As
I read the story of Pecola Breedlove and the other characters in Toni
Morrison’s “The Bluest Eye,” I had so many different
emotional reactions to this story. Like many others, I was deeply saddened
and disheartened to read about the environment in which Pecola was forced
to try and survive. As I said in class, I pitied Pecola because she had
absolutely no one to look to for encouragement, for security. She had
no one to guide her or emphasize that she is valued and appreciated. Pecola
did find some solace in China, Poland and Marie – prostitutes. It
seemed as if these were the only characters in the novel that expressed
their appreciation of Pecola’s company. Somehow it acts as a contradiction
for Pecola because the community speaks horribly about the prostitutes
and paints a negative picture of the three ladies.
I also felt pity for Sammy’s character. In one particular scene
in the novel, Sammy tries to defend his mother after Mrs. Breedlove and
Cholly have a fight when Cholly refused to retrieve some coal in order
to heat the house. Sammy – angry and frustrated with his father
– hits and curses his father. To my surprise, Mrs. Breedlove scolds
Sammy for his actions and forces him to go out and get the coal. This
has a negative effect on Sammy’s development from a boy to a man.
The constant fighting between his parents will impact Sammy heavily; after
all, this is all he knows about the dynamics of a “loving”
relationship. There is a high possibility that Sammy will treat his future
lover, girlfriend or wife (if he has one) the same. Even though he may
know this behavior is wrong, there is a high possibility that he will
continue the cycle.
It is discouraging to say, but it seems as if Pecola
and Sammy would continue the cycle of self-destruction and physical and
mental abuse. The story is especially disheartening because it seems as
if there is no sense of hope for Pecola. No one reaches out to give her
a hand, no one teaches her about self-love and self-appreciation and most
especially, no one teachers her that beauty is found within. And, if Pecola
was to have had her father’s baby, what could she possibly provide
for her daughter emotionally. If she has never been told that she is special,
how can she pass that on to her daughter? Those around Pecola fail to
show her that she is beautiful within her black skin, therefore, she seeks
blue eyes. Consequently, if Pecola’s child is born without blue
eyes, Pecola will continue the cycle of her parents and those within her
community and make that child grow up believing he or she is ugly.
At the end of the novel, Claudia speaks about the
seeds she and her sister planted and the fact that the marigolds never
grew. She also blames herself stating that she did not plant the seeds
deep enough. Essentially, Claudia is taking responsibility for not “planting
the seed” deep enough in Pecola. That seed is the belief that Pecola
is someone special. That seed is the belief that Pecola is someone, that
she is beautiful and that her friendship is wanted, appreciated and valued.
Those seeds were never implanted deep enough in Pecola so that they could
not sprout and grow – grow tall and strong so that Pecola could
gain a sense of self worth. Claudia also speaks of how the entire town
of Loraine failed to plant the seed within Pecola. No one reached out
his or her hand to her.
Morrison continues to write about how “the entire country was bad
for marigolds” (Hill 1775); and little black girls were the marigolds.
Society did not mold, nurture or protect black girls. Society did not
watch over them to ensure the seed would bloom into beautiful flowers.
Instead, they perpetuated the cycle of insecurity in little black girls.
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