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Take Me Back To the Real Hip Hop...Synopsis Many people think of the history of Hip Hop
as an emergence in the Bronx during the 1970s, with the Jamaican, Clive
Campbell, more widely known as Kool DJ Herc, Campbell's break-beat DJ
skills and a new concept of word rhyming over turntable music, which was
yet to be recognized as "rap." His popularity in the Bronx set
the stage for the more infamous Grandmaster Flash (Joseph Saddler) and
Afrika Bambaataa (the man coining the term "hip hop.") But Hip Hop dance specifically can be traced
as a development out of already existing dance forms in America. Credit
is due to the Lindy Hoppers of the 20s, 30s, and 40s and the Jitterbuggers
of the 50s. Social dancers enjoyed the Twist, Monkey and Jerk during the
60s and moved on to the Hustle in the early 70s (which carried elements
of the 20s' Lindy Hop). Hip Hop dance, such as Breaking, the Electric
Boogie and Popping, introduced itself on the east and west coasts as a
social dance evolutionary point during the latter 70s, and continues to
multiply in facets and popularity into the present. Since the 70s, people such as Rennie Harris
of Puremovement in Philadelphia, Pennsylvania, growing up during these
changing times, are helping popularize and expand Hip Hop dance as an
art form and legitimate expression of culture, people and spirituality.
"'We love what we're doing,' he says of his troupe. 'Any one of us
would rather die dancing because you get to a high, and the high is God.
This work has nothing to do with social commentary. It's about our journey
on this planet, reaching a higher plane'" (Dance Magazine, Aug '99,
p60.) Hip Hop Info On the Web Title: Hip Hop Congress Title: San Francisco Hip Hop Dancefest Title: Culture Shock Dance Troupe Title: D.A.R.E. Dance Title: HipHop-Directory Title: Rap/Hip-Hop Print Sources: ERIC Clearinghouse on Urban Education. Urban
After-School Programs: Evaluations and Robert Wood Johnson Foundation. Reaching the
Hip-Hop Generation. Philadelphia: MEE Non-Print Sources: Jones, Otis. Steppin'. New York: Cinema Guild,
1992. (Call#: 65-V4123)
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