | 255-74 |
| Kenneth Alan Hovey | "Inventa Bellica" / "Triumphus Mortis": Herbert's Parody of Human Progress and Dialogue with Divine Grace | 275-304 |
| Manuel Schonhorn | Fielding's Ecphrastic Moment: Tom Jones and His Egyptian Majesty | 305-23 |
| Sherron E. Knopp | The Narrator and His Audience in Chaucer's Troilus and Criseyde | 323 [sic]-40 |
| Stephen C. B. Atkinson | Malory's "Healing of Sir Urry": Lancelot, the Earthly Fellowship, and the World of the Grail | 341-52 |
| James T. Henke | Politics and Politicians in The Spanish Tragedy | 353-69 |
| Robert L. Reid | Man, Woman, Child or Servant: Family Hierarchy as a Figure of Tripartite Psychology in The Faerie Queene | 370-90 |
| Robert A. White | Shamefastnesse as Verecund |