Dr. Annegret Fauser

Professor of Music
Adjunct Professor of Women's Studies

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PUBLICATIONS

 

Monographs

  • Sounds of War: Music in America during World War II (in progress)
  • Musical Encounters at the 1889 Paris World's Fair. Rochester, NY: University of Rochester Press, 2005; xix-382 pp.
  • Der Orchestergesang in Frankreich zwischen 1870 und 1920. Vol. 2: Freiburger Beiträge zur Musikwissenschaft. Laaber: Laaber-Verlag, 1994; x-381 pp.

Edited Books, Journal Issues, and Editions

  • "Mon cher Copland": The Correspondence of Nadia Boulanger and Aaron Copland. Edited by Annegret Fauser. New York: Oxford University Press (under contract, in progress).
  • Music, Theater, and Cultural Transfer: Paris, 1830-1914. Edited by Annegret Fauser and Mark Everist. Chicago: The University of Chicago Press, 2009.
  • Dossier de presse: The Parisian Tannhäuser (1861). Edited by Annegret Fauser, with the assistance of William Gibbons. In Francophone Music Criticism 1789-1914, School of Advanced Studies, London, 2008.
  • "Music & Identity." The Musical Quarterly 89 (2006). Special Issue edited by Annegret Fauser and Tamara Levitz.
  • Dossier de Presse parisienne: Jules Massenet, "Esclarmonde" (1889). Edited by Annegret Fauser. Heilbronn: Edition Lucie Galland, 2001; xiv-213 pp.
  • Von Wagner zum Wagnérisme: Musik, Literatur, Kunst, Politik. Edited by Annegret Fauser and Manuela Schwartz. Vol. 12: Transfer: Die deutsch-französische Kulturbibliothek. Leipzig: Leipziger Universitäts-Verlag, 1999; 642 pp.

Articles and Book Chapters

  • "Music for the Allies: Representations of Nationhood during World War II." In Crosscurrents: American & European Music In Interaction, 1900-2000. Edited by Helix Meyer, Carol Oja, Wolfgang Rathert, and Anne C. Schreffler. Basel: Paul Sacher Stiftung, forthcoming.
  • "Traduire Nadia Boulanger: les écrits sur la musique d'Aaron Copland." In Ecrits de compositeurs (1850-2000): Problèmes, méthodes et perspectives de recherches. Edited by Michel Duchesneau and Valérie Dufour. Turnhout: Brepols Publisher, forthcoming.
  • "Carmen in Khaki: Oper in den Vereinigten Staaten während des Zweiten Weltkrieges." In Die Gesellschaft der Oper. Die Musikkultur europäischer Metropolen im 19. und 20. Jahrhundert. Edited by Sven Oliver Müller, Philipp Ther, Jutta Toelle, and Gesa zur Nieden. Munich: Oldenbourg Verlag, 2010 (in press).
  • "Berlioz' Divenmord." In Diva: Die Inszenierung der übermenschlichen Frau. Interdisziplinäre Untersuchungen zu einem kulturellen Phänomen des 19. und 20. Jahrhundert. Edited by Rebecca Grotjahn, Dörte Schmidt and Thomas Seedorf. Schliengen: Edition Argus, 2010 (in press).
  • "'Cette musique sans tradition': Wagner's Tannhäuser and its French Critics." In Music, Theater, and Cultural Transfer: Paris, 1830-1914. Edited by Annegret Fauser and Mark Everist, 228-55. Chicago: University of Chicago Press, 2009.
  • "The Parisian Press in 1861." In Wagner and His World. Edited by Thomas S. Grey, 231-34. Princeton: Princeton University Press, 2009.
  • "'Hymns of the Future': Reading Félicien David's Christophe Colomb as a Saint-Simonian Symphony." Journal of Musicological Research 28 (2009): 1-29.
  • "'Wagnerism': Responses to Wagner in Music and the Arts." In The Cambridge Companion to Wagner. Edited by Thomas Grey, 221-34. Cambridge: Cambridge University Press, 2008.
  • "New Media, Source-Bonding and Alienation: Listening at the 1889 Exposition Universelle." In French Music, Culture, and National Identity, 1870-1939. Edited by Barbara Kelly, 40-57. Rochester, NY: University of Rochester Press, 2008.
  • "Aaron Copland, Nadia Boulanger, and the Making of an 'American' Composer." The Musical Quarterly 89 (2006), 524-55. Special Issue on "Music & Identity." Edited by Annegret Fauser and Tamara Levitz, published April 2008.
  • "Encuentros con lo desconocido: música exótica en las Exposiciones Universales." Translated by Luis Gago. In Mirada a Oriente. Edited by Luis Gago, 43-63. Madrid: OCNE, 2008.
  • "Comment devenir compositeur: Les stratégies de Lili Boulanger et ses contemporaines.” In Nadia Boulanger et Lili Boulanger: Témoignages et études. Edited by Alexandra Laederich, 273–88. Lyon: Editions Symétrie, 2007.
  • "Oscarine und Reginette: ein komisches Zwischenspiel in der französischen Wagnerrezeption." In "L'Esprit français" und die Musik Europas: Entstehung, Einfluß und Grenzen einer ästhetischen Doktrin. Festschrift für Herbert Schneider zum 65. Geburtstag. Edited by Michelle Biget-Mainfroy and Rainer Schmusch, 575-90. Vol. 40: Studien und Materialien zur Musikwissenschaft. Hildesheim, Zürich, New York: Georg Olms Verlag, 2007.
  • "Creating Madame Landowska," Women & Music: A Journal of Gender and Culture 10 (2006): 1-23.
  • "Composer en tant que catholique : Une relecture de la musique vocale de Lili Boulanger." Translated by Marie-Hélène Benoit-Otis. Intersections: Canadian Journal of Music 26/1 (2006): 114-23.
  • "Histoires interrompues: raconter l'histoire de la musique en France." Translated by Hélène Panneton. In Musique et modernité en France 1900-1950. Edited by Sylvain Caron, Michel Duchesneau, and François de Médicis, 19-50. Montréal: Presses de l'Université de Montréal, 2006.
  • "Lorelei and Other Rhine Maidens." In Music of the Sirens. Edited by Linda Austern and Inna Naroditskaya, 250-72. Bloomington: Indiana University Press, 2006.
  • "Archéologue malgré lui: Vincent d'Indy et les usages de l'histoire." In Vincent d'Indy et son temps. Edited by Manuela Schwartz, 123-33. Liège: Mardaga, 2006.
  • "Visual Pleasures-Musical Signs: Dance at the Paris Opéra." South Atlantic Quarterly, 104 (2005): 99-121.
  • "De arqueología musical. La música barroca y la Exposición Universal de 1889." Translated by Luis Gago. In Concierto barroco. Estudios sobre música, dramaturgia e historia cultural. Edited by Juan José Carreras and Miguel Ángel Marín, 289-307. Logroño: Universidad de La Rioja, 2004.
  • "Fighting in Frills: Women and the Prix de Rome in French Cultural Politics." In Women's Voices Across Musical Worlds. Edited by Jane Bernstein, 60-86. Boston: Northeastern University Press, 2003.
  • "World Fair-World Music: Musical Politics in 1889 Paris." In Nineteenth-Century Music Studies. Edited by Jim Samson and Bennett Zon, 179-225. London & Aldershot: Ashgate, 2002.
  • "Die Welt als Stadt: Weltausstellungen in Paris als Spiegel urbanen Musiklebens." In Musik und Urbanität. Edited by Christian Kaden and Volker Kalisch, 139-48. Essen: Blaue Eule, 2002.
  • "Alterity, Nation and Identity: Some Musicological Paradoxes." Context: A Journal of Music Research 21 (Spring 2001): 1-18.
  • "Phantasmagorie im deutschen Wald? Zur Freischütz-Rezeption in London und Paris 1824." In Deutsche Meister – Böse Geister? Nationale Selbstfindung in der Musik. Edited by Hermann Danuser and Herfried Münkler, 245-73. Schliengen: Edition Argus, 2001.
  • "Gendering the Nations: The Ideologies of French Discourse on Music (1870-1914)." In Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture, 1800-1945. Edited by Michael Murphy and Harry White, 72-103. Cork: Cork University Press, 2001.
  • "Response: Directions in Musicology." In Musicology and its Sister Disciplines. Edited by David Greer, 205-9. Oxford: Oxford University Press, 2000.
  • "The Songs." In The Cambridge Companion to Berlioz. Edited by Peter Bloom, 109-24. Cambridge: Cambridge University Press, 2000.
  • "'…den muss aus Liebe Schönheit töten': Klang-Körper-Frau." In Die Worte vergrößern: Bericht über das zweite Internationale Symposium Othmar Schoeck, Luzern, 13. und 14. August 1999. Edited by Beat A. Föllmi, 51-73. Vol. 3: Schriftenreihe der Othmar-Schoeck-Gesellschaft. Zürich: Othmar-Schoeck-Gesellschaft, 2000.
  • " 'L'orchestre dans les sons brave l'honnêteté...': Le rôle de l'élément érotique dans l'œuvre de Massenet." In Massenet en son temps. Edited by Patrick Gillis and Gérard Condé, 156-79. St. Etienne: Association du Festival Massenet, 1999.
  • "Musik als 'Lesehilfe': Zur Rolle der Allusion in den Opern von Jules Massenet." In Musik als Text: Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung Freiburg im Breisgau 1993. Edited by Hermann Danuser and Tobias Plebuch, 462-4. Kassel: Bärenreiter-Verlag, 1999.
  • "La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics." Journal of the American Musicological Society 51 (1998): 83-129.
  • "Zwischen Professionalismus und Salon: Französische Musikerinnen des Fin de siècle." In Professionalismus in der Musik. Edited by Christian Kaden und Volker Kalisch, 261-74. Essen: Blaue Eule, 1998.
  • With Tobias Plebuch. "Gender Studies: Ein Streitgespräch." In Gender Studies & Musik. Edited by Stefan Fragner, Jan Hemming and Beate Kutschke, 19-40. Regensburg: ConBrio Verlagsgesellschaft, 1998.
  • "Lili Boulanger's La Princesse Maleine: A Composer and Her Heroine as Literary Icons." Journal of the Royal Musical Association 122 (1997): 68-108.
  • "Andromède: 'non pas une cantate de concours, mais une œuvre d'art'?" In Guillaume Lekeu & son temps: Actes du colloque de l'Université de Liège. Edited by Philippe Vendrix, 85-102. Liège: Société Liégeoise de Musicologie, 1995.
  • "L'art de l'allusion musicale." L'Avant-Scène Opéra 161 (September-October 1994): 126-29.
  • "Femme fragile: Zu Lili Boulangers Opernfragment La Princesse Maleine." In Vom Schweigen befreit (3. Internationales Komponistinnen-Festival Kassel): Lili Boulanger, 1893-1918. Edited by Roswitha Aulenkamp-Moeller and Christel Nies, 72-76. Kassel: Internationales Forum "Vom Schweigen befreit", 1993.
  • "Esclarmonde. Un opéra wagnérien?" L'Avant-Scène Opéra 148 (September-October 1992): 68-73.
  • "Frankreich, Paris und die Provinz." Neue Zeitschrift für Musik 152/1 (1991): 32-36.
  • "Die Sehnsucht nach dem Mittelalter. Ernest Chausson und Richard Wagner." In Les Symbolistes et Richard Wagner-Die Symbolisten und Richard Wagner. Edited by Wolfgang Storch, 115-20. Berlin: Edition Hentrich, 1991.
  • "La mélodie avec accompagnement d'orchestre en France." In 150 Ans de Musique Française 1789-1939. Edited by François Lesure and Benoît Duteurtre, 161-71. Lyon: Actes Sud, 1991.
  • "Die Musik hinter der Legende. Lili Boulangers Liederzyklus Clairières dans le Ciel." Neue Zeitschrift für Musik 151/11 (1990): 9-14.

Reviews and Dictionary Articles

  • "Lili Boulanger." In New Historical Anthology of Music by Women. Edited by James Briscoe, 275-78. Bloomington and Indianapolis: Indiana University Press, 2004.
  • Review of Hervé Lacombe: The Keys to French Opera (Berkeley, Los Angeles & London: University of California Press, 2001) and Steven Huebner: French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style (Oxford, New York: Oxford University Press, 1999). In Nineteenth Century Music 26 (2003): 278-85.
  • "Allemagne," "Wagnérisme," "Mélodie avec orchestre," "Ambroise Thomas," "Le Caïd," "Françoise de Rimini," "Hamlet," "Mignon," "Psyché (Thomas)," "Raymond," and "Songe d'une nuit d'été." In Dictionnaire de la musique en France au XIXe siècle. Edited by Joël-Marie Fauquet, passim. Paris: Fayard, 2003.
  • "Augusta Holmès." In Die Musik in Geschichte und Gegenwart. Second, revised edition. 25 vols. Edited by Ludwig Finscher. Personenteil. Vol 9: col. 244-46. Kassel and Stuttgart: Metzler and Bärenreiter, 2003.
  • "Lili Boulanger," and work-list for "Jules Massenet." In The New Grove Dictionary of Music and Musicians. Second, revised edition. Edited by Stanley Sadie and John Tyrrell. On-line version edited by Laura Macy. Oxford: Oxford University Press, 2000.
  • "Henri-Louis Blanchard." In Die Musik in Geschichte und Gegenwart. Second, revised edition. 25 vols. Edited by Ludwig Finscher. Personenteil. Vol 3: col. 37. Kassel and Stuttgart: Metzler and Bärenreiter, 2000.
  • "Songe d'une nuit d'été," "Mignon," "Hamlet," and "Françoise de Rimini." In Piper Enzyklopädie des Musiktheaters. Edited by Sieghart Döhring. Vol. 6: 282-91. Munich and Zurich: Piper Verlag, 1997.
  • "Augusta Holmès." In Das neue Lexikon der Musik. Vol. 2: 470. Stuttgart: Metzler Verlag, 1996.
  • "Saint-Saëns: Phryné." In Piper Enzyklopädie des Musiktheaters. Edited by Sieghart Döhring. Vol. 5: 521-22. Munich and Zurich: Piper Verlag, 1994.
  • "Max Reger in Frankreich." Neue Zeitschrift für Musik 149:3 (1988): 45-6 (Review).

Journalism and CD Liner Notes

  • "Music, Sex, and Modern Opera: The Creation of Thaïs." In Jules Massenet: "Thaïs." Program for the Royal Opera House Covent Garden, season 2006/07. Edited by John Snelson, 12-20. London: Royal Opera House Covent Garden, 2007.
  • "Debussy's Challenge." In Claude Debussy: "Pelléas et Mélisande." Program for the Royal Opera House Covent Garden, season 2006/07. Edited by John Snelson, 1-5. London: Royal Opera House Covent Garden, 2007.
  • "French Mélodies." In Program Book for the Carolina Performing Arts Series, Memorial Hall, University of North Carolina, Chapel Hill, Season 2, 2006-2007, Issue 2:16-18.
  • "Das instrumentale Gewand des Hamlet." In Ambroise Thomas: "Hamlet." Program for the Deutsche Oper am Rhein, season 2005/06. Edited by Bernhard F. Loges, 6-7. Düsseldorf: Deutsche Oper am Rhein, 2006.
  • "Carmen al femminile." In Georges Bizet: Carmen. Program for the Teatro di Traditione Petruzzelli, Bari. Season 1997. Translated by Antonella Garofalo, 7-11.
  • "'. . .c'est vraiment trop voluptueux!' Zur Entstehung und musikalischen Dramaturgie von Massenets Herodiade."In Massenet: "Hérodiade." Program for the Wiener Staatsoper, season 1994/95. Edited by Angelika Niederberger, 11-22. Vienna: Wiener Staatsoper, 1995.
  • "Ein politischer Konflikt und eine alternde femme fatale." In Jules Massenet. Hérodiade. Cheryl Studer (Salome), Nadine Denize (Hérodiade), Ben Heppner (Jean), Thomas Hampson (Hérode), José van Dam (Phanuel), Chœurs et Orchestre du Capitole de Toulouse, conducted by Michel Plasson. 1995. EMI Classics CDC 5553782.
  • "French Orchestral Song." In L'invitation au voyage. François Le Roux (baritone), the Orchestre Philharmonique de Monte-Carlo, conducted by John Nelson. 1994. EMI Classics CDC 5550552 (text in French, English and German).
  • "'Le temps vient que nos fils ont besoin d'un exemple…' Ein Oratorium im Spiegel seiner Zeit." In César Franck. La Rédemption. Lambert Wilson (speaker), Béatrice Uria Monzon (Archangel), Orféon Donostiarra, Orchestre du Capitole de Toulouse, conducted by Michel Plasson. 1994. EMI Classics CDC 5550562.
  • "Französische Opernarien." In Airs d'Opéras français. Rockwell Blake (tenor), Orchestre Philharmonique de Monte-Carlo, conducted by Patrick Fournillier. 1994. EMI Classics CDC 5550582.
  • "Orchesterwerke." In Camille Saint-Saëns. La Muse et le poète. Ensemble Orchestral de Paris, conducted by Jean-Jacques Kantorow. 1994. EMI Classics CDC 7549132.
  • "Camille Saint-Saëns: Mélodies." In Camille Saint-Saëns: Mélodies. Anne Marie Rodde (soprano) and Noel Lee (piano). 1994. Etcetera Records KTC 1160.
  • "Eine verlorene Prinzessin der Avantgarde? Zum Schaffen Lili Boulangers." Neue Zürcher Zeitung, 20 August 1993. Fernausgabe no. 191.
  • "Ophélie: Shakespeare in Paris." In Ambroise Thomas. Hamlet. Thomas Hampson (Hamlet), June Anderson (Ophélie), Samuel Ramey (Claudius), Denyce Graves (Gertrude), Ambrosian Opera Chorus, The London Philharmonic, conducted by Antonio de Almeida. 1993. EMI Classics CDS 7548202.
  • "Don Quichotte: Sterben an der Liebe." In Jules Massenet. Don Quichotte. José van Dam (Don Quichotte), Teresa Berganza (Dulcinée), Alain Fondary (Sancho Pança), Chœurs et Orchestre du Capitole de Toulouse, conducted by Michel Plasson. 1993. EMI Classics CDS 7547672.
  • "Französische Lieder." In Mélodies françaises: Saint-Saëns, Massenet, Gounod. José van Dam (baritone), Jean-Philippe Collard (piano). 1993. EMI Classics CDC 7548182.
  • "The Songs." In Charles Marie Widor. Mélodies: Soirs d'Eté, Chansons de Mer. Anne Marie Rodde (soprano) and Noel Lee (piano). 1990. Etcetera Records KTC 1094.

Updated 9/15/2009