Can Witches Fall in Love?
Melanie Atkins - 4/25/02
Bell, Book, and Candle, a comedic fantasy written by John Van Druten,
takes place in a bewitching New York City apartment in the 1950s. The
set design and script do not present this decade very well, but seem more
up to date with modern times. The time period is not very apparent with
modern home decorations, and therefore, one may assume the story is set
in the present. The "magical" love story unfolds in Gillian
Holroyd's apartment during the Christmas season. Aside from the Christmas
tree, strange worldly knickknacks, a liquor bar, and comfy couches adorn
the room. Curt Tomczyk, set designer, makes the well-lit living room and
bay window very inviting to the small audience of twenty.
Living above Gina G. Lawrence, who plays the part of Gillian, is Shep
Henderson, performed by Will Sanders. Lawrence successfully shows her
enormous desire to win over Sanders's love with her obsessive listening
to his footsteps above her, and casting spells on him. Even Lawrence's
Aunt Queenie, played by Jan Doub Morgan, who also lives in the same apartment
complex, sneaks into Sanders's apartment and snoops around, or taps his
phone line. Another member of the spooky family is Nicky, performed by
Eric Corley, who also aids in the capture of Sanders's love. Together,
the three witches meet and exchange presents, focusing on conversation
about Sanders. The play's action unfolds as a magic spell is placed on
Sanders and one on the famous author, Sidney Redlich, performed by Pepper
Jobe.
The play continues with a drawn out series of dramatic moments within
the spellbound love affair, the upcoming marriage, and the publication
of Sidney's book on witchcraft. The audience is able to live inside the
home of a life "lived by shortcuts," and an inescapable magic
spell.
A memorable acting job was that of Jan Doub Morgan, portrayed as an aging
witch, stuck in her ways. Her long pointy nose and brilliant gold hat
and costumes, designed by Ida Bostian, add so much credibility to her
character. Her voice is stingingly high-pitched and adds a piercing effect
of her being up to no good. She seems so mischievous and does an excellent
job being genuinely two-faced.
Eric Corley performs his part as a cocky little warlock who is always
up for a sneaky trick. He shows how much he enjoys his status as a male
witch, and uses a smart-aleck tone and a bit of humor when describing
his non-existent sex life.
Lawrence's performance is also a memorable one. She does an excellent
job making the audience believe she possesses magic, but her love for
Sanders does not seem believable. Whenever he can't get enough of her,
she acts so distant and un-interested. At the story's beginning, she states
that, "she knew the second she saw him" that he was the one
for her, but then she doesn't respond well to him later on. Gina is remarkable
when acting angry at Nicky, and most of her emotions seem realistic.
The part of Shep Henderson was perfectly cast. He first appears as a shy,
self-involved guy, with a mysterious, attention-drawing quality. As the
spell is cast, he becomes more open and lively, showing his undying love
for Lawrence. His innocent personality is not lost throughout the story;
through his lines, he continuously reminds the audience that the spell
is what tricked him.
While watching the play, forty minutes passed that only feels like ten.
The story seems to be heading nowhere at certain times. The actors work
very well together on stage, as their witty actions and gestures are natural
and in some cases, like they are really comfortable with each other, as
comfortable as family.
The special effects of the play are rather interesting, notably the live
cat, Samsonite, the fire used in the magic tricks, and the sound of clanging
metal when Samsonite gets angry. Behind the stage is a crash box, the
object in charge of the "accident" rumble. Also, during every
magic scene, with the snapping fingers of a witch, the lights flicker
and a jingling tune is heard on cue!
To entertain yourself with a magical evening, make sure to attend this
performance. The remaining shows are the 11th-14th, and 17th-21st, every
night at 8:00 pm, and Sunday matinees at 3:00 pm.
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