Concert performances by David Schulenberg
Upcoming performances:
On May 13, 1999, at the University of Dayton (Ohio), I will join Mary
Oleskiewicz and Walter Mayhall (baroque flutes), Nicole Trotier (baroque
violin), and Stephanie Vial (baroque cello) in a concert featuring a
complete performance of J. S. Bach's Musical Offering as well as
Quantz's Flute Sonata in C Minor QV 1:14 and C. P. E. Bach's Trio Sonata
in C Major W. 149. The concert is in conjunction with a meeting of the
Midwest Historical Keyboard Society to be held at Dayton through May
15.
On June 9, 1999, at 4:30 p.m., in the Musical Instruments gallery of the
Museum of Fine Arts, Boston, I will join Mary Oleskiewicz, baroque flute,
Lucy Yates, soprano, and Stephanie Vial, baroque cello, in a program
entitled "Bach and the Dresden Virtuosos," a concurrent event of the
Boston Early Music Festival. The program will include Quantz, Flute
Sonata in C, QV 1:9; Handel, Sonata in D minor, HWV 367a; Bach, Praeludium
and Fugue in A minor, BWV 894; Vivaldi's cantata for soprano with flute
Nell'ombre di sospetto, and a cantata by Johann Adolf Hasse
likewise for soprano with flute, Quel vago seno, o Fille. The
latter work is in honor of the composer's 300th birthday. The museum is
at 465 Huntington Ave., Boston; the concert is free and there is no
admission charge to the museum after 4 p.m. on Wednesdays.
Recent performances:
On Friday, Feb. 19 and Sunday, Feb. 21, 1999, at Chapel Hill, I joined
Ensemble Courant and the Collegio di Musica Sacra, a Polish early-music
ensemble, as organist and harpsichordist in a program of Polish music from
the Renaissance and Baroque, performing several pieces from the
sixteenth-century Tabulature Book of Jan of Lublin.
During fall 1998 I participated in two all-Telemann concerts on the
William S. Newman Artists series at UNC-Chapel Hill, on Nov. 13 and 15,
1998. In the first, a program of chamber music, I accompanied Mary
Oleskiewicz and Rebecca Troxler (baroque flutes), Geoffrey Burgess
(baroque oboe), Richard Luby (baroque violin), and Brent Wissick and
Stephanie Vial (baroque cellos), in a number of duos, trio sonatas, and
quartets, including Concert V in B minor for flute and obbligato
harpsichord from Telemann's Six suites et six concerts of 1734. The
second program, a concert of orchestral and choral music, included
Telemann's early Deutsches Magnificat.
Saturday, April 25, 1998, at the biennial meeting of the American
Bach Society at Yale University (New Haven, Conn.): duo-recital with Mary
Oleskiewicz, baroque flute. Works by J.S. Bach, Quantz, and J.G. Graun,
including Bach's A-major flute sonata BWV 232 and Graun's A-major flute
sonata W. 8.
Sunday, Oct. 26, 1997, at 3 p.m., in Person Recital Hall,
UNC-Chapel Hill. Baroque chamber music, with Susan Shimp, soprano, and
Mary Oleskiwicz, flute and recorder. Cantatas by Vivaldi and Telemann;
solo vocal works by Monteverdi; and flute sonatas by Quantz.
Tuesday, Sept. 16, 1997, at 8 p.m., in Person Recital Hall,
UNC-Chapel Hill. Solo harpsichord recital, assisted by Mary Oleskiewicz,
baroque flute: Handel, Suite in E HWV 430 (including the "Harmonious
Blacksmith" variations); the Suite in B minor by Handel's teacher Friedrich
Wilhelm Zachow; J.S. Bach, English Suite no. 6 in D minor, BWV 811, and
Sonata in B minor for harpsichord and flute, BWV 1030; and Rameau,
Concert V from the Pieces de clavecin en concerts.
Last updated 4/18/99