Back homeGoals, Cognitive objectives, Choosing texts and assignments, Writing a syllabusIntegrating technology into instructionClass planning model, Sample lesson plansIntroducing students to literature, Teaching skills in analysis of figurative language, poetry, narrative, and theaterElectronic discussion forum for sharing teaching ideas, and exploring teaching issuesContent credits, Bibliography on teaching literature
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Introduction to literature
Figurative language
Poetry
Narrative
Theater
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activities to achieve course goals

»  Characterization (Echevarría)
In small groups, students brainstorm adjectives that they associate with a character or characters, supporting their results with textual evidence.  After sharing among the entire class, the groups then organize the adjectives into two lists: those that describe passing activities, situations and states of mind, and those that describe the more unchanging "being."  While sharing these lists, the groups revise their own, and using their final list as a basis, discuss and negotiate the psychological profundity of the narrative's characters.

»  Narrative structure (Schofer)
Before reading a text, give students information about the protagonist and a few telling moments from the narrative.  Then, in small groups, students write brief narratives in the third person - one group describes the person or situation in general, other groups focus on key or telling moments.  After sharing each group's work, students discuss how all of these pieces should be combined into one coherent narrative.  After reading the text students can compare their own structure to that of the text and the effectiveness of each.

»  Narrative structure: Long texts (Schofer)
After students have read and analyzed part of the text and before they finish reading the entire text, they write their own endings, justifying how what they have read up until that point supports their conclusions.

»   Personalized negotiation of meaning and close reading (Iandoli)
Students begin by discussing in small groups general and personalized questions about the text and characters (Why did Bob do this?  Did Sue have a choice or was she forced to kill Sally?  What would you have done in Billy's situation?  Why didn't Billy do that?).  After sharing these ideas, they move on to passage-specific questions (How is the emotional effect created in this passage?  How does the use of verbs and adjectives affect your reading?  How do the sound effects contribute to the meaning?  How does all of this contribute to the effectiveness of the passage?).  Finally, they relate their personal and general reactions, and close readings to the text as a whole, negotiating its theme and a group interpretation.

»  Point of view
Students organize the narrative according to its key moments, and then in groups choose one moment and re-write it from a different perspective (a different character, a different type of narrator).  Each group then summarizes their own work for the entire class, and after each summary, the class discusses how the new point of view changes the specific moment and the narrative as a whole.

»  Point of view and narrative distance (Shofer)
Before reading a text, students describe a room that reflects the person who inhabits it.  Divide the class into groups - one group taking the perspective of the person who lives in the room, another taking the perspective of a visitor, and another of someone who was in the room thirty years ago.