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Annegret Fauser's research focuses on music of the nineteenth and twentieth centuries, and in particularly that of France and the United States. She has published on French song and opera, French women composers, exoticism, nationalism, reception history and cultural transfer. Her publications include a book on French orchestral song (1994), a monograph on the roles of music during the 1889 World Fair in Paris (2005), and an edition of reviews of the first performance of Jules Massenet's opera Esclarmonde (2001); she co-edited, with Manuela Schwartz, a major publication on Wagnerism in France (1999), and with Mark Everist a collection of essays on French musical theater (2009). Currently she is editing the correspondence between Nadia Boulanger and Aaron Copland, and writing a monograph on music in the United States during World War II. In September 2008, she presented aspects of this new research project in the inaugural year of the joint lecture series of the Library of Congress and the American Musicological Society. Click here to see the webcast. Updated 9/15/2009 |