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Research
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Like any creative project, pottery
is a reflection of the artist. In many ways, all of their thoughts and
emotions can be seen in either the pottery itself or in the environment
within the shop. An individual's inspiration may come from nature, daily
experiences or from a long line of tradition. It seems natural for pottery
to be designed with a simplistic and purposeful feeling, but in the more
recent years, potters have opted for innovative and experimental designs.
Regardless of what the pottery looks like, it can all be found within
an extremely small town, Seagrove, N.C., referred to as the pottery capital
of the United State. (1) With a population of 253 people and
with over 60 local potters, it is safe to say that there is little activity
outside of the pottery world in the community. Most of the present potters
come from a line of sixth or seventh generation potters and many of the
original kilns and wood sheds remain as testaments of the past. As much as the pottery is taken from
the past, it is equally present and respected in our world today. A fifth-generation
potter, Sid Luck, showcased his work in the 1995 exhibit of American ceramics
at the Smithsonian Institution. (2) Another notable potter, Ben Owen III,
comes from a long line of innovative family members who practiced Asian
designs and glazes. Today, Elton John and Elizabeth Taylor are two of
the many international collectors of the Owen pottery. The theme between the old and new
is an ongoing process. Some might view it as a tension and others might
enjoy the new inspirations from the young potters. But regardless of what
outsiders believe, the Seagrove community finds a way of combining the
ageless past with the creativeness of the future. |
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References
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NOTES: Web Sites for Additional Information: |