Studies in Philology
Contents of volumes 51 (1954) through 99 (2002), listed by volume
This page of the Studies in Philology Online Database is its primary level and provides the most complete single listing of the journal's contents. It includes all items published in Studies in Philology from 1954 until the present, including the Extra Series, the Texts and Studies series, bibliographies, indexes, dedication essays, and authorial and editorial corrigenda. Editorial announcements have been excluded except in cases that appeared to have special significance.
This page and the other parts of the Studies in Philology Online Database will continue to be updated at least through volume 100 (2003), thus completing a survey of the fifty years and fifty volumes of Studies in Philology that will have passed since the journal was last cumulatively indexed, after volume 50 (1953).
Any comments, including notification of omissions, inconsistencies, or errors, should be directed to Britt Mize (bmize@email.unc.edu).
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| Maureen Fries | The Evolution of Eve in Medieval French and English Religious Drama | 1-16 |
| Roger A. Ladd | The Mercantile (Mis)Reader in The Canterbury Tales | 17-32 |
| Michael D. Friedman | In Defense of Authenticity | 33-56 |
| Alzada Tipton | The Transformation of the Earl of Essex: Post-Execution Ballads and "The Phoenix and the Turtle" | 57-80 |
| Esther Gilman Richey | "When he shall know me trulie": The Trial of the Subject in Ben Jonson's Letters and Religious Lyrics | 81-104 |
99.2
| Sheryl L. Forste-Grupp | A Woman Circumvents the Laws of Primogeniture in The Weddynge of Sir Gawen and Dame Ragnell | 105-22 |
| Roger E. Moore | The Spirit and the Letter: Marlowe's Tamburlaine and Elizabethan Religious Radicalism | 123-51 |
| Thomas C. Fulton | "The True and Naturall Constitution of that Mixed Government": Massinger's The Bondman and the Influence of Dutch Republicanism | 152-77 |
| Paul D. Cannan | Ben Jonson, Authorship, and the Rhetoric of English Dramatic Prefatory Criticism | 178-201 |
| Lucy Morrison | Conduct (Un)Becoming to Ladies of Literature: How-To Guides for Romantic Women Writers | 202-28 |
99.3
| Craig E. Bertolet | "Wel bet is roten appul out of hoord": Chaucer's Cook, Commerce, and Civic Order | 229-46 |
| Eric C. Brown | The Allegory of Small Things: Insect Eschatology in Spenser's Muiopotmos | 247-67 |
| Alan Roper | Absalom's Issue: Parallel Poems in the Restoration | 268-94 |
| Susan Glover | Glossing the Unvarnished Tale: Contra-dicting Possession in Castle Rackrent | 295-311 |
| Jalal Uddin Khan | Wordsworth's Revision and Publication of "Vaudracour and Julia" and "Lament of Mary Queen of Scots" | 312-35 |
99.4
| Rachel Mines | An Examination of Kuhn's Second Law and Its Validity as a Metrical-Syntactical Rule | 337-55 |
| John Tanke | Beowulf, Gold-Luck, and God's Will | 356-79 |
| Elizabeth Scala | Disarming Lancelot | 380-403 |
| Maurice Hunt | Dismemberment, Corporal Reconstitution, and the Body Politic in Cymbeline | 404-31 |
| Nicholas D. Smith | Jacopo Sannazaro's Eclogae Piscatoriae (1526) and the "Pastoral Debate" in Eighteenth-Century England | 432-50 |
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| Caroline D. Eckhardt | Havelok the Dane in Castleford's Chronicle | 1-17 |
| Ananya J. Kabir | Forging an Oral Style? Havelok and the Fiction of Orality | 18-48 |
| Myra Seaman | Engendering Genre in Middle English Romance: Performing the Feminine in Sir Beves of Hamtoun | 49-75 |
| Denise Ryan | Womanly Weaponry: Language and Power in the Chester Slaughter of the Innocents | 76-92 |
| Kathryn DeZur | Defending the Castle: The Political Problem of Rhetorical Seduction and Good Huswifery in Sidney's Old Arcadia | 93-113 |
| Kenji Go | Unemending the Emendation of "still" in Shakespeare's Sonnet 106 | 114-42 |
98.2
| Michael Kensak | Apollo exterminans: The God of Poetry in Chaucer's Manciple's Tale | 143-57 |
| Seth Lerer | An Art of the Emetic: Thomas Wilson and the Rhetoric of Parliament | 158-83 |
| Gavin Alexander | Sidney's Interruptions | 184-204 |
| R. Chris Hassel, Jr. | "No boasting like a fool"? Macbeth and Herod | 205-24 |
| Pamela Coren | In the Person of Womankind: Female Persona Poems by Campion, Donne, Jonson | 225-50 |
| Neil D. Graves | Milton and the Theory of Accommodation | 251-72 |
98.3
| Christopher M. Cain | Phonology and Meter in the Old English Macaronic Verses | 273-91 |
| Clifford Davidson | Violence and the Saint Play | 292-314 |
| Su Fang Ng | Translation, Interpretation, and Heresy: The Wycliffite Bible, Tyndale's Bible, and the Contested Origin | 315-38 |
| Steven R. Mentz | The Heroine as Courtesan: Dishonesty, Romance, and the Sense of an Ending in The Unfortunate Traveler | 339-58 |
| Roslyn L. Knutson | Histrio-Mastix: Not by John Marston | 359-77 |
| Daniel Jaeckle | Bilingual Dialogues: Marvell's Paired Latin and English Poems | 378-400 |
98.4
| John Klause | New Sources for Shakespeare's King John: The Writings of Robert Southwell | 401-27 |
| Peter Pesic | Proteus Unbound: Francis Bacon's Successors and the Defense of Experiment | 428-56 |
| Frederick G. Ribble | Fielding and William Young | 457-501 |
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| Terence Bowers | Margery Kempe as Traveler | 1-28 |
| R. W. Maslen | William Baldwin and the Politics of Pseudo-Philosophy in Tudor Prose Fiction | 29-60 |
| Barbara Hart Wyman | Boethian Influence and Imagery in the Poetry of George Herbert | 61-95 |
| Kate Aughterson | Redefining the Plain Style: Francis Bacon, Linguistic Extension, and Semantic Change in The Advancement of Learning | 96-143 |
| Paul A. Marquis | Politics and Print: The Curious Revisions to Tottel's Songes and Sonettes | 145-64 |
| Maurice Hunt | The Reclamation of Language in Much Ado about Nothing | 165-91 |
| Eric P. Levy | "Things standing thus unknown": The Epistemology of Ignorance in Hamlet | 192-209 |
| Joseph Candido | Prefatory Matter(s) in the Shakespeare Editions of Nicholas Rowe and Alexander Pope | 210-28 |
| Anne Barbeau Gardiner | "Be ye as the horse!"—Swift, Spinoza, and the Society of Virtuous Atheists | 229-53 |
| Louise Gilbert Freeman | "The Metamorphosis of Malbecco: Allegorical Violence and Ovidian Change": Author's Errata | slip inserted before p. 255 |
| John Finlayson | Petrarch, Boccaccio, and Chaucer's Clerk's Tale | 255-75 |
| Colin Fairweather | Inclusive and Exclusive Pastoral: Towards an Anatomy of Pastoral Modes | 276-307 |
| Louise Gilbert Freeman | The Metamorphosis of Malbecco: Allegorical Violence and Ovidian Change | 308-30 |
| Andrew Barnaby | The Politics of Garden Spaces: Andrew Marvell and the Anxieties of Public Speech | 331-61 |
| T. G. A. Nelson | Pre-loved Partners in Early Modern Comedy | 362-78 |
| Andrew Fleck | Here, There, and In Between: Representing Difference in the Travels of Sir John Mandeville | 379-400 |
| Candace Lines | "To Take on them judgemente": Absolutism and Debate in John Heywood's Plays | 401-32 |
| Elizabeth A. Spiller | The Counsel of Fulke Greville: Transforming the Jacobean "Nourish Father" through Sidney's "Nursing Father" | 433-53 |
| Jack Lynch | "The ground-work of stile": Johnson on the History of the Language | 454-72 |
| Nicholas A. Joukovsky | George and Mary Meredith, the East India Company, and the Society of Arts: New Light on the Author's Early Career | 473-93 |
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| Robert Epstein | Chaucer's Scogan and Scogan's Chaucer | 1-21 |
| Heather Richardson Hayton | "Many privy thinges wimpled and folde": Governance and Mutual Obligation in Usk's Testament of Love | 22-41 |
| Sheryl L. Forste-Grupp | A Possible Irish Source for the Giant Coulin of Spenser's Faerie Queene | 42-50 |
| Elizabeth Oakes | The Duchess of Malfi as a Tragedy of Identity | 51-67 |
| Melinda Gough | Jonson's Siren Stage | 68-95 |
| Jeffrey Johnson | Spectacle, Patronage, and Donne's Sermon at Hanworth, 1622 | 96-108 |
| Mel Storm | Speech, Circumspection, and Orthodontics in The Manciple's Prologue and Tale and the Wife of Bath's Portrait | 109-26 |
| Clifford Weber | Intimations of Dido and Cleopatra in Some Contemporary Portrayals of Elizabeth I | 127-43 |
| Robert Viking O'Brien | Astarte in the Temple of Venus: An Allegory of Idolatry | 144-58 |
| Craig Rustici | The Smoking Girl: Tobacco and the Representation of Mary Frith | 159-79 |
| Peggy Samuels | Duelling Erasers: Milton and Scripture | 180-203 |
| Anthony John Harding | Coleridge, the Afterlife, and the Meaning of "Hades" | 204-23 |
| Victor I. Scherb | Blasphemy and the Grotesque in the Digby Mary Magdalene | 225-40 |
| Judith Rice Henderson | John Heywood's The Spider and the Flie: Educating Queen and Country | 241-74 |
| Gregory Kneidel | "Mightie Simpleness": Protestant Pastoral Rhetoric and Spenser's Shepheardes Calender | 275-312 |
| Kate Narveson | Flesh, Excrement, Humors, Nothing: The Body in Early Stuart Devotional Discourse | 313-33 |
| Ken Simpson | Rhetoric and Revelation: Milton's Use of Sermo in De Doctrina Christiana | 334-47 |
| Anthony Low | "Umpire Conscience": Freedom, Obedience, and the Cartesian Flight from Calvin in Paradise Lost | 348-65 |
| Jane Zatta | The Vie Seinte Osith: Hagiography and Politics in Anglo-Norman England | 367-93 |
| Robert R. Edwards | The Desolate Palace and the Solitary City: Chaucer, Boccaccio, and Dante | 394-416 |
| Michael Baird Saenger | Did Sidney Revise Astrophil and Stella? | 417-38 |
| Andrea R. Nagy | Defining English: Authenticity and Standardization in Seventeenth-Century Dictionaries | 439-56 |
| Oddvar Holmesland | Margaret Cavendish's The Blazing World: Natural Art and the Body Politic | 457-79 |
| Robert D. Hume | Jeremy Collier and the Future of the London Theater in 1698 | 480-511 |
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| Siân Echard | With Carmen's Help: Latin Authorities in the Confessio Amantis | 1-40 |
| James H. Morey | Plows, Laws, and Sanctuary in Medieval England and in the Wakefield Mactacio Abel | 41-55 |
| Paul Suttie | Edmund Spenser's Political Pragmatism | 56-76 |
| Amy Elizabeth Smith | Travel Narratives and the Familiar Letter Form in the Mid-Eighteenth Century | 77-96 |
| Jennifer Sampson | Sybil, or the Two Monarchs | 97-119 |
| Lister M. Matheson | The Peasants' Revolt through Five Centuries of Rumor and Reporting: Richard Fox, John Stow, and Their Successors | 121-51 |
| David Baker | Cavalier Shakespeare: The 1640 Poems of John Benson | 152-73 |
| Alfred Lutz | The Politics of Redemption: The Case of Goldsmith's "The Deserted Village" | 174-96 |
| William Richey | The Politicized Landscape of "Tintern Abbey" | 197-219 |
| Manfred Markus | The Isle of Ladies (1475) as Satire | 221-36 |
| Cyndia Susan Clegg | Justice and Press Censorship in Book V of Spenser's Faerie Queene | 237-62 |
| Jessica Slights and Michael Morgan Holmes |
Isabella's Order: Religious Acts and Personal Desires in Measure for Measure | 263-92 |
| Marlin E. Blaine | Epic, Romance, and History in Davenant's "Madagascar" | 293-319 |
| Eric C. Walker | Charlotte Lennox and the Collier Sisters: Two New Johnson Letters | 320-32 |
| Rowena Fowler | Robert Browning in The Oxford English Dictionary: A New Approach | 333-50 |
| T. G. A. Nelson | Doing Things with Words: Another Look at Marriage Rites and Spousals in Renaissance Drama and Fiction | 351-73 |
| Anthony Presti Russell | "Thou seest mee striue for life": Magic, Virtue, and the Poetic Imagination in Donne's Anniversaries | 374-410 |
| Aparna Dharwadker | The Comedy of Dispossession | 411-34 |
| Stephen Szilagyi | The Sexual Politics of Behn's Rover: After Patriarchy | 435-55 |
| A. A. Markley | Barbarous Hexameters and Dainty Meters: Tennyson's Use of Classical Versification | 456-86 |
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| William Harmon | English Versification: Fifteen Hundred Years of Continuity and Change | 1-37 |
| Jeffrey B. Morris | To (Re)fashion a Gentleman: Ralegh's Disgrace in Spenser's Legend of Courtesy | 38-58 |
| Alan Fisher | Jonson's Funnybone | 59-84 |
| Bruce Boehrer | Jonson's Catiline and Anti-Sallustian Trends in Renaissance Humanist Historiography | 85-102 |
| Andrew Shifflett | "How Many Virtues Must I Hate": Katherine Philips and the Politics of Clemency | 103-35 |
| Ad Putter | Sources and Backgrounds for Descriptions of the Flood in Medieval and Renaissance Literature | 137-59 |
| James P. Helfers | The Explorer or the Pilgrim? Modern Critical Opinion and the Editorial Methods of Richard Hakluyt and Samuel Purchas | 160-86 |
| Carolyn E. Brown | The Homoeroticism of Duke Vincentio: "Some Feeling of the Sport" | 187-220 |
| Anthony M. Esolen | "The isles shall wait for His law": Isaiah and The Tempest | 221-47 |
| Brian Vickers | The Authenticity of Bacon's Earliest Writings | 248-96 |
| Frederick M. Biggs | Deor's Threatened "Blame" Poem | 297-320 |
| Colleen Donnelly | Aristocratic Veneer and the Substance of Verbal Bonds in The Weddynge of Sir Gawen and Dame Ragnell and Gamelyn | 321-43 |
| Cami D. Agan | The Platea in the York and Wakefield Cycles: Avenues for Liminality and Salvation | 344-67 |
| J. Christopher Warner | Poetry and Praise in Colin Clouts Come Home Againe (1595) | 368-81 |
| Lee Erickson | Satan's Apostles and the Nature of Faith in Paradise Lost Book I | 382-94 |
| Ann W. Astell | Chaucer's "St. Anne Trinity": Devotion, Dynasty, Dogma, and Debate | 395-416 |
| Victoria L. Weiss | Grail Knight or Boon Companion? The Inconsistent Sir Bors of Malory's Morte Darthur | 417-27 |
| Christopher Hodgkins | Stooping to Conquer: Heathen Idolatry and Protestant Humility in the Imperial Legend of Sir Francis Drake | 428-64 |
| Emily E. Stockard | Patterns of Consolation in Shakespeare's Sonnets 1-126 | 465-93 |
| Joost Daalder and Antony Telford Moore |
Mandrakes and Whiblins in The Honest Whore | 494-507 |
| Jalal Uddin Khan | The Allegories of Wordsworth's "The Pilgrim's Dream; or, The Star and the Glow-Worm" | 508-22 |
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| Janet Schrunk Ericksen | Lands of Unlikeness in Genesis B | 1-20 |
| Caroline D. Eckhardt | The Meaning of "Ermonie" in Sir Tristrem | 21-41 |
| Albert C. Labriola | Painting and Poetry of the Cult of Elizabeth I: The Ditchley Portrait and Donne's "Elegie: Going to Bed" | 42-63 |
| Robert Mayer | The History of Myddle: Memory, History, and Power | 64-92 |
| Richard J. DuRocher | The Wounded Earth in Paradise Lost | 93-115 |
| Brenda M. Hosington | England's First Female-Authored Encomium: The Seymour Sisters' Hecatodistichon (1550) to Marguerite de Navarre. Text, Translation, Notes, and Commentary | 117-63 |
| Antonina Harbus | Deceptive Dreams in The Wanderer | 164-79 |
| Jonathan Wilcox | Mock-Riddles in Old English: Exeter Riddles 86 and 19 | 180-87 |
| Elizabeth Freeman | Geffrei Gaimar, Vernacular Historiography, and the Assertion of Authority | 188-206 |
| Harold L. Weatherby | Spenser's Legend of |
207-17 |
| William H. Halewood | The Predicament of the Westward Rider | 218-28 |
| Eric Jager | Did Eve Invent Writing? Script and the Fall in "The Adam Books" | 229-50 |
| Åke Bergvall | Formal and Verbal Logocentrism in Augustine and Spenser | 251-66 |
| John S. Pendergast | Christian Allegory and Spenser's "General Intention" | 267-87 |
| Hugh de Quehen | Ease and Flow in Lucy Hutchinson's Lucretius | 288-303 |
| William A. Ulmer | Wordsworth, the One Life, and The Ruined Cottage | 304-31 |
| Scott Gwara | A Metaphor in Beowulf 2487a: guðhelm toglad [N.B.: The u, o, and a in "guðhelm toglad" should all have macrons to indicate vowel length; HTML does not support these characters] | 333-48 |
| Christopher Stuart | Havelok the Dane and Edward I in the 1290s | 349-64 |
| Craig E. Bertolet | "My wit is sharp; I love no taryinge": Urban Poetry and The Parlement of Foules | 365-89 |
| Carlo M. Bajetta | Ralegh's Early Poetry and Its Metrical Context | 390-411 |
| Jason Scott-Warren | The Privy Politics of Sir John Harington's New Discourse of a Stale Subject, Called the Metamorphosis of Ajax | 412-42 |
| Anthony Martin | George Herbert and Sacred "Parodie" | 443-70 |
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| Theodore L. Steinberg | The Sidneys and the Psalms | 1-17 |
| Ellen C. Caldwell | Jack Cade and Shakespeare's Henry VI, Part 2 | 18-79 |
| Michael D. Friedman | "Service is no heritage": Bertram and the Ideology of Procreation | 80-101 |
| Esther Gilman Richey | "Small Rent": Seventeenth-Century Parable and the Politics of Redemption | 102-17 |
| W. Hutchings | Conversations with a Shadow: Thomas Gray's Latin Poems to Richard West | 118-39 |
| Seiichi Suzuki | Anacrusis in the Meter of Beowulf | 141-63 |
| Daniel Donoghue | Passing the Test with Style: A Response [to Keddie in 90 (1993): 1-28] | 164-80 |
| Joel Fredell | The Three Clerks and St. Nicholas in Medieval England | 181-202 |
| Ian McAdam | Edward II and the Illusion of Integrity | 203-29 |
| Leslie Thomson | "With patient ears attend": Romeo and Juliet on the Elizabethan Stage | 230-47 |
| Ivo Kamps | Ruling Fantasies and the Fantasies of Rule: The Phoenix and Measure for Measure | 248-73 |
| Mark J. Bruhn | Approaching Busyrane: Episodic Patterning in The Faerie Queene | 275-90 |
| Ross King | Tristram Shandy and the Wound of Language | 291-310 |
| Barbara M. Benedict | Reading Faces: Physiognomy and Epistemology in Late Eighteenth-Century Sentimental Novels | 311-28 |
| Kurt Fosso | Community and Mourning in William Wordsworth's The Ruined Cottage, 1797-1798 | 329-45 |
| Bruce E. Graver | "Honorable Toil": The Georgic Ethic of Prelude I | 346-60 |
| Andrew Elfenbein | Managing the House in Dombey and Son: Dickens and the Uses of Analogy | 361-82 |
| Richard Levin | Negative Evidence | 383-410 |
| Tom McAlindon | Testing the New Historicism: "Invisible Bullets" Reconsidered | 411-38 |
| Gerald Snare | The Practice of Glossing in Late Antiquity and the Renaissance | 439-59 |
| Robert Lane | "The sequence of posterity": Shakespeare's King John and the Succession Controversy | 460-81 |
| Nicholas von Maltzahn | Samuel Butler's Milton | 482-95 |
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| Edwin Duncan | Metrical and Alliterative Relationships in Old English and Old Saxon Verse | 1-12 |
| B. R. Hutcheson | The Realizations of Tertiary Stress in Old English Poetry | 13-34 |
| María Bullón-Fernández | "By3onde þe water": Courtly and Religious Desire in Pearl | 35-49 |
| Diane R. Uhlman | The Comfort of Voice, the Solace of Script: Orality and Literacy in The Book of Margery Kempe | 50-69 |
| Edward Wheatley | Scholastic Commentary and Robert Henryson's Morall Fabillis: The Aesopic Fables | 70-99 |
| Kathleen Coyne Kelly | The Bartering of Blauncheflur in the Middle English Floris and Blauncheflur | 101-10 |
| Robert L. Kelly | Penitence as a Remedy for War in Malory's "Tale of the Death of Arthur" | 111-35 |
| Craig A. Berry | Borrowed Armor / Free Grace: The Quest for Authority in The Faerie Queene 1 and Chaucer's Tale of Sir Thopas | 136-66 |
| Paul E. J. Hammer | The Earl of Essex, Fulke Greville, and the Employment of Scholars | 167-80 |
| John Klause | Hope's Gambit: The Jesuitical, Protestant, Skeptical Origins of Donne's Heroic Ideal | 181-215 |
| Anne Barbeau Gardiner | Milton's Parody of Catholic Hymns in Eve's Temptation and Fall: Original Sin as a Paradigm of "Secret Idolatries" | 216-31 |
| Timothy Jones | Geoffrey of Monmouth, Fouke le Fitz Waryn, and National Mythology | 233-49 |
| Russell A. Peck | The Phenomenology of Make Believe in Gower's Confessio Amantis | 250-69 |
| Sidney Logan Sondergard | "To scape the rod": Resistance to Humanist Pedagogy and the Sign of the Pedant in Tudor England | 270-82 |
| Edward T. Bonahue, Jr. | "I know the place and the persons": The Play of Textual Frames in Baldwin's Beware the Cat | 283-300 |
| D. Allen Carroll | The Player-Patron in Greene's Groatsworth of Wit | 301-12 |
| Sheila T. Cavanagh | Nightmares of Desire: Evil Women in The Faerie Queene | 313-38 |
| Anne K. Krook | Satire and the Constitution of Theocracy in Absalom and Achitophel | 339-58 |
| John W. Sider | "One Man in His Time Plays Many Parts": Authorial Theatrics of Doubling in Early English Renaissance Drama | 359-89 |
| Marcy North | Ignoto in the Age of Print: The Manipulation of Anonymity in Early Modern England | 390-416 |
| Willy Maley | Spenser's Irish English: Language and Identity in Early Modern Ireland | 417-31 |
| Anna R. Beer | "Left to the world without a Maister": Sir Walter Ralegh's The History of the World as a Public Text | 432-63 |
| Anne Cotterill | The Politics and Aesthetics of Digression: Dryden's Discourse Concerning the Original and Progress of Satire | 464-95 |
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| James Keddie | Testing the Test: How Valid Is The Test of the Auxiliary? [see also Donoghue's response in 92 (1995): 164-80] | 1-28 |
| Donna Crawford | The Architectonics of Cleanness | 29-45 |
| David Baker | "To Divulgate or Set Forth": Humanism and Heresy in Sir Thomas Elyot's The Book Named The Governor | 46-57 |
| Patricia G. Pinka | Donne, Idios, and the Somerset Epithalamion | 58-73 |
| James Doelman | George Wither, the Stationers Company, and the English Psalter | 74-82 |
| Sidney Gottlieb | Allusions to George Herbert in Robert Overton's Gospell Obseruations, & Religious Manifestations | 83-100 |
| Lionel Lackey | Plausibility and the Romantic Plot Construction of Quentin Durward | 101-14 |
| Nancy Mason Bradbury | The Traditional Origins of Havelok the Dane | 115-42 |
| Roy Eriksen | Spenser's Mannerist Manoeuvres: Prothalamion (1596) | 143-75 |
| Burton J. Weber | The Interlocking Triads of the First Book of The Faerie Queene | 176-212 |
| M. L. Stapleton | "My False Eyes": The Dark Lady and Self-Knowledge | 213-30 |
| Barbara L. DeStefano | Ben Jonson's Eulogy on Shakespeare: Native Maker and the Triumph of English | 231-45 |
| Gilian West | The Second-Meaning Pun in Shakespeare's Emotional Verse | 247-76 |
| Maurice Hunt | Malvolio, Viola, and the Question of Instrumentality: Defining Providence in Twelfth Night | 277-97 |
| Inge Leimberg | The Letter Lost in George Herbert's "The Jews" | 298-321 |
| Paul Elledge | Byron and the Dissociative Imperative: The Example of Don Juan 5 | 322-46 |
| Richard Braverman | Politics in Jewish Disguise: Jacobitism and Dissent on the Post-Revolutionary Stage | 347-70 |
| Christopher J. Wheatley | Thomas Durfey's A Fond Husband, Sex Comedies of the Late 1670s and Early 1680s, and the Comic Sublime | 371-90 |
| J. P. Vander Motten | "Sometimes Admiration Quickens Our Endeavours": Dryden, Galileo, and the Essay of Dramatic Poesy | 391-425 |
| Richard Terry | Hudibras amongst the Augustans | 426-41 |
| Nicolas H. Nelson | Narrative Transformations: Prior's Art of the Tale | 442-61 |
| [Jerry Leath Mills] | Shakespeare and Stylometry: An Editorial Note [regarding Smith in 89 (1992): 434-44] | 462 |
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| Raphael Falco | Instant Artifacts: Vernacular Elegies for Sir Philip Sidney | 1-19 |
| A. Leigh DeNeef | The Poetics of Orpheus: The Text and a Study of Orpheus His Journey to Hell (1595) | 20-70 |
| Antony Hammond | Encounters of the Third Kind in Stage-Directions in Elizabethan and Jacobean Drama | 71-99 |
| Peggy Thompson | The Limits of Parody in The Country Wife | 100-14 |
| E. Douka Kabitoglou | Adapting Philosophy to Literature: The Case of John Keats | 115-36 |
| Anne Scott | Language as Convention, Language as Sociolect in Havelok the Dane | 137-60 |
| Phoebe S. Spinrad | Dogberry Hero: Shakespeare's Comic Constables in Their Communal Context | 161-78 |
| Bruce Young | Parental Blessings in Shakespeare's Plays | 179-210 |
| Claude J. Summers | Donne's 1609 Sequence of Grief and Comfort | 211-31 |
| Gary M. Bouchard | Phineas Fletcher: The Piscatory Link Between Spenserian and Miltonic Pastoral | 232-43 |
| David W. Landrum | "To Seek God": Enthusiasm and the Anglican Response in Robert Herrick's Noble Numbers | 244-55 |
| Joan G. Haahr | Criseyde's Inner Debate: The Dialectic of Enamorment in the Filostrato and the Troilus | 257-71 |
| Clare Regan Kinney | "Who made this song?": The Engendering of Lyric Counterplots in Troilus and Criseyde | 272-92 |
| Karl P. Wentersdorf | Pandarus's Haselwode: A Comparative Approach to a Chaucerian Puzzle | 293-313 |
| Lynn Staley Johnson | Chaucer, the Tale of the Second Nun, and the Strategies of Dissent | 314-33 |
| L. O. Purdon | The Pardoner's Old Man and the Second Death | 334-49 |
| John Withrington | Caxton, Malory, and The Roman War in the Morte Darthur | 350-66 |
| Laurel Means | Electionary, Lunary, Destinary, and Questionary: Toward Defining Categories of Middle English Prognostic Material | 367-403 |
| Eugene D. Hill | The First Elizabethan Tragedy: A Contextual Reading of Cambises | 404-33 |
| M. W. A. Smith | Shakespeare, Stylometry, and Sir Thomas More [see also the editoral note in 90 (1993): 462] | 434-44 |
| William G. Riggs | Poetry and Method in Milton's Of Education | 445-69 |
| Richard Nash | Translation, Editing, and Poetic Invention in Pope's Dunciad | 470-84 |
| Barbara M. Benedict | "Dear Madam": Rhetoric, Cultural Politics, and the Female Reader in Sterne's Tristram Shandy | 485-98 |
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| William Keith Hall | A Topography of Time: Historical Narration in John Stow's Survey of London | 1-15 |
| Sherman Hawkins | Structural Pattern in Shakespeare's Histories | 16-45 |
| Frederick B. Jonassen | The Meaning of Falstaff's Allusion to the Jack-a-Lent in The Merry Wives of Windsor | 46-68 |
| A. Kent Hieatt, Charles W. Hieatt, and Anne Lake Prescott |
When Did Shakespeare Write Sonnets 1609? | 69-109 |
| N. I. Matar | Peter Sterry and the Puritan Defense of Ovid in Restoration England | 110-21 |
| Karen Swenson | Death Appropriated in The Fates of Men | 123-39 |
| S. K. Heninger, Jr. | Sidney, Spenser, and Poetic Form | 140-52 |
| Jean R. Brink | Who Fashioned Edmund Spenser? The Textual History of Complaints | 153-68 |
| Maren-Sofie Röstvig | Golden Phrases: The Poetics of Giles Fletcher | 169-200 |
| [Lawrence Manley, E. Jennifer Ashworth, and David Rosand] |
London 1590: A Conference: Papers by Lawrence Manley, E. Jennifer Ashworth, and David Rosand [itemized below] | 201-49 |
| Lawrence Manley | Fictions of Settlement: London 1590 | 201-24 |
| E. Jennifer Ashworth | Logic in Late Sixteenth-Century England: Humanist Dialectic and the New Aristotelianism | 224-36 |
| David Rosand | Dialogues and Apologies: Sidney and Venice | 236-49 |
| James Dean | Gower, Chaucer, and Rhyme Royal | 251-75 |
| William F. Woods | "My Sweete Foo": Emelye's Role in The Knight's Tale | 276-306 |
| Anne Lake Prescott | Marginal Discourse: Drayton's Muse and Selden's "Story" | 307-28 |
| Nathaniel Wallace | Cultural Tropology in Romeo and Juliet | 329-44 |
| Joan Ozark Holmer | "Myself Condemned and Myself Excus'd": Tragic Effects in Romeo and Juliet | 345-62 |
| Scott Cutler Shershow | The Pit of Wit: Subplot and Unity in Middleton's A Trick to Catch the Old One | 363-81 |
| David R. Carlson, ed. | The Latin Writings of John Skelton | 125 pp. |
|
|
| Michael Flachmann | The First English Epistolary Novel: The Image of Idleness (1555). Text, Introduction, and Notes | 1-74 |
| Joan Rees | Justice, Mercy, and a Shipwreck in Arcadia | 75-82 |
| Homer Swander | Editors vs. a Text: The Scripted Geography of A Midsummer Night's Dream | 83-108 |
| S. K. Heninger, Jr., Susan C. Staub, John T. Shawcross, and Anne Lake Prescott |
The Interface Between Poetry and History: Gascoigne, Spenser, Drayton [itemized below] | 109-35 |
| S. K. Heninger, Jr. | Opening Remarks | 109-10 |
| Susan C. Staub | "According to My Source": Fictionality in The Adventures of Master F. J. | 111-19 |
| John T. Shawcross | Probability as Requisite to Poetic Delight: A Re-view of the Intentionality of The Shepheardes Calender | 120-27 |
| Anne Lake Prescott | Drayton's Muse and Selden's "Story": The Interfacing of Poetry and History in Poly-Olbion | 128-35 |
| Lynn Staley Johnson | Inverse Counsel: Contexts for the Melibee | 137-55 |
| John Finlayson | Richard, Coer de Lyon: Romance, History, or Something In Between? | 156-80 |
| David Renaker | A Miracle of Engineering: The Conversion of Bensalem in Francis Bacon's New Atlantis | 181-93 |
| W. Scott Blanchard | Ut Encyclopedia Poesis: Ben Jonson's Cary-Morison Ode and the "Spheare" of "Humanitie" | 194-220 |
| Theodora A. Jankowski | Defining/Confining the Duchess: Negotiating the Female Body in John Webster's The Duchess of Malfi | 221-45 |
| John Villalobos | William Blake's "Proverbs of Hell" and the Tradition of Wisdom Literature | 246-59 |
| Michael A. Calabrese | May Devoid of All Delight: January, The Merchant's Tale, and The Romance of the Rose | 261-84 |
| Anthony M. Esolen | The Disingenuous Poet Laureate: Spenser's Adoption of Chaucer | 285-311 |
| Heather Dubrow | The Arraignment of Paridell: Tudor Historiography in The Faerie Queene, III.ix | 312-27 |
| John J. O'Connor | Terwin, Trevisan, and Spenser's Historical Allegory | 328-40 |
| William A. Oram | Spenser's Raleghs | 341-62 |
| John C. Ulreich, Jr. | Making Dreams Truths, and Fables Histories: Spenser and Milton on the Nature of Fiction | 363-77 |
| R. J. Reddick | Clause-Bound Grammar and Old English Syntax | 379-96 |
| James H. Morey | Adam and Judas in the Old English Christ and Satan | 397-409 |
| Richard Newhauser | The Meaning of Gawain's Greed | 410-26 |
| James A. Riddell and Stanley Stewart |
Jonson Reads "The Ruines of Time" | 427-55 |
| Christopher Hodgkins | "Betwixt This World and That of Grace": George Herbert and the Church in Society | 456-75 |
| Marilyn Francus | An Augustan's Metaphysical Poem: Pope's Eloisa to Abelard | 476-91 |
|
|
| John F. Vickrey | Exodus and the Robe of Joseph | 1-17 |
| Jonathan Haynes | Representing the Underworld: The Alchemist | 18-41 |
| Anthony Miller | "These forc'd ioyes": Imitation, Celebration, and Exhortation in Ben Jonson's Ode to Sir William Sidney | 42-68 |
| Jeanne Moskal | The Problem of Forgiveness in Blake's Annotations to Lavater | 69-86 |
| Dorothy Bilik | Josephus, Mosollamus, and the Ancient Mariner | 87-95 |
| Joseph C. Sitterson, Jr. | Oedipus in the Stolen Boat: Psychoanalysis and Subjectivity in The Prelude | 96-115 |
| R. D. Fulk | West Germanic Parasiting, Sievers' Law, and the Dating of Old English Verse | 117-38 |
| Jerome Bush | The Resources of Locus and Platea Staging: The Digby Mary Magdalene | 139-65 |
| Anne Lake Prescott | Spenser's Chivalric Restoration: From Bateman's Travayled Pylgrime to the Redcrosse Knight | 166-97 |
| Steven R. Shelburne | Principled Satire: Decorum in John Marston's The Metamorphosis of Pygmalions Image and Certaine Satyres | 198-218 |
| Ann Lauinger | "It makes the father, lesse, to rue": Resistance to Consolation in Jonson's "On my first Daughter" | 219-34 |
| Joshua Scodel | Genre and Occasion in Jonson's "On My First Sonne" | 235-59 |
| Lawrence M. Clopper | The Life of the Dreamer, the Dreams of the Wanderer in Piers Plowman | 261-85 |
| Thomas J. Farrell | The Style of The Clerk's Tale and the Functions of Its Glosses | 286-309 |
| Patrick Cheney | "And Doubted Her to Deeme an Earthly Wight": Male Neoplatonic "Magic" and the Problem of Female Identity in Spenser's Allegory of the Two Florimells | 310-40 |
| Reid Barbour | John Ford and Resolve | 341-66 |
| Raymond A. Anselment | "Clouded Majesty": Richard Lovelace, Sir Peter Lely, and the Royalist Spirit | 367-87 |
| Brennan O'Donnell | Numerous Verse: A Guide to the Stanzas and Metrical Structures of Wordsworth's Poetry | 136 + xvi pp. |
|
|
| Patrick Gerard Cheney | "Secret Powre Unseene": Good Magic in Spenser's Legend of Britomart | 1-28 |
| Arthur F. Kinney | Shakespeare's Comedy of Errors and the Nature of Kinds | 29-52 |
| J. M. Armistead | Dryden's King Arthur and the Literary Tradition: A Way of Seeing | 53-72 |
| David F. Venturo | The Poetics of Samuel Johnson's Epitaphs and Elegies and "On the Death of Dr. Robert Levet" | 73-91 |
| Syndy McMillen Conger | Reading Lovers' Vows: Jane Austen's Reflections on English Sense and German Sensibility | 92-113 |
| Edward Copeland | Fictions of Employment: Jane Austen and the Woman's Novel | 114-24 |
| Angela G. O'Donnell | Tennyson's "English Idyls": Studies in Poetic Decorum | 125-44 |
| Hoyt N. Duggan | The Evidential Basis for Old English Metrics | 145-63 |
| Thomas D. Hill | The Devil's Forms and the Pater Noster's Powers: "The Prose Solomon and Saturn Pater Noster Dialogue" and the Motif of the Transformation Combat | 164-76 |
| Gregory M. Sadlek | The Archangel and the Cosmos: The Inner Logic of the South English Legendary's "St. Michael" | 177-91 |
| W. H. Herendeen | William Camden: Historian, Herald, and Antiquary | 192-210 |
| Larry S. Champion | "By Usurpation Thine, by Conquest Mine": Perspective and Politics in Edmund Ironside | 211-24 |
| William C. Carroll | New Plays vs. Old Readings: The Division of the Kingdoms and Folio Deletions in King Lear | 225-44 |
| Cristina Malcolmson | George Herbert's Country Parson and the Character of Social Identity | 245-66 |
| Dwayne E. Carpenter | Fickle Fortune: Gambling in Medieval Spain | 267-78 |
| David Carlson | Politicizing Tudor Court Literature: Gaguin's Embassy and Henry VII's Humanists' Response | 279-304 |
| Edward Berry | Hubert Languet and the "Making" of Philip Sidney | 305-20 |
| Harold L. Weatherby | Two Images of Mortalitie: Spenser and Original Sin | 321-52 |
| John Klause | Venus and Adonis: Can We Forgive Them? | 353-77 |
| Clark Hulse, Andrew D. Weiner, and Richard Strier |
Spenser: Myth, Politics, Poetry [itemized below] | 378-411 |
| Clark Hulse | Spenser and The Myth of Power | 378-89 |
| Andrew D. Weiner | Spenser and The Myth of Pastoral | 390-406 |
| Richard Strier | Divorcing Poetry from Politics—Two Versions: Clark Hulse and Andrew Weiner on Spenser | 407-11 |
| Frederick M. Biggs | The Passion of Andreas: Andreas 1398-1491 | 413-27 |
| Mary Blockley | Constraints on Negative Contraction with the Finite Verb and the Syntax of Old English Poetry | 428-50 |
| Theresa Tinkle | The Heart's Eye: Beatific Vision in Purity | 451-70 |
| Åke Bergvall | The "Enabling of Judgment": An Old Reading of the New Arcadia | 471-88 |
| Harold Weber | Representations of the King: Charles II and His Escape from Worcester | 489-509 |
| John F. Tinkler | Humanist History and the English Novel in the Eighteenth Century | 510-37 |
|
|
| Judith H. Anderson | The Conspiracy of Realism: Impasse and Vision in King Lear | 1-23 |
| Sibyl Lutz Severance | Soul, Sphere, and Structure in "Goodfriday, 1613. Riding Westward" | 24-43 |
| Julia M. Walker | Donne's Words Taught in Numbers | 44-60 |
| Renée Hannaford | "Express'd by mee": Carew on Donne and Jonson | 61-79 |
| Thomas Wilson Hayes | Nicholas of Cusa and Popular Literacy in Seventeenth-Century England | 80-94 |
| Anne Barbeau Gardiner | Dryden's Eleonora: Passion for Public Good as a Sign of the Divine Presence | 95-118 |
| Sara Sturm-Maddox | The Rime Petrose and the Purgatorial Palinode | 119-33 |
| Kurt Olsson | John Gower's Vox Clamantis and the Medieval Idea of Place | 134-58 |
| Margarita Stocker | Remodeling Virgil: Marvell's New Astraea | 159-79 |
| Josephine Koster Tarvers | "The Deep Still Land of Colours": Color Imagery in The Defence of Guenevere and Other Poems | 180-93 |
| Paul Zietlow | The Ascending Concerns of The Ring and the Book: Reality, Moral Vision, and Salvation | 194-218 |
| Otice C. Sircy | "The Fashion of Sentiment": Allusive Technique and the Sonnets of Middlemarch | 219-44 |
| M. Teresa Tavormina | Piers Plowman and the Liturgy of St. Lawrence: Composition and Revision in Langland's Poetry | 245-71 |
| Stanton B. Garner, Jr. | Theatricality in Mankind and Everyman | 272-85 |
| Harold L. Weatherby | What Spenser Meant by Holinesse: Baptism in Book One of The Faerie Queene | 286-307 |
| Mark Thornton Burnett | Tamburlaine: An Elizabethan Vagabond | 308-23 |
| David Scott Kastan | Workshop and/as Playhouse: Comedy and Commerce in The Shoemaker's Holiday | 324-37 |
| George D. Gopen | Private Grief into Public Action: The Rhetoric of John of Gaunt in Richard II | 338-62 |
| William Harmon | Rhyme in English Verse: History, Structures, Functions | 365-93 |
| Eugene R. Cunnar | Typological Rhyme in a Sequence by Adam of St. Victor | 394-417 |
| D. W. Robertson, Jr. | The Probable Date and Purpose of Chaucer's Knight's Tale | 418-39 |
| Russell Rutter | William Caxton and Literary Patronage | 440-70 |
| D. Allen Carroll | The Badger in Greenes Groats-worth of Witte and in Shakespeare | 471-82 |
| Peter D. Wiggins | Preparing towards Lucy: "A Nocturnall" as Palinode | 483-93 |
| R. W. Burrow | Swift and Plato's Political Philosophy | 494-506 |
|
|
| James P. Carley | John Leland in Paris: The Evidence of His Poetry | 1-50 |
| Mark Eccles | Claudius Hollyband and the Earliest French-English Dictionaries | 51-61 |
| Warren W. Wooden | Sir Thomas Bodley's Life of Himself (1609) and the Epideictic Strategies of Encomia | 62-75 |
| Michael Rudick | The Text of Ralegh's Lyric, "What is our life?" | 76-87 |
| Martin C. Battestin | Fielding's Contributions to the Universal Spectator (1736-7) | 88-116 |
| Nancy Williams | The Eight Parts of a Theme in "Gascoigne's Memories: III" | 117-37 |
| Jill Colaco | The Window Scenes in Romeo and Juliet and Folk Songs of the Night Visit | 138-57 |
| Graeme J. Watson | Political Change and Continuity of Vision in Henry Vaughan's "Daphnis. an Elegiac Eclogue" | 158-81 |
| Martin Bidney | Christabel as Dark Double of Comus | 182-200 |
| Raymond F. Hilliard | Pamela: Autonomy, Subordination, and the "State of Childhood" | 201-17 |
| Lee C. R. Baker | The Open Secret of Sartor Resartus: Carlyle's Method of Converting His Reader | 218-35 |
| O. B. Hardison | Tudor Humanism and Surrey's Translation of the Aeneid | 237-60 |
| Bruce E. Graver | Wordsworth and the Language of Epic: The Translation of the Aeneid | 261-85 |
| Yakov Malkiel | Designations of the Cupbearer in Older Hispano-Romance | 286-302 |
| Constance Jordan | The Narrative Form of Pulci's Morgante | 303-30 |
| Ross Kilpatrick | The De Aetna of Pietro Bembo: A Translation | 331-58 |
| Marian Rothstein | When Fiction Is Fact: Perceptions in Sixteenth-Century France | 359-75 |
| Robert H. Ray, compiler and ed. | The Herbert Allusion Book: Allusions to George Herbert in the Seventeenth Century | 182 + ix pp. |
|
|
| Marsha Siegel | What the Debate Is and Why It Founders in Fragment A of The Canterbury Tales | 1-24 |
| Edwin D. Craun | Blaspheming Her "Awin God": Cresseid's "Lamentatioun" in Henryson's Testament | 25-41 |
| George D. Gopen | The Essential Seriousness of Robert Henryson's Moral Fables: A Study in Structure [see also the addendum in 82 (1985): 399] | 42-59 |
| Nathaniel Owen Wallace | The Responsibilities of Madness: John Skelton, "Speke, Parrot," and Homeopathic Satire | 60-80 |
| Charles E. Fantazzi | Ruzzante's Rustic Challenge to Arcadia | 81-103 |
| Anne Williams | Natural Supernaturalism in Wuthering Heights | 104-27 |
| George T. Wright | Wyatt's Decasyllabic Line | 129-56 |
| Sandra Clark | Hic Mulier, Haec Vir, and the Controversy over Masculine Women | 157-83 |
| Anne Parten | Falstaff's Horns: Masculine Inadequacy and Feminine Mirth in The Merry Wives of Windsor | 184-99 |
| Stacy M. Clanton | The "Number" of Sir Walter Ralegh's Booke of the Ocean to Scinthia | 200-11 |
| Raymond A. Anselment | The Countess of Carlisle and Caroline Praise: Convention and Reality | 212-33 |
| J. Douglas Canfield | Royalism's Last Dramatic Stand: English Political Tragedy, 1679-89 | 234-63 |
| Karl P. Wentersdorf | The Old English Rhyming Poem: A Ruler's Lament | 265-94 |
| Clare Kinney | The Needs of the Moment: Poetic Foregrounding as a Narrative Device in Beowulf | 295-314 |
| Alfred Hoelzel | Faust and the Fall | 315-31 |
| Frederick A. de Armas | Caves of Fame and Wisdom in the Spanish Pastoral Novel | 332-58 |
| T. G. A. Nelson | Sir John Harington and the Renaissance Debate over Allegory | 359-79 |
| Jennifer Brady | Jonson's "To King James": Plain Speaking in the Epigrammes and the Conversations | 380-98 |
| George D. Gopen | Addendum to SP, LXXXII, 51 | 399 |
| Craig Kallendorf | Boccaccio's Dido and the Rhetorical Criticism of Virgil's Aeneid | 401-15 |
| Janet M. Cowen | Chaucer's Legend of Good Women: Structure and Tone | 416-36 |
| T. M. Smallwood | Chaucer's Distinctive Digressions | 437-49 |
| Joseph A. Barber | The Irony of Lucrezia: Machiavelli's Donna di virtú | 450-59 |
| Kathleen M. Swaim | "Heart-Easing Mirth": L'Allegro's Inheritance of Faerie Queene II | 460-76 |
| Ann W. Astell | The Medieval Consolatio and the Conclusion of Paradise Lost | 477-92 |
| Peter M. Briggs | Locke's Essay and the Tentativeness of Tristram Shandy | 493-520 |
|
|
| Joseph A. Dane | Parody and Satire in the Literature of Thirteenth-Century Arras, Part I [see 81 (1984): 119-44 for part 2] | 1-27 |
| Sara Sturm-Maddox | "Tenir sa terre en pais": Social Order in the Brut and in the Conte del Graal | 28-41 |
| R. F. Yeager | Aspects of Gluttony in Chaucer and Gower | 42-55 |
| William E. Sheidley | "The Autor penneth, wherof he hath no proofe": The Early Elizabethan Dream Poem as a Defense of Poetic Fiction | 56-74 |
| Barbara L. DeStefano | Evolution of Extravagant Praise in Donne's Verse Epistles | 75-93 |
| John Hayden | Wordsworth, Hartley, and the Revisionists | 94-118 |
| Joseph A. Dane | Parody and Satire in the Literature of Thirteenth-Century Arras, Part II [see 81 (1984): 1-27 for part 1] | 119-44 |
| Jane Chance | The Medieval Sources of Cristoforo Landino's Allegorization of the Judgment of Paris | 145-60 |
| John C. Shields | Jerome in Colonial New England: Edward Taylor's Attitude toward Classical Paganism | 161-84 |
| Harry M. Solomon | Tragic Reconciliation: An Hegelian Analysis of All for Love | 185-211 |
| Oliver W. Ferguson | Goldsmith as Ironist | 212-28 |
| Thomas R. Preston | The Uses of Adversity: Worldly Detachment and Heavenly Treasure in The Vicar of Wakefield | 229-51 |
| O. B. Hardison | Blank Verse before Milton | 253-74 |
| Roy T. Eriksen | Two into One: The Unity of Gascoigne's Companion Poems | 275-98 |
| Richard A. McCabe | Wit, Eloquence, and Wisdom in Euphues: The Anatomy of Wit | 299-324 |
| Jill L. Levenson | Romeo and Juliet before Shakespeare | 325-47 |
| Mihoko Suzuki | "Signiorie ouer the Pages": The Crisis of Authority in Nashe's The Unfortunate Traveller | 348-71 |
| Thomas McAlindon | The Numbering of Men and Days: Symbolic Design in The Tragedy of Julius Caesar | 372-93 |
| William Craft | The Shaping Picture of Love in Sidney's New Arcadia | 395-418 |
| Daniel Traister | "To Portrait That Which in This World Is Best": Stella in Perspective | 419-37 |
| George E. Rowe, Jr. | Ben Jonson's Quarrel with Audience and Its Renaissance Context | 438-60 |
| Lee Piepho | The Latin and English Eclogues of Phineas Fletcher: Sannazaro's Piscatoria among the Britons | 461-72 |
| Dale B. J. Randall | The Ironing of George Herbert's "Collar" | 473-95 |
| W. Hutchings | Syntax of Death: Instability in Gray's Elegy Written in a Country Churchyard | 496-514 |
|
|
| Laura Kendrick | Rhetoric and the Rise of Public Poetry: The Career of Eustache Deschamps | 1-13 |
| David F. Bright and Barbara C. Bowen |
Emblems, Elephants, and Alexander | 14-24 |
| Mary Ann Cincotta | Reinventing Authority in The Faerie Queene | 25-52 |
| Jeanne M. Shami | Donne's Protestant Casuistry: Cases of Conscience in the Sermons | 53-66 |
| Thomas H. Fujimura | Dryden's Virgil: Translation as Autobiography | 67-83 |
| Derek Hughes | Art and Life in All for Love | 84-107 |
| Paul Beekman Taylor | Searoniðas: Old Norse Magic and Old English Verse | 109-25 |
| Rei R. Noguchi | Wyatt's Satires and the Iambic Pentameter Tradition | 126-41 |
| John N. Wall, Jr. | The English Reformation and the Recovery of Christian Community in Spenser's The Faerie Queene | 142-62 |
| William E. Cain | Self and Others in Two Poems by Ben Jonson | 163-82 |
| Sibyl Lutz Severance | "To Shine in Union": Measure, Number, and Harmony in Ben Jonson's "Poems of Devotion" | 183-99 |
| John R. Knott, Jr. | Bunyan and the Holy Community | 200-25 |
| John L. Selzer | The Wanderer and the Meditative Tradition | 227-37 |
| Marjorie M. Malvern | "Who peyntede the leon, tel me who?": Rhetorical and Didactic Roles Played by an Aesopic Fable in The Wife of Bath's Prologue | 238-52 |
| Eugene R. Hammond | In Praise of Wisdom and the Will of God: Erasmus' Praise of Folly and Swift's A Tale of a Tub | 253-76 |
| Judith Lee | The English Ariosto: The Elizabethan Poet and the Marvelous | 277-99 |
| John Klause | Shakespeare's Sonnets: Age in Love and the Goring of Thoughts | 300-24 |
| James R. Aubrey | Timon's Villa: Pope's Composite Picture | 325-48 |
| Melodie Monahan, ed. | Ashworth: An Unfinished Novel by Charlotte Brontë | 133 pp. |
|
|
| Robert M. Longsworth | Sir Orfeo, the Minstrel, and the Minstrel's Art | 1-11 |
| Richard M. Berrong | An Exposition of Disorder: From Pantagruel to Gargantua | 12-29 |
| J. de Oliveira e Silva | Recurrent Onomastic Textures in the Diana of Jorge de Montemajor and the Arcadia of Sir Philip Sidney | 30-40 |
| Donald Stump | Sidney's Concept of Tragedy in the Apology and in the Arcadia | 41-61 |
| Grace Starry West | Going by the Book: Classical Allusions in Shakespeare's Titus Andronicus | 62-77 |
| William L. Stull | Sacred Sonnets in Three Styles | 78-99 |
| Wendy Morgan | "Who Was Then the Gentleman?": Social, Historical, and Linguistic Codes in the Mystère d'Adam | 101-21 |
| Carter Revard | Gilote et Johane: An Interlude in B. L. MS. Harley 2253 | 122-46 |
| Cedric C. Brown and Maureen Boyd |
The Homely Sense of Herbert's "Jordan" | 147-61 |
| Nicholas R. Jones | Texts and Contexts: Two Languages in George Herbert's Poetry | 162-76 |
| Dennis Todd | The "Blunted Arms" of Dulness: The Problem of Power in the Dunciad | 177-204 |
| Michael Munday | The Novel and Its Critics in the Early Nineteenth Century | 205-26 |
| Deborah Nelson | Marcabru, Prophet of Fin'amors | 227-41 |
| Hope H. Glidden | Babil / Babel: Language Games in the Bigarrures of Estienne Tabourot | 242-55 |
| Dayton Haskin | The Burden of Interpretation in The Pilgrim's Progress | 256-78 |
| Brainerd P. Stranahan | Bunyan and the Epistle to the Hebrews: His Source for the Idea of Pilgrimage in The Pilgrim's Progress | 279-96 |
| Joseph C. Sitterson | Narrator and Reader in Lamia | 297-310 |
| Janet Freeman | Ways of Looking at Tess | 311-23 |
| Mark Eccles | Brief Lives: Tudor and Stuart Authors | 135 pp. |
|
|
| Suzanne Speyser | Dramatic Illusion and Sacred Reality in the Towneley Prima Pastorum | 1-19 |
| Robert B. Pierce | Ben Jonson's Horace and Horace's Ben Jonson | 20-31 |
| Sara van den Berg | A Jonsonian Crux: The Identity of "Elizabeth, L. H." | 32-46 |
| Huston Diehl | "Reduce Thy Understanding to Thine Eye": Seeing and Interpreting in The Atheist's Tragedy | 47-60 |
| A. D. Cousins | The Cavalier World and John Cleveland | 61-86 |
| D. W. Odell | The Argument of Young's Conjectures on Original Composition | 87-106 |
| W. H. Herendeen | The Rhetoric of Rivers: The River and the Pursuit of Knowledge | 107-27 |
| Joseph A. Barber | The Role of the Other in Dante's Vita Nuova | 128-37 |
| John Block Friedman | Another Look at Chaucer and the Physiognomists | 138-52 |
| Carolyn Asp | "Be bloody, bold and resolute": Tragic Action and Sexual Stereotyping in Macbeth | 153-69 |
| Jonathan Z. Kamholtz | Ben Jonson's Green World: Structure and Imaginative Unity in The Forrest | 170-93 |
| Ronald E. Becht | Shelley's Adonais: Formal Design and the Lyric Speaker's Crisis of Imagination | 194-210 |
| Victor Castellani | Heliocentricity in the Structure of Dante's Paradiso | 211-23 |
| Currie K. Thompson | Unstable Irony in Lope de Vega's El castigo sin venganza | 224-40 |
| Anne Falke | "The Work Well Done That Pleaseth All": Emanuel Forde and the Seventeenth-Century Popular Chivalric Romance | 241-54 |
| June Dwyer | Fulke Greville's Aesthetic: Another Perspective | 255-74 |
| Kenneth Alan Hovey | "Inventa Bellica" / "Triumphus Mortis": Herbert's Parody of Human Progress and Dialogue with Divine Grace | 275-304 |
| Manuel Schonhorn | Fielding's Ecphrastic Moment: Tom Jones and His Egyptian Majesty | 305-23 |
| Sherron E. Knopp | The Narrator and His Audience in Chaucer's Troilus and Criseyde | 323 [sic]-40 |
| Stephen C. B. Atkinson | Malory's "Healing of Sir Urry": Lancelot, the Earthly Fellowship, and the World of the Grail | 341-52 |
| James T. Henke | Politics and Politicians in The Spanish Tragedy | 353-69 |
| Robert L. Reid | Man, Woman, Child or Servant: Family Hierarchy as a Figure of Tripartite Psychology in The Faerie Queene | 370-90 |
| Robert A. White | Shamefastnesse as Verecundia and as Pudicitia in The Faerie Queene | 391-408 |
| Ronald J. Corthell | "Frendships Sacraments": John Donne's Familiar Letters | 409-25 |
| [Jerry Leath Mills, ed.] | Eight Anglo-Saxon Studies [itemized below] | 134 pp. |
| Joseph S. Wittig | Foreword | 1-3 |
| Fred C. Robinson | "Bede's" Envoi to the Old English History: An Experiment in Editing | 4-19 |
| Patrick P. O'Neill | The Old English Introductions to the Prose Psalms of the Paris Psalter: Sources, Structure, and Composition | 20-38 |
| Peter S. Baker | The Ambiguity of Wulf and Eadwacer | 39-51 |
| Ann Harleman Stewart | The Solution to Old English Riddle 4 | 52-59 |
| Edward I. Condren | Deor's Artistic Triumph | 60-76 |
| Stanley R. Hauer | The Patriarchal Digression in the Old English Exodus, Lines 362-446 | 77-90 |
| Karl P. Wentersdorf | Beowulf: The Paganism of Hrothgar's Danes | 91-119 |
| Martin Camargo | The Finn Episode and the Tragedy of Revenge in Beowulf | 120-34 |
|
|
| Kathryn Hume | From Saga to Romance: The Use of Monsters in Old Norse Literature | 1-25 |
| Sister Anne M. O'Donnell, S.N.D. | Rhetoric and Style in Erasmus' Enchiridion militis Christiani | 26-49 |
| Robert S. Miola | Spenser's Anacreontics: A Mythological Metaphor | 50-66 |
| Martin Elsky | History, Liturgy, and Point of View in Protestant Meditative Poetry | 67-83 |
| Peter Schwenger | "To Make His Saying True": Deceit in Appleton House | 84-104 |
| Claude Luttrell | The Folk-Tale Element in Sir Gawain and the Green Knight | 105-27 |
| Suzanne F. Kistler | "Strange and Far-Removed Shores": A Reconsideration of The Revenge of Bussy D'Ambois | 128-44 |
| Parker Duchemin | Drayton's Poly-Olbion and the Alexandrine Couplet | 145-60 |
| Elizabeth H. Hageman | Calendrical Symbolism and the Unity of Crashaw's Carmen Deo Nostro | 161-79 |
| James D. Garrison | Dryden and the Birth of Hercules | 180-201 |
| Mary Elizabeth Green | Oliver Goldsmith and the Wisdom of the World | 202-12 |
| Robert E. Bjork | Oppressed Hebrews and the Song of Azarias in the Old English Daniel | 213-26 |
| Ronald Broude | Volpone and the Triumph of Truth: Some Antecedents and Analogues of the Main Plot in Volpone | 227-46 |
| Gilles D. Monsarrat | The Unity of John Ford: 'Tis a Pity She's a Whore and Christ's Bloody Sweat | 247-70 |
| Hugh F. McManus | The Pre-existent Humanity of Christ in Paradise Lost | 271-82 |
| Pat Rogers | Windsor-Forest, Britannia, and River Poetry | 283-99 |
| Joan E. Klingel | Backstage with Dr. Johnson: "Punch has no feelings" | 300-18 |
| David Chamberlain | Musical Learning and Dramatic Action in Hrotsvit's Pafnutius | 319-43 |
| M. L. Fuehrer | The Cosmological Implications of the Psychomachia in Alan of Lille's Anticlaudianus | 344-53 |
| Rinaldina Russell | Ars dialectica and Poetry: The Aristocratic Love Lyric of the Sicilian School | 354-75 |
| Frederic B. Tromly | Surry's Fidelity to Wyatt in "Wyatt Resteth Here" | 376-87 |
| Annette Drew-Bear | Face-Painting Scenes in Ben Jonson's Plays | 388-401 |
| Lawrence Jones | George Eliot and Pastoral Tragicomedy in Hardy's Far from the Madding Crowd | 402-25 |
| Steven W. May, ed. and comment. |
The Poems of Edward DeVere, Seventeenth Earl of Oxford, and of Robert Devereux, Second Earl of Essex | 132 pp. |
|
|
| Thomas A. Reisner and Mary Ellen Reisner |
A British Analogue for the Rock-Motif in The Franklin's Tale | 1-12 |
| Barbara C. Bowen | Geofroy Tory's Champ Fleury and Its Major Sources | 13-27 |
| Ronald J. Corthell | Joseph Hall's Characters of Vertues and Vices: A "Novum Repertum" | 28-35 |
| Edward I. Berry | Prospero's "Brave Spirit" | 36-48 |
| Leah Sinanoglou Marcus | Herrick's Hesperides and the "Proclamation made for May" | 49-74 |
| Robert A. Erickson | Moll's Fate: "Mother Midnight" and Moll Flanders | 75-100 |
| Norman E. Eliason | Beowulf's Inglorious Youth | 101-8 |
| Nerida Newbigin | The Canzone nella morte d'una civetta: Some Notes on a Sixteenth-Century Text | 109-26 |
| Catherine Belsey | The Case of Hamlet's Conscience | 127-48 |
| Harry Rusche | The Lesson of Calidore's Truancy | 149-61 |
| David Renaker | Robert Burton's Palinodes | 162-81 |
| Rodney L. Hayley | Pope, Cibber, and A Clue to the Comedy of the Non-Juror | 182-201 |
| Jerry C. Nash | Stoicism and the Stoic Theme of Honestum in Early French Renaissance Literature | 203-17 |
| Larry S. Champion | Developmental Structure in Shakespeare's Early Histories: The Perspective of 3 Henry VI | 218-38 |
| Martha Rozett | Aristotle, the Revenger, and the Elizabethan Audience | 239-61 |
| A. Leigh DeNeef | "The Ruins of Time": Spenser's Apology for Poetry | 262-71 |
| T. G. A. Nelson | Death, Dung, the Devil, and Worldly Delights: A Metaphysical Conceit in Harington, Donne, and Herbert | 272-87 |
| Roberta F. S. Borkat | The Evil of Goodness: Sentimental Morality in The London Merchant | 288-312 |
| Theresa Coletti | The Design of the Digby Play of Mary Magdalene | 313-33 |
| Richard H. Osberg | Alliterative Lyrics in Tottel's Miscellany: The Persistence of a Medieval Style | 334-52 |
| Steven F. Walker | "Poetry is / is not a cure for love": The Conflict of Theocritean and Petrarchan Topoi in The Shepheardes Calender | 353-65 |
| Charles A. [Hallett] and Elaine S. Hallett |
Antonio's Revenge and the Integrity of the Revenge Tragedy Motifs | 366-86 |
| Pamela Poynter Schwandt | Pope's Transformation of Homer's Similes | 387-417 |
| Michael O'Connell, ed. and trans. | The "Elisæis" of William Alabaster | 77 pp. |
|
|
| Jacob Bennett | The Mary Magdalene of Bishop's Lynn | 1-9 |
| William A. Oram | The Muses Elizium: A Late Golden World | 10-31 |
| Donald G. Watson | The Contrarieties of Venus and Adonis | 32-63 |
| J. Z. Kronenfeld | The Father Found: Consolation Achieved through Love in Ben Jonson's "On My First Sonne" | 64-83 |
| David J. Leigh, S.J. | Donne's "A Hymne to God the Father": New Dimensions | 84-92 |
| Dennis Todd | Laputa, the Whore of Babylon, and the Idols of Science | 93-120 |
| Daniel J. Ransom | "Annot and John" and the Ploys of Parody | 121-41 |
| David K. Weiser | Theme and Structure in Shakespeare's Sonnet 121 | 142-62 |
| Winfried Schleiner | Divina virago: Queen Elizabeth as an Amazon | 163-80 |
| A. Richard Dutton | The Sources, Text, and Readers of Sejanus: Jonson's "integrity in the Story" | 181-98 |
| Dianne S. Ames | Gay's Trivia and the Art of Illusion | 199-222 |
| Dennis M. Welch | Center, Circumference, and Vegetation Symbolism in the Writings of William Blake | 223-42 |
| John C. McGalliard | The Poet's Comment in Beowulf | 243-70 |
| Giuseppe Mazzotta | The Canzoniere and the Language of the Self | 271-96 |
| Barbara C. Ewell | Drayton's Poly-Olbion: England's Body Immortalized | 297-315 |
| Joan Carr | Cymbeline and the Validity of Myth | 316-30 |
| Mother M. Christopher Pecheux | "At a Solemn Musick": Structure and Meaning | 331-46 |
| G. Douglas Atkins | Dryden's Religio Laici: A Reappraisal | 347-70 |
| Geoffrey R. Russom | Artful Avoidance of the Useful Phrase in Beowulf, The Battle of Maldon, and Fates of the Apostles | 371-90 |
| Robert D. Cottrell | Belleau's Descriptions of the Female Bosom in La Bergerie | 391-402 |
| James J. Yoch | Architecture as Virtue: The Luminous Palace from Homeric Dream to Stuart Propaganda | 403-29 |
| Gerald Snare | Chapman's Ovid | 430-50 |
| Mary Ann McGuire | Milton's Arcades and the Entertainment Tradition | 451-71 |
| Michael Rosenblum | The Sermon, the King of Bohemia, and the Art of Interpolation in Tristram Shandy | 472-91 |
| Robert M. Schuler, ed. | Three Renaissance Scientific Poems | 152 pp. |
|
|
| Tony Hunt | Precursors and Progenitors of Aucassin et Nicolette | 1-19 |
| Carol McGinnis Kay | Deception through Words: A Reading of The Spanish Tragedy | 20-38 |
| William W. E. Slights | Genera mixta and Timon of Athens | 39-62 |
| Calvin R. Edwards | The Narcissus Myth in Spenser's Poetry | 63-88 |
| James A. Butler | The Chronology of Wordsworth's The Ruined Cottage after 1800 | 89-112 |
| Leonard Moskovit | Horace's Soracte Ode as a Poetic Representation of an Experience | 113-29 |
| Patrick John Ireland | The Narrative Unity of the Lanval of Marie de France | 130-45 |
| Frederick Kiefer | Fortune and Providence in the Mirror for Magistrates | 146-64 |
| Roger G. Swearingen | Guyon's Faint | 165-85 |
| William Carroll | "A Received Belief": Imagination in The Merry Wives of Windsor | 186-215 |
| A. B. Chambers | Herrick, Corinna, Canticles, and Catullus | 216-27 |
| Thomas T. Tuggle | The Structure of Deor | 229-42 |
| Mary Hynes-Berry | Malory's Translation of Meaning: The Tale of the Sankgreal | 243-57 |
| A. N. Okerlund | The Intellectual Folly of Dr. Faustus | 258-78 |
| Mark L. Caldwell | Sources and Analogues of the Life of Sidney | 279-300 |
| Terry Comito | A Dialectic of Images in Spenser's Fowre Hymnes | 301-21 |
| Robert H. Hopkins | Matrimony in The Vicar of Wakefield and the Marriage Act of 1753 | 322-39 |
| Robert E. Colton | Martial in Juvenal's Tenth Satire | 341-53 |
| Louis Blenkner, O.S.B. | Sin, Psychology, and the Structure of Sir Gawain and the Green Knight | 354-87 |
| David A. Roberts | Fulke Greville's Aesthetic Reconsidered | 388-405 |
| Carolyn Asp | In Defense of Cressida | 406-17 |
| Margaret Maurer | Samuel Daniel's Poetical Epistles, Especially Those to Sir Thomas Egerton and Lucy, Countess of Bedford | 418-44 |
| John E. Sitter | To The Vanity of Human Wishes through the 1740's | 445-64 |
| Margaret Jennings, C.S.J. | Tutivillus: The Literary Career of the Recording Demon | 95 pp. |
|
|
| Brooks Otis | Virgilian Narrative in the Light of Its Precursors and Successors | 1-28 |
| Harvey Minkoff | Some Stylistic Consequences of Ælfric's Theory of Translation | 29-41 |
| John Conley | "The Peculiar Name Thopas" | 42-61 |
| John M. Major | A Reading of Jonson's "Epitaph on Elizabeth, L. H." | 62-86 |
| Robert D. Hume | Otway and the Comic Muse | 87-116 |
| Helmut Gneuss | The Battle of Maldon 89: Byrhtnoð's ofermod Once Again | 117-37 |
| Siegfried Wenzel | Chaucer and the Language of Contemporary Preaching | 138-61 |
| Richard C. Jensen and Marie Bahr-Volk |
"The Fox and the Crab": Coluccio Salutati's Unpublished Fable | 162-75 |
| David R. Shore | Colin and Rosalind: Love and Poetry in The Shepheardes Calender | 176-88 |
| John N. Wall, Jr. | Donne's Wit of Redemption: The Drama of Prayer in the Holy Sonnets | 189-203 |
| Ann Cline Kelly | Swift's Polite Conversation: An Eschatological Vision | 204-24 |
| M. E. Heatherington | Chaos, Order, and Cunning in the Odyssey | 225-38 |
| Ida Masters Hollowell | Unferð the þyle in Beowulf | 239-65 |
| Robert Adams | Langland and the Liturgy Revisited | 266-84 |
| Steven Rendall | The Rhetoric of Montaigne's Self-Portrait: Speaker and Subject | 285-301 |
| S. Clark Hulse | Elizabethan Minor Epic: Toward a Definition of Genre | 302-19 |
| Dennis H. Sigmon | The Negatives of Paradise Lost: An Introduction | 320-41 |
| Dennis Rygiel | The Allegory of Christ the Lover-Knight in Ancrene Wisse: An Experiment in Stylistic Analysis | 343-64 |
| Richard C. Jensen and Joel T. Ireland |
Giovanni Moccia on Zanobi da Strada and Other Florentine Notables | 365-75 |
| Alvin Vos | Humanistic Standards of Diction in the Inkhorn Controversy | 376-96 |
| Madelon S. Gohlke | Wits Wantonness: The Unfortunate Traveller as Picaresque | 397-413 |
| Alan S. Fisher | Daring to be Absurd: The Paradoxes of The Conquest of Granada | 414-39 |
| Irene Samuel | Swift's Reading of Plato | 440-62 |
| K. J. Wilson, ed. | The Letters of Sir Thomas Elyot | 78 + xxx pp. |
|
|
| Kathryn Hume | The Theme and Structure of Beowulf | 1-27 |
| William D. Paden, Jr., et al. [with the collaboration of Mireille Bardin, Michèle Hall, Patricia Kelly, F. Gregg Ney, Simone Pavlovich, and Alice South] |
The Troubadour's Lady: Her Marital Status and Social Rank | 28-50 |
| Gail Kern Paster | Ben Jonson's Comedy of Limitation | 51-71 |
| Tucker Orbison | The Case for the Attribution of a Chapman Letter | 72-84 |
| A. B. Chambers | Herrick and the Trans-shifting of Time | 85-114 |
| Raymond J. Cormier | Cú Chulainn and Yvain: The Love Hero in Early Irish and Old French Literature | 115-39 |
| Karl P. Wentersdorf | Beowulf's Adventure with Breca | 140-66 |
| Denise Heilbronn | Dante's Gate of Dis and the Heavenly Jerusalem | 167-92 |
| Frank Shuffelton | An Imperial Flower: Dunbar's The Goldyn Targe and the Court Life of James IV of Scotland | 193-207 |
| Jerome S. Dees | The Ship Conceit in The Faerie Queene: "Conspicuous Allusion" and Poetic Structure | 208-25 |
| Russell S. King | Verlaine's Verbal Sensation | 226-36 |
| Ian R. McDonald | The Vir Bonus and Quintilian VI.3 | 237-45 |
| Thomas A. Carnicelli | The Function of the Messenger in Beowulf | 246-57 |
| Emerson Brown, Jr. | Priapus and The Parlement of Foulys | 258-74 |
| Elizabeth Story Donno | Old Mouse-eaten Records: History in Sidney's Apology | 275-98 |
| Larry S. Champion | Tourneur's The Revenger's Tragedy and the Jacobean Tragic Perspective | 299-321 |
| Antony F. Bellette | "Little Worlds Made Cunningly": Significant Form in Donne's Holy Sonnets and "Goodfriday, 1613" | 322-47 |
| Thomas H. Fujimura | The Temper of John Dryden | 348-66 |
| John F. Plummer III | The Poetic Function of Conventional Language in the Middle English Lyric | 367-85 |
| Lorraine Kochanske Stock | The Thematic and Structural Unity of Mankind | 386-407 |
| R. B. Gill | A Purchase of Glory: The Persona of Late Elizabethan Satire | 408-18 |
| Eugene Korkowski | Donne's Ignatius and Menippean Satire | 419-38 |
| Phyllis J. Guskin | "A very remarkable Book": Abel Boyer's View of Gulliver's Travels | 439-53 |
| William Kupersmith | "More like an Orator than a Philosopher": Rhetorical Structure in The Vanity of Human Wishes | 454-72 |
| George Burke Johnston, ed. [and trans.] |
Poems by William Camden, with Notes and Translations from the Latin | 143 pp. |
|
|
| Sara Sturm | The Stature of Charlemagne in the Pèlerinage | 1-18 |
| Penn R. Szittya | The Friar as False Apostle: Antifraternal Exegesis and The Summoner's Tale | 19-46 |
| Linda Bradley Salamon | A Face in The Glasse: Gascoigne's Glasse of Governement Re-examined | 47-71 |
| Vincent F. Petronella | Hamlet's "To be or not to be" Soliloquy: Once More unto the Breach | 72-88 |
| William McQueen | Paradise Lost V, VI: The War in Heaven | 89-104 |
| Thomas R. Preston | The "Stage Passions" and Smollett's Characterization | 105-25 |
| Charles Jernigan | The Song of Nail and Uncle: Arnaut Daniel's Sestina "Lo ferm voler q'el cor m'intra" | 127-51 |
| Thomas P. Roche, Jr. | The Calendrical Structure of Petrarch's Canzoniere | 152-72 |
| Donna B. Hamilton | Some Romance Sources for King Lear: Robert of Sicily and Robert the Devil | 173-91 |
| Charles Clay Doyle | An Unhonored English Anacreon: John Birkenhead | 192-205 |
| Michael Lieb | Milton and the Metaphysics of Form | 206-24 |
| Alan S. Fisher | The Significance of Thomas Shadwell | 225-46 |
| Robert P. Fitzgerald | The Structure of Gulliver's Travels | 247-63 |
| Emanuel J. Mickel, Jr. | Marie de France's Use of Irony as a Stylistic and Narrative Device | 265-90 |
| Glending Olson | The Medieval Theory of Literature for Refreshment and Its Use in the Fabliau Tradition | 291-313 |
| John Finlayson | Pearl: Landscape and Vision | 314-43 |
| Alvin Vos | The Formation of Roger Ascham's Prose Style | 344-70 |
| Hugh L. Hennedy | King Lear: Recognizing the Ending | 371-84 |
| Charles Fantazzi | Marcabru's Pastourelle: Courtly Love Decoded | 385-403 |
| Thomas D. Hill | Narcissus, Pygmalion, and the Castration of Saturn: Two Mythographical Themes in the Roman de la Rose | 404-26 |
| Dwight J. Sims | The Syncretic Myth of Venus in Spenser's Legend of Chastity | 427-50 |
| Kenneth Friedenreich | Nashe's Strange Newes and the Case for Professional Writers | 451-72 |
| Leonard D. Tourney | Convention and Wit in Donne's Elegie on Prince Henry | 473-83 |
| Jack D. Durant | "Honor's Toughest Task": Family and State in Venice Preserved | 484-503 |
| David McPherson | Ben Jonson's Library and Marginalia: An Annotated Catalogue | 106 pp. |
|
|
| Ian Macpherson | Don Juan Manuel: The Literary Process | 1-18 |
| Kathryn Hume | Amis and Amiloun and the Aesthetics of Middle English Romance | 19-41 |
| Rupert T. Pickens | The Concept of the Feminine Ideal in Villon's Testament: Huitain LXXXIX | 42-50 |
| Ronald Broude | George Chapman's Stoic-Christian Revenger | 51-61 |
| Arthur L. [Kistner] and M. K. Kistner |
The Dramatic Functions of Love in the Tragedies of John Ford | 62-76 |
| Dieter Schulz | "Novel," "Romance," and Popular Fiction in the First Half of the Eighteenth Century | 77-91 |
| Eugene Hollahan | Irruption of Nothingness: Sleep and Freedom in Madame Bovary | 92-107 |
| Herbert Sussman | Criticism as Art: Form in Oscar Wilde's Critical Writings | 108-22 |
| Thomas M. Greene | Scève’s Saulsaye: The Life and Death of Solitude | 123-40 |
| Paul E. McLane | Skelton's Colyn Cloute and Spenser's Shepheardes Calender | 141-59 |
| George Burke Johnston | William Camden's Elegy on Roger Ascham | 160-71 |
| Carol Replogle | Shakespeare's Salutations: A Study in Stylistic Etiquette | 172-86 |
| Raymond C. La Charité | Pascal's Ambivalence toward Montaigne | 187-98 |
| Spencer Hall | Shelley's "Mont Blanc" | 199-221 |
| June Moravcevich | La Nausée and Les Mots: Vision and Revision | 222-32 |
| Thomas D. Hill | Vision and Judgement in the Old English Christ III | 233-42 |
| John P. Brennan | Reflections on a Gloss to The Prioress's Tale from Jerome's Adversus Jovinianum | 243-51 |
| Albert E. Hartung | Narrative Technique, Characterization, and the Sources in Malory's "Tale of Sir Lancelot" | 252-68 |
| Stephen J. Greenblatt | Sidney's Arcadia and the Mixed Mode | 269-78 |
| Fred L. Milne | The Doctrine of Act and Potency: A Metaphysical Ground for Interpretation of Spenser's Garden of Adonis Passages | 279-87 |
| Albert H. Tricomi | The Revised Version of Chapman's Bussy D'Ambois: A Shift in Point of View | 288-305 |
| Leslie Howard Martin | The Consistency of Dryden's Aureng-Zebe | 306-28 |
| Richard W. Pfaff | The Library of the Fathers: The Tractarians as Patristic Translators | 329-44 |
| K. S. Kiernan | Undo Your Door and the Order of Chivalry | 345-66 |
| James Phares Myers, Jr. | The Heart of King Cambises | 367-76 |
| Winfried Schleiner | Differences of Theme and Structure of the Erona Episode in the Old and New Arcadia | 377-91 |
| Susan Snyder | Donne and Du Bartas: The Progresse of the Soule as Parody | 392-407 |
| Georgia B. Christopher | In Arcadia, Calvin . . .: A Study of Nature in Henry Vaughan | 408-26 |
| Peter J. Schakel | Virgil and the Dean: Christian and Classical Allusion in The Legion Club | 427-38 |
| David Staines | Morris' Treatment of His Medieval Sources in The Defence of Guenevere and Other Poems | 439-64 |
| W. L. Wiley | The Hôtel de Bourgogne: Another Look at France's First Public Theatre | 114 pp. |
|
|
| Mary Ann Robbins | Livy's Brutus | 1-20 |
| Daniel G. Calder | Setting and Ethos: The Pattern of Measure and Limit in Beowulf | 21-37 |
| Florence McCulloch | The Art of Persuasion in Hélinant's Vers de la Mort | 38-54 |
| Peter E. Bondanella | Cecco Angiolieri and the Vocabulary of Courtly Love | 55-71 |
| Charles A. Hallett | Penitent Brothel, the Succubus, and Parson's Resolution: A Reappraisal of Penitent's Position in Middleton's Canon | 72-86 |
| Gary D. Hamilton | Milton's Defensive God: A Reappraisal | 87-100 |
| Joseph Anthony Wittreich, Jr. | Domes of Mental Pleasure, Blake's Epics, and Hayley's Epic Theory | 101-29 |
| Wayne A. Rebhorn | Erasmian Education and the Convivium religiosum | 131-49 |
| William E. Sheidley | A Timely Anachronism: Tradition and Theme in Barnabe Googe's "Cupido Conquered" | 150-66 |
| Peter W. M. Blayney | The Book of Sir Thomas Moore Re-Examined | 167-91 |
| Larry S. Champion | From Melodrama to Comedy: A Study of the Dramatic Perspective in Dekker's The Honest Whore, Parts I and II | 192-209 |
| R. J. Schork | Allusion, Theme, and Characterization in Cymbeline | 210-16 |
| Gary L. Litt | "Images of Life": A Study of Narrative and Structure in Fulke Greville's Caelica | 217-30 |
| Horace H. Underwood | Time and Space in the Poetry of Vaughan | 231-41 |
| Thomas B. Stroup | "When I Consider": Milton's Sonnet XIX | 242-58 |
| Jack M. Sasson | Some Literary Motifs in the Composition of the Gilgamesh Epic | 259-79 |
| Thomas Cable | Metrical Simplicity and Sievers' Five Types | 280-88 |
| Robert A. Brawer | The Characterization of Pilate in the York Cycle Play | 289-303 |
| Elias Schwartz | Tonal Equivocation and the Meaning of Troilus and Cressida | 304-19 |
| Clifton Cherpack | Form and Ideas in L’Astrée | 320-33 |
| Samuel S. Stollman | Milton's Understanding of the "Hebraic" in Samson Agonistes | 334-47 |
| Howard D. Weinbrot | The "Allusion to Horace": Rochester's Imitative Mode | 348-68 |
| William D. Jenkins | Swinburne, Robert Buchanan, and W. S. Gilbert | 369-87 |
| Charles Garton | The "Chameleon Trail" in the Criticism of Greek Tragedy | 389-413 |
| D. W. Robertson, Jr. | The Idea of Fame in Chrétien’s Cligés | 414-33 |
| James W. Earl | The Shape of Old Testament History in the Towneley Plays | 434-52 |
| Denton Fox | Henryson's "Sum Practysis of Medecyne" | 453-60 |
| Philip J. Ayres | Degrees of Heresy: Justified Revenge and Elizabethan Narratives | 461-74 |
| Joel Morkan | Wrath and Laughter: Milton's Ideas on Satire | 475-95 |
| Richard F. Hardin | Bunyan, Mr. Ignorance, and the Quakers | 496-508 |
| Ray Heffner, Dorothy E. Mason, and Frederick M. Padelford, compilers; ed. William Wells |
Spenser Allusions in the Sixteenth and Seventeenth Centuries, Part II: 1626-1700 [see 68.5 (1971) for Part I] | pp. 175-351 |
|
|
| Ernest C. York | Isolt's Ordeal: English Legal Customs in the Medieval Tristan Legend | 1-9 |
| C. R. B. Combellack | Yvain's Guilt | 10-25 |
| Louis Blenkner, O.S.B. | The Pattern of Traditional Images in Pearl | 26-49 |
| Charles A. Hallett | Jonson's Celia: A Reinterpretation of Volpone | 50-69 |
| H. Frank Brooks | Taste, Perfection, and Delight in Guez de Balzac's Criticism | 70-87 |
| John E. Trimpey | An Analysis of Traherne's "Thoughts I" | 88-104 |
| John O. Hayden | Coleridge, the Reviewers, and Wordsworth | 105-19 |
| Richard L. Regosin | The Artist and the Abbaye | 121-29 |
| Ronald Broude | Time, Truth, and Right in The Spanish Tragedy | 130-45 |
| Harry H. Boyle | Elizabeth's Entertainment at Elvetham: War Policy in Pageantry | 146-66 |
| Robert B. Pierce | The Moral Languages of Rosalynde and As You Like It | 167-76 |
| James E. Wellington | The Litany in Cranmer and Donne | 177-99 |
| Lee Ann Johnson | The Relationship of "The Church Militant" to The Temple | 200-6 |
| David B. Morris | Drama and Stasis in Milton's "Ode on the Morning of Christ's Nativity" | 207-22 |
| Donald L. Guss | A Brief Epic: Paradise Regained | 223-43 |
| John F. Vickrey | The Micel Wundor of Genesis B | 245-54 |
| P. J. C. Field | A Rereading of Sir Gawain and the Green Knight | 255-69 |
| Robert Coogan, C.F.C. | Petrarch's Latin Prose and the English Renaissance | 270-91 |
| Philip B. Rollinson | A Generic View of Spenser's Four Hymns | 292-304 |
| Malcolm M. Day | "Naked Truth" and the Language of Thomas Traherne | 305-25 |
| Ann Gossman | The Ring Pattern: Image, Structure, and Theme in Paradise Lost | 326-39 |
| Donald R. Benson | Platonism and Neoclassic Metaphor: Dryden's Eleonora and Donne's Anniversaries | 340-56 |
| Richard D. McGhee | "Conversant with Infinity": Form and Meaning in Wordsworth's "Laodamia" | 357-69 |
| Charles Segal | Ovid's Metamorphoses: Greek Myth in Augustan Rome | 371-94 |
| Karl P. Wentersdorf | Beowulf's Withdrawal from Frisia: A Reconsideration | 395-415 |
| Peter E. Bondanella | Arnaut Daniel and Dante's Rime Petrose: A Re-Examination | 416-34 |
| David E. Berndt | Monastic Acedia and Chaucer's Characterization of Daun Piers | 435-50 |
| William O. Harris | Early Elizabethan Sonnets in Sequence | 451-69 |
| Jonathan Goldberg | Donne's Journey East: Aspects of a Seventeenth-Century Trope | 470-83 |
| Kathleen M. Swaim | "Mighty Pan": Tradition and an Image in Milton's Nativity Hymn | 484-95 |
| Ray Heffner, Dorothy E. Mason, and Frederick M. Padelford, compilers; ed. William Wells |
Spenser Allusions in the Sixteenth and Seventeenth Centuries, Part I: 1580-1625 [see 69.5 (1972) for Part II] | pp. 1-172 + xii |
|
|
| Paul W. Brosman, Jr. | Further Evidence of Rhine Franconian Influence on Old French | 1-12 |
| Mary C. Schroeder | The Character of Conscience in Piers Plowman | 13-30 |
| Raymond C. La Charité | The Relationship of Judgment and Experience in the Essais of Montaigne | 31-40 |
| T. G. A. Nelson | Sir John Harington as a Critic of Sir Philip Sidney | 41-56 |
| Bridget Gellert | The Iconography of Melancholy in the Graveyard Scene of Hamlet | 57-66 |
| A. R. Cirillo | Crashaw's "Epiphany Hymn": The Dawn of Christian Time | 67-88 |
| Virginia R. Mollenkott | Relativism in Samson Agonistes | 89-102 |
| Ralph Merritt Cox | The Rev. John Bowle: The First Editor of Don Quixote | 103-15 |
| Edwin H. Zeydel | Johann Reuchlin and Sebastian Brant: A Study in Early German Humanism | 117-38 |
| T. Anthony Perry | Biblical Symbolism in the Lazarillo de Tormes | 139-46 |
| Barbara C. Bowen | What Does Montaigne Mean by "marqueterie"? | 147-55 |
| Warren D. Smith | The Substance of Meaning in Tamburlaine Part I | 156-66 |
| A. J. Magill | Spenser's Guyon and the Mediocrity of the Elizabethan Settlement | 167-77 |
| James Finn Cotter | The Songs in Astrophil and Stella | 178-200 |
| James E. Siemon | The Merchant of Venice: Act V as Ritual Reiteration | 201-9 |
| Angela G. Dorenkamp | Jonson's Catiline: History as the Trying Faculty | 210-20 |
| John L. Kimmey | Robert Herrick's Persona | 221-36 |
| Roberta J. Thiher | The Final Ambiguity of El médico de su honra | 237-44 |
| D. M. Rosenberg | Milton's Masque: A Social Occasion for Philosophic Laughter | 245-53 |
| Walter Allen, Jr., et al. [the Horace Seminar: Martha J. Beveridge, Thomas B. Curtis, Barbara K. Gold, Sister St. Louis O'Mara, and Donna M. Sitterson] |
The Addressees in Horace's First Book of Epistles | 255-66 |
| Jeanette M. A. Beer | Villehardouin and the Oral Narrative | 267-77 |
| William F. Boggess | Aristotle's Poetics in the Fourteenth Century | 278-94 |
| Edmund Reiss | The Pilgrimage Narrative and The Canterbury Tales | 295-305 |
| Robert Coogan, C.F.C. | Petrarch's Trionfi and the English Renaissance | 306-27 |
| W. Speed Hill | The Authority of Hooker's Style | 328-38 |
| Thomas A. Stumpf | Pope's To Cobham, To a Lady, and the Traditions of Inconstancy | 339-58 |
| Gerald C. Monsman | Old Mortality at Oxford | 359-89 |
| Alfred Garvin Engstrom | The Man Who Thought Himself Made of Glass, and Certain Related Images | 390-405 |
| Eugene H. Falk | No Exit and Who's Afraid of Virginia Woolf: A Thematic Comparison | 406-17 |
| Howard S. Robertson | La Vie de Saint Alexis: Meaning and Manuscript A | 419-38 |
| Emanuel J. Mickel, Jr. | Parallels in Prudentius' Psychomachia and La Chanson de Roland | 439-52 |
| Douglas Kelly | Gauvin and Fin' Amors in the Poems of Chrétien de Troyes | 453-60 |
| William W. Kibler | The Unity of Baudouin de Sebourc | 461-71 |
| T. McAlindon | Hagiography into Art: a Study of St. Erkenwald | 472-94 |
| Rossell Hope Robbins | Victory at Whitby, A.D. 1451 | 495-504 |
| John H. Long | The Ballad Medley and the Fool | 505-16 |
| Mark Sacharoff | Tragic vs. Satiric: Hector's Conduct in II, ii of Shakespeare's Troilus and Cressida | 517-31 |
| James E. Gill | Beast over Man: Theriophilic Paradox in Gulliver's "Voyage to the Country of the Houyhnhnms" | 532-49 |
| Barrett John Mandel | The Problem of Narration in Edward Gibbon's Autobiography | 550-64 |
|
|
| John G. Demaray | Pilgrim Text Models for Dante's Purgatorio | 1-24 |
| Judson Boyce Allen | The Ironic Fruyt: Chauntecleer as Figura | 25-35 |
| John R. Elliott, Jr. | The Sacrifice of Isaac as Comedy and Tragedy | 36-59 |
| Mark S. Whitney | Petrarch's Influence on Oliver de Magny's Amatory Odes of 1559 | 60-69 |
| Clifford Davidson | The Idol of Isis Church | 70-86 |
| John Freehafer | Shakespeare's Tempest and The Seven Champions | 87-103 |
| Vincent E. Bowen | Unpublished Letters by Pierre Bayle | 104-17 |
| Douglas M. Carey | Asides and Interiority in Lazarillo de Tormes: A Study in Psychological Realism | 119-34 |
| Harry Berger, Jr. | The Discarding of Malbecco: Conspicuous Allusion and Cultural Exhaustion in The Faerie Queene III.ix-x | 135-54 |
| Margo De Ley and James O. Crosby |
Originality, Imitation, and Parody in Quevedo's Ballad of the Cid and the Lion ("Medio día era por filo") | 155-67 |
| William Leigh Godshalk | The Structural Unity of Two Gentlemen of Verona | 168-81 |
| Robert E. Hallowell | The Role of French Writers in the Royal Entries of Marie De' Medici in 1600 | 182-203 |
| Walter R. Davis | "Fantastickly I Sing": Drayton's Idea of 1619 | 204-16 |
| Paul M. Levitt and Kenneth G. Johnston |
Herbert's "The Collar": A Nautical Metaphor | 217-24 |
| Dennis G. Donovan, gen. ed. | Literature of the Renaissance in 1968 [itemized below] | 225-569 |
| [unsigned] | General Works of the Renaissance | 232-39 |
| J. K. Houck and Dennis G. Donovan |
English | 240-96 |
| Raymond C. [La Charité] and Virginia A. La Charité |
French | 296-323 |
| Ria Stambaugh and William L. Boletta |
Germanic Languages | 323-91 |
| Joseph G. Fucilla | Italian | 391-431 |
| Peter B. Bell | Spanish and Portuguese | 431-525 |
| [unsigned] | Index of Proper Names | 526-69 |
| Janet W. Boatner | The Misunderstood Ordeal: A Re-examination of the Chanson de Roland | 571-83 |
| Stephen J. Kaplowitt | The Non-Literary Sources of Graf Rudolf: A Re-evaluation | 584-608 |
| Carol V. Kaske | The Dragon's Spark and Sting and the Structure of Red Cross's Dragon-fight: The Faerie Queene, I.xi-xiii | 609-38 |
| William Leigh Godshalk | Marvell's Garden and the Theologians | 639-53 |
| Arthur D. Kahn | Seneca and Sardanapalus: Byron, the Don Quixote of Neo-Classicism | 654-71 |
| William J. Free | William Cullen Bryant on Nationalism, Imitation, and Originality in Poetry | 672-88 |
| Frances Randall Lipp | Ælfric's Old English Prose Style | 689-718 |
| James A. Devereux, S.J. | The Collects of the First Book of Common Prayer as Works of Translation | 719-38 |
| Ellen Berland | The Function of Irony in Marston's Antonio and Mellida | 739-55 |
| Paul J. Korshin | The Theoretical Bases of Cowley's Later Poetry | 756-76 |
| John R. Clark | Swift's Knaves and Fools in the Tradition: Rhetoric versus Poetic in A Tale of a Tub, Section IX | 777-96 |
| O. Bryan Fulmer | The Ancient Mariner and the Wandering Jew | 797-815 |
|
|
| David J. Littlefield | Metaphor and Myth: The Unity of Aristophanes' Knights | 1-22 |
| Robert B. Burlin | The Ruthwell Cross, The Dream of the Rood, and the Vita Contemplativa | 23-43 |
| Dennis Biggins | Sym(e)kyn / simia: The Ape in Chaucer's Millers | 44-50 |
| Donald G. Schueler | The Tristram Section of Malory's Morte Darthur | 51-66 |
| Sacvan Bercovitch | Empedocles in the English Renaissance | 67-80 |
| Malcolm M. Day | Traherne and the Doctrine of Pre-existence | 81-97 |
| Paul Ramsey | Free Verse: Some Steps toward Definition | 98-108 |
| Richard C. Jensen | Coluccio Salutati's Lament of Phyllis | 109-23 |
| F. W. Brownlow | Speke, Parrot: Skelton's Allegorical Denunciation of Cardinal Wolsey | 124-39 |
| Gerard J. Brault | The Comic Design of Rabelais' Pantagruel | 140-46 |
| Jean-Pierre Boon | Emendations des emprunts dans le texte des essais dits “stoïciens” de Montaigne | 147-62 |
| Henry G. Lesnick | The Structural Significance of Myth and Flattery in Peele's Arraignment of Paris | 163-70 |
| Alan D. Isler | The Allegory of the Hero and Sidney's Two Arcadias | 171-91 |
| James Phares Myers, Jr. | "This Curious Frame": Chapman's Ovid's Banquet of Sense | 192-206 |
| T. N. S. Lennam | Francis Merbury, 1555-1611 | 207-22 |
| Elizabeth McCutcheon | Lancelot Andrewes' Preces Privatae: A Journey through Time | 223-41 |
| Dennis G. Donovan, gen. ed. | Literature of the Renaissance in 1967 [itemized below] | 243-598 |
| [unsigned] | General Works of the Renaissance | 249-58 |
| J. K. Houck, James A. Devereux, S.J., and Dennis G. Donovan |
English | 259-330 |
| Raymond C. [La Charité] and Virginia A. La Charité |
French | 330-65 |
| Ria Stambaugh and William L. Boletta |
Germanic Languages | 365-435 |
| Joseph G. Fucilla | Italian | 435-67 |
| Peter B. Bell, Robert Bishop, and Terry Oxford Taylor |
Spanish and Portuguese | 467-560 |
| [unsigned] | Index of Proper Names | 561-98 |
| James C. Atkinson | Eulalia's Element or Maximian's? | 599-611 |
| Karen Wilk Klein | The Political Message of Bertran De Born | 612-30 |
| John W. Velz and Carl P. Daw, Jr. |
Tradition and Originality in Wyt and Science | 631-46 |
| Charles D. Hinnant | Dryden's Gallic Rooster | 647-56 |
| Robert P. Fitzgerald | The Allegory of Luggnagg and the Struldbruggs in Gulliver's Travels | 657-76 |
| Parks C. Hunter, Jr. | Undercurrents of Anacreontics in Shelley's "To a Skylark" and "The Cloud" | 677-92 |
| Charles D. Wright | Matthew Arnold on Heine as "Continuator of Goethe" | 693-701 |
| Charles T. Phipps, S.J. | Adaptation from the Past, Creation for the Present: A Study of Browning's "The Pope" | 702-22 |
| Dana A. Nelson | El libro de Alexandre: A Reorientation | 723-52 |
| George Erdman | Lope de Vega's "De Absalon," a Laberinto of concetos esparcidos | 753-67 |
| Herbert R. Coursen, Jr. | The Unity of The Spanish Tragedy | 768-82 |
| William H. Moore | Sources of Drayton's Conception of Poly-Olbion | 783-803 |
| Paul R. Sellin | Puritan and Anglican: A Dutch Perspective | 804-15 |
| Joseph Anthony Wittreich, Jr. | The "Satanism" of Blake and Shelley Reconsidered | 816-33 |
|
|
| Robert Enzer Lewis | Glosses to The Man of Law's Tale from Pope Innocent III's De Miseria Humane Conditionis | 1-16 |
| Richard K. Seymour | Late Middle High German schalawag | 17-24 |
| Stephen C. Nichols, Jr. | Marot, Villon, and the Roman de la Rose: A Study in the Language of Creation and Re-creation [Part 2] [see also 63 (1966): 135-43] | 25-43 |
| James H. Davis, Jr. | Pierre Corneille and the Pièce Retouchée of the Eighteenth Century | 44-50 |
| B. Rajan | Lycidas: The Shattering of the Leaves | 51-64 |
| Manfred Weidhorn | The Anxiety Dream from Homer to Milton | 65-82 |
| Victor J. Lams, Jr. | The "A" Papers in the Adventurer: Bonnell Thornton, Not Dr. Bathurst, Their Author | 83-96 |
| Jacques Hardré | Camus' Thoughts on Christian Metaphysics and Neoplatonism | 97-108 |
| Leonie F. Sachs | Enrique de Villena: Portrait of the Magician as an Outsider | 109-31 |
| Daniel P. Testa | An Analysis of Tirso de Molina's "Fabula de Pyramo y Tisbe" | 132-46 |
| Merrill Harvey Goldwyn | Some Unpublished Manuscripts of Thomas Churchyard | 147-58 |
| Nancy Rothwax Lindheim | Sidney's Arcadia, Book II: Retrospective Narrative | 159-86 |
| Peter Bement | The Imagery of Darkness and of Light in Chapman's Bussy D'Ambois | 187-98 |
| Philip J. Finkelpearl | The Use of Middle Temple's Christmas Revels in Marston's The Fawne | 199-209 |
| Dennis G. Donovan, gen. ed., William Wells, advisory ed. |
Literature of the Renaissance in 1966 [itemized below] | 211-550 |
| [unsigned] | General Works of the Renaissance | 217-27 |
| J. K. Houck, James A. Devereux, S.J., and Dennis G. Donovan |
English | 228-99 |
| Raymond C. [La Charité], Virginia A. La Charité, and Panos Paul Morphos |
French | 299-336 |
| James E. Engel, John G. Kunstmann, and Ria Stambaugh |
Germanic Languages | 336-95 |
| Joseph G. Fucilla | Italian | 395-424 |
| Peter B. Bell, Robert Roy Bishop, Warren T. McCready, and Terry Oxford Taylor |
Spanish and Portuguese | 425-511 |
| [unsigned] | Index of Proper Names | 512-50 |
| Howard S. Robertson | Structure and Comedy in Le Jeu de Saint Nicolas | 551-63 |
| Maxwell S. Luria | The Storm-making Spring and the Meaning of Chrétien’s Yvain | 564-85 |
| Robert W. Hanning | Havelok the Dane: Structure, Symbols, Meaning | 586-605 |
| Jack B. Oruch | Spenser, Camden, and the Poetic Marriages of Rivers | 606-24 |
| Howard D. Weinbrot | Alexas in All for Love: His Genealogy and Function | 625-39 |
| Julius A. Molinaro | A Note on Leopardi's Il Passero Solitario | 640-53 |
| Gerald B. Kinneavy | Fortune, Providence, and the Owl | 655-64 |
| Elaine Spina | Skeltonic Meter in Elynour Rummyng | 665-84 |
| John M. Major | Milton's View of Rhetoric | 685-711 |
| Philip Stevick | Stylistic Energy in the Early Smollett | 712-19 |
| David Bonnell Green | New Letters of John Clare to Taylor and Hessey | 720-34 |
| [O. B. Hardison], John Hurt Fisher, and Alyce E. Sands |
Abstracts: A Policy Statement | 735-43 |
|
|
| Daniel W. Patterson and Albrecht B. Strauss, eds. |
Essays in English Literature of the Classical Period Presented to Dougald MacMillan [itemized below] | 185 pp. |
| D[aniel] W. P[atterson] and A[lbrecht] B. S[trauss] |
Foreword | 3 |
| Louis B. Wright | William Dougald MacMillan, Scholar and Gentleman | 7-11 |
| H. T. Swedenborg, Jr. | Dryden's Obsessive Concern with the Heroic | 12-26 |
| F. H. Moore | The Composition of Sir Martin Mar-All | 27-38 |
| Aline Mackenzie Taylor | Dryden's "Enchanted Isle" and Shadwell's "Dominion" | 39-53 |
| Thomas B. Strong | Otway's Bitter Pessimism | 54-75 |
| Henry W. Sams | Jonathan Swift's Proposal Concerning the English Language: A Reconsideration | 76-87 |
| John M. Aden | That Impudent Satire: Pope's Sober Advice | 88-106 |
| Robert Voitle | Stoicism and Samuel Johnson | 107-27 |
| Wolfgang Bernard Fleischmann | Shakespeare, Johnson, and the Dramatic "Unities of Time and Place" | 128-34 |
| Philip H. Highfill, Jr. | Charles Surface in Regency Retirement: Some Letters from Gentleman Smith | 135-66 |
| Nicholas Joost | The Dial: A Journalistic Emblem and Its Tradition | 167-81 |
| [unsigned] | A List of the Writings of Dougald MacMillan | 182-85 |
|
|
| Robert Hardin | Aucassin et Nicolette as Parody | 1-9 |
| Lindsay A. Mann | "Gentilesse" and The Franklin's Tale | 10-29 |
| Joseph R. Jones | Fragments of Antonio de Guevara's Lost Chronicle | 30-50 |
| Leonora Leet Brodwin | Authorship of The Second Maiden's Tragedy: A Consideration of the Manuscript Attribution to Chapman | 51-77 |
| Susi H. Effross | The Influence of Alexander Pope in Eighteenth-Century Spain | 78-92 |
| Roger L. Brooks | Letters of Matthew Arnold: A Supplementary Checklist | 93-98 |
| Robert S. Kinsman | Skelton's Magnyfycence: The Strategy of the "Olde Sayde Sawe" | 99-125 |
| Leland Miles | More's Dialogue of Comfort as a First Draft | 126-34 |
| Stephen G. Nichols, Jr. | Marot, Villon, and the Roman de la Rose: A Study in the Language of Creation and Re-creation [Part 1] [see also 64 (1967): 25-43] | 135-43 |
| A. J. Gurr | Elizabethan Action | 144-56 |
| Cecil Seronsy and Robert Krueger |
A Manuscript of Daniel's Civil Wars, Book III | 157-62 |
| Herbert Berry | The Stage and Boxes at Blackfriars | 163-86 |
| Don M. Ricks | The Westmoreland Manuscript of Donne's "Holy Sonnets" | 187-95 |
| Thomas H. Blackburn | The Date and Evolution of Edmund Bolton's Hypercritica | 196-202 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1965 [itemized below] | 203-472 |
| [unsigned] | General Works of the Renaissance | 209-19 |
| Peter G. Phialas and Dennis G. Donovan |
English | 219-82 |
| Panos Paul Morphos, Richard L. Frautschi, and Douglas Alexander |
French | 283-322 |
| James E. Engel and John G. Kunstmann |
Germanic Languages | 323-60 |
| Joseph G. Fucilla | Italian | 360-94 |
| Robert Roy Bishop and Warren T. McCready |
Spanish and Portuguese | 394-435 |
| [unsigned] | Index of Proper Names | 436-72 |
| Charles Garton | Roman Republican Actors: A Conspectus | 473-98 |
| Kenneth J. Reckford | Horace, Odes 1.34: An Interpretation | 499-532 |
| Charles A. Owen, Jr. | "Thy Drasty Rymyng. . . ." | 533-64 |
| Susan Snyder | Marlowe's Doctor Faustus as an Inverted Saint's Life | 565-77 |
| Arieh Sachs | Samuel Johnson on "The Art of Forgetfullness" | 578-88 |
| Charles E. Bidwell | A Note on the Reflexes of Borrowed Velar Plus Front Vowel in Early Post-Common Slavic | 589-92 |
| Ruth J. Dean | The Dedication of Nicholas Trevet's Commentary on Boethius | 593-603 |
| Karl P. Wentersdorf | Chaucer's Merchant's Tale and Its Irish Analogues | 604-29 |
| Isidore Silver | The Formative Influences in Ronsard's Poetry | 630-60 |
| Bruce W. Wardropper | "La Más Bella Niña" | 661-76 |
| Derek Crawley | The Effect of Shirley's Hand on Chapman's The Tragedy of Chabot Admiral of France | 677-96 |
| C. M. Armitage | Donne's Poems in Huntington Manuscript 198: New Light on "The Funerall" | 697-707 |
| Arthur Palmer Hudson | The "Superstitious" Lord Byron | 708-21 |
|
|
| Fred C. Robinson | Beowulf's Retreat from Frisia: Some Textual Problems in ll. 2361-2362 | 1-16 |
| Mother Angela Carson, O.S.U. | Aspects of Elegy in the Middle English Pearl | 17-27 |
| Daniel S. Silvia, Jr. | Glosses to The Canterbury Tales from St. Jerome's Epistola Adversus Jovinianum | 28-39 |
| Joseph E. Gallagher | The Sources of Caxton's Ryal Book and Doctrinal of Sapience | 40-63 |
| N. F. Blake | English Versions of Reynard the Fox in the Fifteenth and Sixteenth Centuries | 63-77 |
| Cooper R. Mackin | The Satiric Technique of John Oldham's Satyrs upon the Jesuits | 78-90 |
| David M. Vieth | Irony in Dryden's Ode to Anne Killigrew | 91-100 |
| Robert J. Clements | Prayer and Confession in Michelangelo's Poetry | 101-10 |
| Barry B. Adams | Doubling in Bale's King John | 111-20 |
| Alan C. Dessen | The "Estates" Morality Play | 121-36 |
| David Laird | Hieronimo's Dilemma | 137-46 |
| Linton C. Stevens | The Meaning of "Philosophie" in the Essais of Montaigne | 147-54 |
| Peter G. Phialas | Shakespeare's Henry V and the Second Tetralogy | 155-75 |
| Thomas Kranidas | "Decorum" and the Style of Milton's Antiprelatical Tracts | 176-87 |
| Mother Mary Christopher Pecheux, O.S.U. | "O Foul Descent!": Satan and the Serpent Form | 188-96 |
| Robert A. Bryan | Adam's Tragic Vision in Paradise Lost | 197-214 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1964 [itemized below] | 215-491 |
| [unsigned] | General Works of the Renaissance | 221-37 |
| William Wells | English | 237-336 |
| Panos Paul Morphos and Richard L. Frautschi |
French | 336-68 |
| James E. Engel and John G. Kunstmann |
Germanic Languages | 368-86 |
| Joseph G. Fucilla | Italian | 387-423 |
| Robert Roy Bishop and Warren T. McCready |
Spanish and Portuguese | 423-56 |
| [unsigned] | Index of Proper Names | 457-91 |
| Urban Tigner Holmes and Dougald MacMillan |
In Memoriam: Berthold Louis Ullman | 493 |
| Norman E. Eliason | The Story of Geat and Mæðhild in Deor | 495-509 |
| Peter Dale Scott | Alcuin's Versus de Cuculo: The Vision of Pastoral Friendship | 510-30 |
| Marcelle Thébaux | An Unpublished Allegory of the Hunt of Love: Li dis dou cerf amoreus | 531-45 |
| Joseph E. Grennen | The Canon's Yeoman's Alchemical "Mass" | 546-60 |
| Lorna Challis | The Use of Oratory in Sidney's Arcadia | 561-76 |
| Ralph W. Condee | The Structure of Milton's "Epitaphium Damonis" | 577-94 |
| Mason Tung | The Abdiel Episode: A Contextual Reading | 595-609 |
| A. T. Elder | Thematic Patterning and Development in Johnson's Essays | 610-32 |
| Dougald MacMillan | Editorial Announcement | 633-34 |
| Sister M. Amelia Klenke, O.P. | Chrétien de Troyes and Twelfth-Century Tradition | 635-46 |
| Curt F. Bühler | Owners' Jingles in Early Printed Books | 647-53 |
| A. P. Stabler | Elective Monarchy in the Sources of Hamlet | 654-61 |
| Samuel Kinser | D'Aubigné and the Murder of Concini: Complaintes du sang du grand Henry | 662-95 |
| John T. Shawcross | The Balanced Structure of Paradise Lost | 696-718 |
| Patricia Meyer Spacks | Collins' Imagery | 719-36 |
|
|
| [unsigned] | In Memoriam: Robert J. Getty | 1 |
| John A. Frey | Linguistic and Psychological Couplings in the Lays of Marie de France | 3-18 |
| Alan T. Gaylord | Gentilesse in Chaucer's Troilus | 19-34 |
| C. A. L. Jarrott | Erasmus' In Principio Erat Sermo: A Controversial Translation | 35-40 |
| Sister M. Geraldine, C.S.J. | Erasmus and the Tradition of Paradox | 41-63 |
| Clarence H. Miller | The Order of Stanzas in Cowley and Crashaw's "On Hope" | 64-73 |
| K. C. Sandberg | Pierre Bayle's Sincerity in His Views on Faith and Reason | 74-84 |
| Herbert W. Reichert | Nietzsche and Georg Kaiser | 85-108 |
| J. C. Lapp | Mythological Imagery in Du Bellay | 109-27 |
| Kathrine Koller | Art, Rhetoric, and Holy Dying in The Faerie Queene, with Special Reference to the Despair Canto | 128-39 |
| Maurice Evans | Guyon and the Bower of Sloth | 140-49 |
| Ann Romayne Howe | Astrophel and Stella: "Why and How" | 150-69 |
| Hugh N. Maclean | Greville's "Poetic" | 170-91 |
| J. W. Robinson | Palpable Hot Ice: Dramatic Burlesque in A Midsummer-Night's Dream | 192-204 |
| Charles Fish | Henry IV: Shakepeare and Holinshed | 205-18 |
| Richard Levin | The Three Quarrels of A Fair Quarrel | 219-31 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1963 [itemized below] | 233-483 |
| [unsigned] | General Works of the Renaissance | 239-49 |
| Dale B. J. Randall, John R. Elliott, Jr., and William Wells |
English | 249-328 |
| Panos Paul Morphos and Richard L. Frautschi |
French | 328-58 |
| James E. Engel and John G. Kunstmann |
Germanic Languages | 359-73 |
| Joseph G. Fucilla | Italian | 373-403 |
| Robert Roy Bishop and Warren T. McCready |
Spanish and Portuguese | 404-50 |
| [unsigned] | Index of Proper Names | 451-83 |
| Philip Buehler | The Cursor Mundi and Herman's Bible: Some Additional Parallels | 485-99 |
| A. L. Clements | On the Mode and Meaning of Traherne's Mystical Poetry: "The Preparative" | 500-21 |
| Charles O. McDonald | Restoration Comedy as Drama of Satire: An Investigation into Seventeenth-Century Aesthetics | 522-44 |
| Elizabeth T. McLaughlin | Coleridge and Milton | 545-72 |
| George Mills Harper | Blake's Lost Letter to Hayley, 4 December 1804 | 573-85 |
| Hugo Bekker | Bergengrün's "Die Feuerprobe" | 586-98 |
| Paul M. Clogan | Chaucer and the Thebaid Scholia | 599-615 |
| Donald G. Castanien | Three Spanish Translations of Epictetus | 616-26 |
| Harold G. Ridlon | The Function of the "Infant-Ey" in Traherne's Poetry | 627-39 |
| John R. Gleason | The Nature of Milton's Moscovia | 640-49 |
| Maximillian E. Novak | Defoe's Theory of Fiction | 650-68 |
| A. M. Buchan | The Sad Wisdom of the Mariner | 669-88 |
|
|
| Patrick G. Hogan, Jr. | Marvell's "Vegetable Love" | 1-11 |
| James F. Forrest | Bunyan's Ignorance and the Flatterer: A Study in the Literary Art of Damnation | 12-22 |
| W. B. Carnochan | The Complexity of Swift: Gulliver's Fourth Voyage | 23-44 |
| William Bowman Piper | The Large Diffused Picture of Life in Smollett's Early Novels | 45-56 |
| John R. Crider | Structure and Effect in Collins' Progress Poems | 57-72 |
| George M. Ridenour | Source and Allusion in Some Poems of Coleridge | 73-95 |
| I. T. Olken | Imagery in Chéri and La Fin de Chéri | 96-115 |
| Rainer Pineas | William Tyndale: Controversialist | 117-32 |
| Pearl Hogrefe | Sir Thomas Elyot's Intention in the Opening Chapters of the Governour | 133-40 |
| A. W. Plumstead | Satirical Parody in Roister Doister: A Reinterpretation | 141-54 |
| Elias Schwartz | The Meter of Some Poems of Wyatt | 155-65 |
| Stanley R. Maveety | Versification in The Steele Glas | 166-73 |
| Richard N. Ringler | Spenser and the Achilleid | 174-82 |
| Robert Y. Turner | The Causal Induction in Some Elizabethan Plays | 183-90 |
| Thomas F. Van Laan | John Donne's Devotions and the Jesuit Spiritual Exercises | 191-202 |
| Paul R. Baumgartner | Milton and Patience | 203-13 |
| George W. Whiting | Abdiel and the Prophet Abdias | 214-26 |
| C. A. Patrides | Psychopannychism in Renaissance Europe | 227-29 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1962 [itemized below] | 231-485 |
| [unsigned] | General Works of the Renaissance | 237-47 |
| Peter G. Phialas, Dale B. J. Randall, John R. Elliott, Jr., and William Wells |
English | 247-325 |
| Panos Paul Morphos and Richard L. Frautschi |
French | 325-58 |
| James E. Engel and John G. Kunstmann |
Germanic Languages | 358-75 |
| Joseph G. Fucilla | Italian | 375-406 |
| Robert Roy Bishop and Warren T. McCready |
Spanish and Portuguese | 406-53 |
| [unsigned] | Index of Proper Names | 454-85 |
| John Hammond Taylor, S.J. | St. Augustine and the Hortensius of Cicero | 487-98 |
| Paul W. Brosman, Jr. | The Old High German Element in French | 499-513 |
| L. Whitbread | Old English and Old High German: A Note on Judgment Day II, 292-293 | 514-24 |
| Patrick R. Vincent | The Dramatic Aspect of the Old-French Vie de Saint Alexis | 525-41 |
| William M. Ryan | The Classifications of Browning's "Difficult" Vocabulary | 542-48 |
| Sister Marcella M. Holloway | A Further Reading of "Count Gismond" | 549-53 |
| John O. Waller | Charles Kingsley and the American Civil War | 554-68 |
| J. O. Bailey | Evolutionary Meliorism in the Poetry of Thomas Hardy | 569-87 |
| Claude K. Abraham | Myth and Symbol: The Rabbit in Medieval France | 589-97 |
| Mother Angela Carson, O.S.U. | The Green Chapel: Its Meaning and Its Function | 598-605 |
| W. Leonard Grant | The Life of Naldo Naldi | 606-17 |
| Ward Pafford | Coleridge's Wedding-Guest | 618-26 |
| Maria Hogan Butler | An Examination of Byron's Revision of Manfred, Act III | 627-36 |
| Sidney M. B. Coulling | The Evolution of Culture and Anarchy | 637-68 |
| Richard B. Grant | Imagery as a Means of Psychological Revelation in Maupassant's Une Vie | 669-84 |
|
|
| Paul A. Olson | The Reeve's Tale: Chaucer's Measure for Measure | 1-17 |
| Dorothy Clotelle Clarke | The Passage on Sins in the Decir a las siete virtudes | 18-30 |
| Élie Vidal | Villon et Robert d'Estouteville | 31-40 |
| Bruce W. Wardropper | Metamorphosis in the Theatre of Juan del Encina | 41-51 |
| Ruthe T. Sheffey | Some Evidence for a New Source of Aphra Behn's Oroonoko | 52-63 |
| Elias J. Chiasson | Swift's Clothes Philosophy in the Tale and Hooker's Concept of Law | 64-82 |
| John W. Tilton and R. Dale Tuttle |
A New Reading of "Count Gismond" | 83-95 |
| [Charles Parish] | "Christopher Smart's Knowledge of Hebrew": Errata [to 58 (1961): 516-32] | 96 |
| Julian G. Michel | Ronsard's "Victoire de François de Bourbon": A Reappraisal | 97-110 |
| Walter F. Staton, Jr. | Spenser's "April" Lay as a Dramatic Chorus | 111-18 |
| Sister Miriam Joseph, C.S.C. | Hamlet: A Christian Tragedy | 119-40 |
| Charles O. McDonald | The Design of John Ford's The Broken Heart: A Study in the Development of Caroline Sensibility | 141-61 |
| Mary Ellen Rickey | Vaughan, The Temple, and Poetic Form | 162-70 |
| W. L. Wiley | Corneille's Refinement of His Early Plays | 171-83 |
| Claud Adelbert Thompson | "That Two-Handed Engine" Will Smite: Time Will Have a Stop | 184-200 |
| John M. Steadman | "Bitter Ashes": Protestant Exegesis and the Serpent's Doom | 201-10 |
| Allan Pritchard | George Wither: The Poet as Prophet | 211-30 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1961 [itemized below] | 231-470 |
| [unsigned] | General Works of the Renaissance | 237-47 |
| Peter G. Phialas, Dale B. J. Randall, and William Wells |
English | 247-318 |
| Panos Paul Morphos and Richard L. Frautschi |
French | 318-47 |
| James E. Engel and John G. Kunstmann |
Germanic Languages | 347-70 |
| Joseph G. Fucilla | Italian | 371-401 |
| Robert Roy Bishop and Warren T. McCready |
Spanish and Portuguese | 402-39 |
| [unsigned] | Index of Proper Names | 440-70 |
| John F. Benton | The Evidence for Andreas Capellanus Re-examined Again | 471-78 |
| R. E. Kaske | The Canticum Canticorum in The Miller's Tale | 479-500 |
| Panos Paul Morphos | The Composition of Le Temple d'Honneur et de Vertus of Lemaire de Belges | 501-13 |
| Clifford Davidson | Doctor Faustus of Wittenberg | 514-23 |
| Robert Harden | The Coins in Don Quixote | 524-38 |
| Michael W. Alssid | The Perfect Conquest: A Study of Theme, Structure, and Characters in Dryden's The Indian Emperor | 539-59 |
| Patricia Meyer Spacks | Horror-Personification in Late Eighteenth-Century Poetry | 560-78 |
| George Yost, Jr. | Keats's Early Religious Phraseology | 579-91 |
| Paul W. Brosman, Jr. | Morphological Correspondence among Germanic Verbs in Romance | 593-604 |
| Ralph Paul deGorog | On the Alternation of /k/ and /g/ in Normandy | 605-14 |
| Henry Kratz | The Proposed Sources of the Nibelungenlied | 615-30 |
| Donald C. Baker | Chaucer's Clerk and the Wife of Bath on the Subject of Gentilesse | 631-40 |
| J. A. Bryant, Jr. | Jonson's Revision of Every Man in His Humor | 641-50 |
| L. A. Beaurline | New Poems by Sir John Suckling | 651-57 |
| Jay Arnold Levine | The Status of the Verse Epistle before Pope | 658-84 |
|
|
| Kenneth J. Reckford | The Dyskolos of Menander | 1-24 |
| W. Leonard Grant | Neo-Latin Biblical Pastorals | 25-43 |
| Kurt Lewent | Provençal Word Studies | 44-51 |
| Thomas B. Stroup and H. Ward Jackson |
Gascoigne's Steele Glas and "The Bidding of the Bedes" | 52-60 |
| James O. Crosby | A New Preface by Francisco de Quevedo | 61-68 |
| R. T. Lenaghan | Pattern in Walter Pater's Fiction | 69-92 |
| [unsigned] | Dedication: In Memory of William Morton Dey (1880-1961) and George Coffin Taylor (1877-1961) | 93-95 |
| Rainer Pineas | Thomas More's Use of Humor as a Weapon of Religious Controversy | 97-114 |
| Linton C. Stevens | A Re-Evaluation of Hellenism in the French Renaissance | 115-29 |
| Floyd Gray | Montaigne and the Memorabilia | 130-39 |
| Elias Schwartz | A Neglected Play by Chapman | 140-59 |
| Terence Hawkes | Iago's Use of Reason | 160-69 |
| William W. Main | Character Amalgams in Shakespeare's Troilus and Cressida | 170-78 |
| William C. McCrary | Fuenteovejuna: Its Platonic Vision and Execution | 179-92 |
| G. W. Whiting and Ann Gossman |
Siloa's Brook, the Pool of Siloam, and Milton's Muse | 193-205 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1960 [itemized below] | 207-455 |
| [unsigned] | General Works of the Renaissance | 213-24 |
| Peter G. Phialas, O. B. Hardison, Jr., and William Wells |
English | 224-91 |
| Panos Paul Morphos and Richard L. Frautschi |
French | 291-319 |
| James E. Engel and John G. Kunstmann |
Germanic Languages | 319-42 |
| Joseph G. Fucilla | Italian | 343-75 |
| Karl-Ludwig Selig and Warren T. McCready |
Spanish and Portuguese | 376-421 |
| [unsigned] | Index of Proper Names | 422-55 |
| Edward B. Irving, Jr. | The Heroic Style in The Battle of Maldon | 457-67 |
| Leger Brosnahan | Does The Nun's Priest's Epilogue Contain a Link? | 468-82 |
| Murray A. [Cowie] and Marian L. Cowie |
Geiler von Kaysersberg and Abuses in Fifteenth-Century Strassburg | 483-95 |
| David M. Bevington | The Dialogue in Utopia: Two Sides to the Question | 496-509 |
| Thomas Wheeler | Milton's Twenty-Third Sonnet | 510-15 |
| Charles Parish | Christopher Smart's Knowledge of Hebrew [see also the errata, 59 (1962): 96] | 516-32 |
| Jack Stillinger | The Hoodwinking of Madeline: Scepticism in "The Eve of St. Agnes" | 533-56 |
| Walter Allen, Jr., et al. [Robert J. Barnett, Jr., Mary D. Beaty, Bärbel Becker, Frederick Behrends, W. F. Boggess, Theodore Crane, Jr., Kathleen Ann Dempsey, L. E. Garrido, R. R. Harris, Vivian L. Holliday, Richard C. Jensen, William C. Kurth, M. A. Robbins, and H. W. Taylor, Jr.] |
Epic and Etiquette in Tacitus' Annals | 557-72 |
| Charles Dahlberg | Macrobius and the Unity of the Roman de la Rose | 573-82 |
| Bertrand H. Bronson | Afterthoughts on The Merchant's Tale | 583-96 |
| W. Leonard Grant | Neo-Latin Devotional Pastorals | 597-615 |
| James Hutton | John Leland's Laudatio Pacis | 616-26 |
| William F. Aggeler | Baudelaire's Part in the Composition of Léon Cladel's Les Martyrs Ridicules | 627-39 |
|
|
| Patrick R. Vincent | Jean Bodel's Use of Manoque in the Jeu de saint Nicolas | 1-6 |
| George Fenwick Jones | Rüdiger's Dilemma | 7-21 |
| Robert G. Godfrey | The Language Theory of Thomas of Erfurt | 22-29 |
| R. L. Frautschi | Some New Sources of Le Grand Parangon des nouvelles nouvelles | 30-43 |
| Richard S. Sylvester | Cavendish's Life of Wolsey: The Artistry of a Tudor Biographer | 44-71 |
| Henry Knight Miller | Henry Fielding's Satire on the Royal Society | 72-86 |
| John Paterson | The Genesis of Jude the Obscure | 87-98 |
| William O. Harris | Wolsey and Skelton's Magnyfycence: A Re-Evaluation | 99-122 |
| Walter R. Davis | Thematic Unity in the New Arcadia | 123-43 |
| O. B. Hardison, Jr. | The Dramatic Triad in Hamlet | 144-64 |
| Everett W. Hesse | The Sense of Lope's El villano en su rincón | 165-77 |
| A. C. Howell | Augustus Toplady and Quarles' Emblems | 178-85 |
| Barbara Kiefer Lewalski | Theme and Structure in Paradise Regained | 186-220 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1959: A Bibliography [itemized below] | 221-461 |
| [unsigned] | General Works of the Renaissance | 227-38 |
| Peter G. Phialas and William Wells | English | 238-303 |
| Samual F. Will, Panos Paul Morphos, and Richard L. Frautschi |
French | 303-33 |
| John G. Kunstmann | Germanic Languages | 333-54 |
| Joseph G. Fucilla | Italian | 354-85 |
| Karl-Ludwig Selig and Jack H. Parker |
Spanish and Portuguese | 385-29 |
| [unsigned] | Index of Proper Names | 430-61 |
| Arnold Williams | The "Limitour" of Chaucer's Time and His "Limitacioun" | 463-78 |
| Dale B. J. Randall | Was the Green Knight a Fiend? | 479-91 |
| L. A. Beaurline | The Canon of Sir John Suckling's Poems | 492-518 |
| Paul E. Parnell | Equivocation in Cibber's Love's Last Shift | 519-34 |
| John O. Waller | Charles Dickens and the American Civil War | 535-48 |
| Richard Herndon | The Genesis of Conrad's "Amy Foster" | 549-66 |
| Janet Bately | Alfred's Orosius and Les Empereors de Rome | 567-86 |
| L. C. Porter | The Cantilène de Sainte Eulalie: Phonology and Graphemics | 587-96 |
| Douglas Cole | Hrotsvitha's Most "Comic" Play: Dulcitius | 597-605 |
| John Halverson | Aspects of Order in The Knight's Tale | 606-21 |
| Francelia Butler | John Penkethman's Pseudonymous Plague Works, 1625-1636 | 622-33 |
| John C. Weston, Jr. | An Example of Robert Burns' Contribution to the Scottish Vernacular Tradition | 634-47 |
| Newell F. Ford | Paradox and Irony in Shelley's Poetry | 648-62 |
| John A. Downs | Maupassant's "La Ficelle" and Bazan's "Billet de Mille" | 663-71 |
|
|
| Elizabeth Nitchie, ed. | "Mathilda," by Mary Wollstonecraft Shelley | 104 + xvi pp. |
|
|
| Allan H. Gilbert | Aristotle's |
1-6 |
| Florence McCulloch | The Metamorphoses of the Asp in Latin and French Bestiaries | 7-13 |
| Sister M. Amelia Klenke, O.P. | The Christus Domini Concept in Mediaeval Art and Literature | 14-25 |
| Dick Taylor, Jr. | The Earl of Pembroke and the Youth of Shakespeare's Sonnets: An Essay in Rehabilitation | 26-54 |
| Ralph E. Hone | "The Pilot of the Galilean Lake" | 55-61 |
| Elizabeth Maxfield Miller | The Real Monsieur Jourdain of the Bourgeois Gentilhomme (1670) | 62-73 |
| J. O. Bailey | Hardy's Visions of the Self | 74-101 |
| Walter J. Ong, S.J. | Latin Language Study as a Renaissance Puberty Rite | 103-24 |
| Walter F. Staton, Jr. | Roger Ascham's Theory of History Writing | 125-37 |
| Mary Welles Coulter | Satyres Chrestienes de la Cuisine Papale [N.B.: The second e in "Chrestienes" should have a tilde; HTML does not support this character.] | 138-49 |
| Celeste Turner Wright | Young Anthony Mundy Again | 150-68 |
| Michael Quinn | "The King is Not Himself": The Personal Tragedy of Richard II | 169-86 |
| Cecil C. Seronsy | Daniel and Wordsworth | 187-213 |
| John M. Steadman | Adam and the Prophesied Redeemer (Paradise Lost, XII, 359-623) | 214-25 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1958: A Bibliography [itemized below] | 227-452 |
| [unsigned] | General Works of the Renaissance | 233-42 |
| Peter G. Phialas and William Wells |
English | 242-304 |
| Samuel F. Will and Panos Paul Morphos |
French | 305-28 |
| John G. Kunstmann | Germanic Languages | 329-48 |
| Joseph G. Fucilla | Italian | 348-77 |
| Jack H. Parker and Karl L. Selig |
Spanish and Portuguese | 377-422 |
| [unsigned] | Index of Proper Names | 423-52 |
| John Esten Keller | The Motif of the Statue Bride in the Cántigas of Alfonso the Learned | 453-58 |
| Ralph Paul deGorog | A History of the Research on Scandinavian Influence on French | 459-70 |
| Robert Adger Law | The Double Authorship of Henry VIII | 471-88 |
| G. A. Wilkes | The Sequence of the Writings of Fulke Greville, Lord Brooke | 489-503 |
| Douglas L. Peterson | John Donne's Holy Sonnets and the Anglican Doctrine of Contrition | 504-18 |
| Jean Gagen | Honor and Fame in the Works of the Duchess of Newcastle | 519-38 |
| Bernard J. Paris | George Eliot's Unpublished Poetry | 539-58 |
| Rossell Hope Robbins | Middle English Carols as Processional Hymns | 559-82 |
| Alastair Fowler | Six Knights at Castle Joyous | 583-99 |
| Cyrus Hoy | Verbal Formulae in the Plays of Philip Massinger | 600-18 |
| John E. Parish | Milton and an Anthropomorphic God | 619-25 |
| Evert Mordecai Clark | Milton and Wither | 626-46 |
| Roger L. Brooks | Matthew Arnold and His Contemporaries: A Check List of Unpublished and Published Letters | 647-53 |
| Emma Clifford | Thomas Hardy and the Historians | 654-68 |
|
|
| John F. Mahoney | The Evidence for Andreas Capellanus in Re-Examination | 1-6 |
| Paul A. Olson | Le Roman de Flamenca: History and Literary Convention | 7-23 |
| Linton C. Stevens | Rabelais and Aristophanes | 24-30 |
| Paul W. Miller | The Elizabethan Minor Epic | 31-38 |
| K. Gustav Cross | The Authorship of "Lust's Dominion" | 39-61 |
| Edwin M. Everett | Lord Byron's Lakist Interlude | 62-75 |
| R. T. Davies | Was "Negative Capability" Enough for Keats? A Re-Assessment of the Evidence in the Letters | 76-85 |
| Harry Stone | Dickens's Tragic Universe: "George Silverman's Explanation" | 86-97 |
| Jacques Hardré | Jean-Paul Sartre: Literary Critic | 98-106 |
| Georg Luck | Vir Facetus: A Renaissance Ideal | 107-21 |
| J. K. Sowards | Erasmus and the Apologetic Textbook: A Study of the De Duplici Copia Verborum ac Rerum | 122-35 |
| Edward Surtz, S.J. | John Fisher and the Scholastics | 136-53 |
| M. S. [Blayney] and G. H. Blayney |
The Faerie Queene and an English Version of Chartier's Traité de l'Esperance | 154-63 |
| Ralph Nash | Ben Jonson's Tragic Poems | 164-86 |
| Laurence Stapleton | The Theme of Virtue in Donne's Verse Epistles | 187-200 |
| G. Stanley Koehler | Milton on "Numbers," "Quantity," and Rime | 201-17 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1957: A Bibliography [itemized below] | 219-422 |
| [unsigned] | General Works of the Renaissance | 225-33 |
| Peter G. Phialas and William Wells |
English | 233-92 |
| Samuel F. Will and W. L. Wiley |
French | 292-310 |
| John G. Kunstmann | Germanic Languages | 311-32 |
| Joseph G. Fucilla | Italian | 333-53 |
| Karl L. Selig and Jack H. Parker |
Spanish and Portuguese | 354-94 |
| [unsigned] | Index of Proper Names | 395-422 |
| R. E. Kaske | Sapientia et Fortitudo as the Controlling Theme of Beowulf | 423-56 |
| Joseph Anthony Mazzeo | A Note on the "Sirens" of Purgatorio XXXI, 45 | 457-63 |
| Tatiana Fotitch | Libro de Buen Amor, 869 C | 464-71 |
| Austin Warren | Donne's "Extasie" | 472-80 |
| David R. Hauser | Otway Preserved: Theme and Form in Venice Preserv'd | 481-93 |
| Sam G. Barnes | Was Theory of Life Coleridge's "Opus Maximum"? | 494-514 |
| Walter Allen, Jr. | The Non-Existent Classical Epyllion | 515-18 |
| William S. Anderson | Juno and Saturn in the Aeneid | 519-32 |
| A. C. Hamilton | Spenser and Langland | 533-48 |
| Rolf Soellner | The Four Primary Passions: A Renaissance Theory Reflected in the Works of Shakespeare | 549-67 |
| Donald G. Castanien | Quevedo's Anacreón Castellano | 568-75 |
| Thomas H. Fujimura | Rochester's "Satyr against Mankind": An Analysis | 576-90 |
| Alfred Adler | Fenélon's Télémaque: Intention and Effect | 591-602 |
| Stephen F. Fogle | Leigh Hunt and the Laureateship | 603-15 |
|
|
| Thomas Wheeler | The Purpose of Bacon's History of Henry the Seventh | 1-13 |
| Robert Allen Durr | Vaughan's Theme and Its Pattern: "Regeneration" | 14-28 |
| Richard H. Tyre | Versions of Poetic Justice in the Early Eighteenth Century | 29-44 |
| John H. Sutherland | A Reconsideration of Gulliver's Third Voyage | 45-52 |
| Charles J. Smith | Wordsworth and Coleridge: The Growth of a Theme | 53-64 |
| Clifton Cherpack | Volney's Les Ruines and the Age of Rhetoric | 65-75 |
| Simon Belasco | Vowels o, eu, ou in Rhyzotonic Forms of the French Present Stem | 76-84 |
| Robert J. Clements | Emblem Books on Literature's Role in the Revival of Learning | 85-100 |
| John C. Lapp | Mythological Imagery in Pontus de Tyard | 101-11 |
| John D. Ratliff | Hieronimo Explains Himself | 112-18 |
| Robert Adger Law | On the Date of King John | 119-27 |
| William W. Main | Dramaturgical Norms in the Elizabethan Repertory | 128-48 |
| Maurice Charney | Shakespeare's Antony: A Study of Image Themes | 149-61 |
| C. G. Thayer | The Ambiguity of Bosola | 162-71 |
| Macon Cheek | Milton's "In Quintum Novembris": An Epic Foreshadowing | 172-84 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1956: A Bibliography [itemized below] | 185-386 |
| [unsigned] | General Works of the Renaissance | 191-98 |
| Peter G. Phialas and William Wells |
English | 199-257 |
| Samuel F. Will and W. L. Wiley |
French | 257-75 |
| John G. Kunstmann | Germanic Languages | 275-98 |
| Joseph G. Fucilla | Italian | 298-317 |
| Karl L. Selig and Jack H. Parker |
Spanish and Portuguese | 317-58 |
| [unsigned] | Index of Proper Names | 359-86 |
| Cecil C. Seronsy | The Doctrine of Cyclical Recurrence and Some Related Ideas in the Works of Samuel Daniel | 387-407 |
| Abraham C. Keller | Optimism in the Essays of Montaigne | 408-28 |
| William R. Keast | The Two Clarissas in Johnson's Dictionary | 429-39 |
| Sherman Eoff | Oliver Twist and the Spanish Picaresque Novel | 440-47 |
| Thomas P. Harrison | The Birds of Gerard Manley Hopkins | 448-63 |
| Frank Sedwick | Unamuno, the Third Self, and Lucha | 464-79 |
| W. Leonard Grant | Later Neo-Latin Pastoral: II [see also 53 (1956): 429-51] | 481-97 |
| D. S. Bland | Rhetoric and the Law Student in Sixteenth-Century England | 498-508 |
| John J. O'Connor | The Chief Source of Marston's Dutch Courtezan | 509-15 |
| Mark Eccles | "Thomas Middleton a Poett" | 516-36 |
| Edward A. Bloom | "Labors of the Learned": Neoclassic Book Reviewing Aims and Techniques | 537-63 |
| John A. Downs | The Treatment of German Literature in the Encyclopédie | 564-72 |
| Charles B. Willard | Ezra Pound's Debt to Walt Whitman | 573-81 |
|
|
| Sister M. Amelia Klenke, O.P. | The Spiritual Ascent of Perceval | 1-21 |
| Pauline Aiken | Vincent of Beauvais and the "Houres" of Chaucer's Physician | 22-24 |
| Edward W. Najam | Europe: Richelieu's Blueprint for Unity and Peace | 25-34 |
| H. T. Barnwell | Saint-Evremond and Pascal: A Note on the Question of Le Divertissement | 35-50 |
| Austin C. Dobbins | Dryden's "Character of a Good Parson": Background and Interpretation | 51-59 |
| G. E. Bentley, Jr. | William Blake and "Johnny of Norfolk" | 60-74 |
| Donald M. Foerster | Homer, Milton, and the American Revolt against Epic Poetry: 1812-1860 | 75-100 |
| Isaac Bacon | A Survey of the Changes in the Interpretation of Ackermann aus Böhmen | 101-13 |
| Josephine Waters Bennett | Britain among the Fortunate Isles | 114-40 |
| Don Cameron Allen | On Spenser's Muiopotmos | 141-58 |
| Bruce W. Wardropper | Fuente Ovejuna: El Gusto and Lo Justo | 159-71 |
| Rudolf B. Gottfried | The Authorship of A Breviary of the History of England | 172-90 |
| A. E. Malloch | The Techniques and Function of the Renaissance Paradox | 191-203 |
| Frank L. Huntley | Sir Thomas Browne: The Relationship of Urn Burial and The Garden of Cyrus | 203-19 |
| Evert Mordecai Clark | Milton's English Poetical Vocabulary | 220-38 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1955: A Bibliography [itemized below] | 239-427 |
| [unsigned] | General Works of the Renaissance | 245-52 |
| Peter G. Phialas and William Wells |
English | 253-305 |
| W. L. Wiley and Samuel F. Will |
French | 305-25 |
| John G. Kunstmann | Germanic Languages | 325-46 |
| Joseph G. Fucilla | Italian | 347-66 |
| Karl L. Selig and Jack H. Parker |
Spanish and Portuguese | 367-401 |
| [unsigned] | Index of Proper Names | 402-27 |
| W. Leonard Grant | Later Neo-Latin Pastoral: I [see also 54 (1957): 481-97] | 429-51 |
| Christine Knowles | A 14th-Century Imitator of Jean de Meung: Jean de Vignay's Translation of the De Re Militari of Vegetius | 452-58 |
| R. T. Davies | Malory's "Vertuouse Love" | 459-69 |
| Glenn H. Blayney | Wardship in English Drama (1600-1650) | 470-84 |
| Edward F. Kenrick | Paradise Lost and the Index of Prohibited Books | 485-500 |
| Arthur Fenner, Jr. | The Wartons "Romanticize" Their Verse | 501-8 |
| Robert A. Pratt | Chaucer and Le Roman de Troyle et de Criseida | 509-39 |
| Irving P. Rothberg | Covarrubias, Gracian, and the Greek Anthology | 540-52 |
| William Blissett | Lucan's Caesar and the Elizabethan Villain | 553-75 |
| Benjamin Boyce | Johnson's Life of Savage and Its Literary Background | 576-98 |
| James S. Patty | Baudelaire's Knowledge and Use of Dante | 599-611 |
| John C. Broderick | Thoreau, Alcott, and the Poll Tax | 612-26 |
| James M. Smith | Does Art Follow Life or Does Life Follow Art? A Controversy in Nineteenth-Century French Literature | 627-38 |
|
|
| Paul E. Parnell | Moral Allegory in Lyly's Loves Metamorphosis | 1-16 |
| Robert B. Voitle | Shaftesbury's Moral Sense | 17-38 |
| Frederick L. Jones | Mary Shelley to Maria Gisborne: New Letters, 1818-1822 | 39-74 |
| Aileen Ward | The Date of Keats's "Bright Star" Sonnet | 75-85 |
| Raymond Adams | Thoreau's Mock-Heroics and the American Natural History Writers | 86-97 |
| P. Albert Duhamel | Medievalism of More's Utopia | 99-126 |
| George B. Parks | Ramusio's Literary History | 127-48 |
| Walter N. King | John Lyly and Elizabethan Rhetoric | 149-61 |
| Irving Ribner | Greene's Attack on Marlowe: Some Light on Alphonsus and Selimus | 162-71 |
| J. Woodrow Hassell, Jr. | An Elizabethan Translation of the Tales of Des Périers: The Mirrour of Mirth, 1583 and 1592 | 172-85 |
| P. G. Phialas | Middleton's Early Contact with the Law | 186-94 |
| Rufus A. Blanshard | Carew and Jonson | 195-211 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1954: A Bibliography [itemized below] | 213-432 |
| [unsigned] | General Works of the Renaissance | 219-28 |
| William Wells and Peter G. Phialas |
English | 228-84 |
| Samuel F. Will and W. L. Wiley |
French | 284-309 |
| John G. Kunstmann | Germanic Languages | 309-27 |
| Joseph G. Fucilla | Italian | 327-52 |
| Arnold G. Reichenberger and Jack H. Parker |
Spanish and Portuguese | 352-403 |
| [unsigned] | Index of Proper Names | 404-32 |
| Isidore Silver | Ronsard's Use of the Greek Language | 433-62 |
| Paul E. McLane | Spenser's Oak and Briar | 463-77 |
| David S. Berkeley | The Art of "Whining" Love | 478-96 |
| Cecil C. Seronsy | More Coleridge Marginalia | 497-501 |
| Milton Chaikin | Zola and Conrad's "The Idiots" | 502-7 |
| Maurice P. Cunningham | The Place of the Hymns of St. Ambrose in the Latin Poetic Tradition | 509-14 |
| Barbara Seward | Dante's Mystic Rose | 515-23 |
| Edward Glaser | A Biblical Theme in Iberian Poetry of the Golden Age | 524-48 |
| Laurence Michel and Cecil C. Seronsy |
Shakespeare's History Plays and Daniel: An Assessment | 549-77 |
| William J. Grace | Notes on Robert Burton and John Milton | 578-91 |
| John Harold Wilson | Rant, Cant, and Tone on the Restoration Stage | 592-98 |
| Allan H. MacLaine | Robinson Crusoe and the Cyclops | 599-604 |
|
|
| Walter Allen, Jr. | Sallust's Political Career | 1-14 |
| Stanley B. Greenfield | Attitudes and Values in The Seafarer | 15-20 |
| Robert F. Gibbons | Does The Nun's Priest's Epilogue Contain a Link? | 21-33 |
| E. M. W. Tillyard | Shakespeare's Historical Cycle: Organism or Compilation? | 34-39 |
| Robert Adger Law | Shakespeare's Historical Cycle: Rejoinder | 40-41 |
| J. H. Arjona | Did Lope de Vega Write El lacayo fingido? | 42-53 |
| John Harrington Smith | The Dryden-Howard Collaboration | 54-74 |
| Marvin Rosenberg | The "Refinement" of Othello in the Eighteenth-Century British Theatre | 75-94 |
| Margherita Morreale | Coluccio Salutati's De Laboribus Herculis (1406) and Enrique De Villena's Los Doze Trabajos De Hercules (1417) | 95-106 |
| A. L. Bennett | The Principal Rhetorical Conventions in the Renaissance Personal Elegy | 107-26 |
| Walter J. Ong, S.J. | Fouquelin's French Rhetoric and the Ramist Vernacular Tradition | 127-42 |
| James Sledd | Nowell's Vocabularium Saxonicum and the Elyot-Cooper Tradition | 143-48 |
| Joseph Allen Bryant, Jr. | Shakespeare's Falstaff and the Mantle of Dick Tarlton | 149-62 |
| Christian Kiefer | Music and Marston's The Malcontent | 163-71 |
| John S. Weld | Christian Comedy: Volpone | 172-93 |
| Robert Ornstein | The Atheist's Tragedy and Renaissance Naturalism | 194-207 |
| Samuel Kliger | Milton in Italy and the Lost Malatesti Manuscript | 208-13 |
| William Wells, gen. ed.; Hardin Craig, advisory ed. |
Literature of the Renaissance in 1953: A Bibliography [itemized below] | 215-424 |
| [unsigned] | General Works of the Renaissance | 221-29 |
| William Wells | English | 230-86 |
| W. L. Wiley, Samuel F. Will, and Florence McCulloch |
French | 287-305 |
| John G. Kunstmann | Germanic Languages | 305-26 |
| Joseph G. Fucilla | Italian | 326-48 |
| Arnold G. Reichenberger and Jack H. Parker |
Spanish and Portuguese | 349-96 |
| [unsigned] | Index of Proper Names | 397-424 |
| Faith Lyons | "Entencion" in Chrétien's Lancelot | 425-30 |
| Alvin B. Kernan | A Comparison of the Imagery in 3 Henry VI and The True Tragedie of Richard Duke of York | 431-42 |
| Maren-Sofie Röstvig | Casimire Sarbiewski and the English Ode | 443-60 |
| John C. Lapp | Athaliah's Dream | 461-69 |
| Cecil C. Seronsy | Marginalia by Coleridge in Three Copies of His Published Works | 470-81 |
| Curtis Dahl | Morris's "The Chapel in Lyoness": An Interpretation | 482-91 |
| Herbert Bergman | Whitman and Tennyson | 492-504 |
| T. Fotitch | The Etymology of Old French chaeles | 505-15 |
| Kurt Lewent | The Dansa of Cerveri, Called "De Girona" | 516-38 |
| D. W. Robertson, Jr. | Five Poems by Marcabru | 539-60 |
| Robert J. Clements | Literary Theory and Criticism in Scaliger's Poemata | 561-84 |
| Frank H. Moore | Heroic Comedy: A New Interpretation of Dryden's Assignation | 585-98 |
| Carol Jones Carlisle | The Nineteenth-Century Actors versus the Closet Critics of Shakespeare | 599-615 |
© 2000 Britt Mize for the Carolina Association for Medieval Studies and Studies in Philology