Online Resources 

Slow Train Coming
By Bill Parr
This site is dedicated to Christian themes in Dylan's lyricism, with a touch of existentialism and nihilism here and there.  Parr notes passages in several songs, refers them to Bible passages and editorializes a little.  Christianity, it turns out, has always been present in his work through references and metaphors.  Christianity grew stronger and stronger in his lyrics throughout his religious period in the late '70s and early '80s, peaking with the albums "Slow Train Coming" and "Saved."   

This site also gives an idea of what helped drive him to the rock of salvation.  There's a long passage on Dylan's parallels with the German philosopher Neitzche, emphasizing anxiety, dread and uncertainty.  Dylan's not necessarily an academician, though.  He DID drop out of the University of Minnesota before beginning his singing career, restless and bored with books.  Like a great mind, his is naturally connected to themes of mortality and humanity.  In this vein, Dylan's early work is dark and moody.  It warns of tyranny, scolds politicians and relays a deep dread for the fate of humanity.  These feelings wear on the soul, which eventually turns somewhere holy for answers, maybe to Christianity.   


Bringing It All Back Home Page
By John Howells
I found pretty much every single fact on Bob Dylan's life and music on this site.  There's a vast, exhaustive chronology that details almost EVERY YEAR of his professional life.  Talk about dedication.  Howells also offers current news, recent articles and related information for the truly obsessed.  The chronology ties life details together the way Robert Shelton does in "No Direction Home."  On this site you'll be able to browse events in Dylan's life and tie them to the music of each period.    

Roots of Bob
By Seth Kulick
This page is an incredible resource if you want a nugget of history related to any one of about three dozen Dylan classics.  Quotes from biographers, critics and Dylan himself really give the songs a personal feeling and put the viewer in touch with the meaning behind them.  There's stuff on some of my absolute favorite songs, including:    
     
  • "Hard Times in New York Town" — Penned from a traditional folk song, it's a log of Dylan's early Greenwich Village days.
  • "Song to Woody" — A touching tune for his greatest inspiration, it's a variant on the Guthrie classic "1913 Massacre."
  • "Girl of the North Country" — It's a song about love, both lost and desired, inspired by the tune of "Scarborough Fair" and credited to a certain woman.  Dylan admits the song follows him — maybe even haunts him — throughout his relationships.

Roots, Routes and Ramblings
By Helfert Manfred
Manfred documents early folk influences like Odetta and country names like Jimmie Rodgers.  He talks about Dylan's visit to Woody Guthrie, who was on his deathbed in New Jersey when the young folk singer called on him.  Dylan brought his guitar and sang Guthrie's own songs to his hero.  There are clips from interviews and articles that include the reliable words of Dylan himself, folk counterpart Joan Baez and other acquaintances.  This site offers a plethora of perspectives and takes on the man born Robert Zimmerman.   

 A Little Room to Spare
Again, my answers aren't definitive.  They aren't the only ways to filter understanding into Dylan's life and work.  After all, so many of his songs are intentionally vague, it's not surprising that he might not WANT anyone to understand him.  To me, there's little doubt that a searching, yearning man addicted to truth and meaning experimented with whatever felt right for each time in his life.  After a while, great minds grow restless and dissatisfied.  It's time to move on, time to get going.  Who knows whether he's found what he's looking for.  From the deeply suggestive lyrics on his latest album, the Grammy-winning "Time Out of Mind," he's still uncertain.  He's still weary and uncertain.
   
"It's not dark yet, but it's gettin' there."
From "Not Dark Yet"
 
 
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Last updated 16 April 1998.