MALINDA M. MAYNOR

800 Pritchard Ave. Ext. #F5 Chapel Hill, NC 27516 lumbee@ix.netcom.com http://www.unc.edu/~mmaynor/index.html


EDUCATION

University of North Carolina-Chapel Hill. Candidate for M.A./Ph.D., Department of History. August 2000-present.

Major fields: Native American History and Southern History, including issues of race, economics, gender, migration, identity and Federal policy. Secondary interests: Anthropology, Oral History and Film History. M.A. thesis: ’ÄúPeople and Place: Croatan Indian Migration to Bulloch County, Georgia, 1890-1920,’Äù completion expected March 2002. Advisor: Dr. Theda Perdue.

Stanford University. M.A. Documentary Film and Video Production, 1997.

Harvard University. A.B. History and Literature, cum laude, 1995.

 

Senior honors thesis: ’ÄúViolence and the Racial Boundary: Fact and Fiction in the Swamps of Robeson County, 1831-1871,’Äù awarded magna cum laude. Advisor: Dr. Fred Dalzell.


SELECTED FILMOGRAPHY

Co-Producer, In the Light of Reverence - Video, 73 minutes (2001)

A feature-length documentary concerning threats to Native American sacred sites by recreational and industrial interests in the Northern Plains, the Southwest, and northern California. PBS broadcast premiere August 14, 2001, seen by 3 million viewers. Distributed by Bullfrog Films.

Producer/Director/Editor, Sounds of Faith - Video, 14 minutes (1997)

A portrait of a Lumbee Indian family of singers and how their unique brand of traditional gospel music steers them through the modern world. Screenings include the 1998 Sundance Film Festival and the American Indian Film Festival, and numerous conferences and classrooms.

Producer/Director/Editor, Real Indian - 16mm, 7 minutes (1996)

A personal film examining Native American racial stereotypes and their effect on my cultural identity. Distributed by Women Make Movies, New York, NY. Screenings include the 1997 Sundance Film Festival. Recipient of Best Short Documentary Award at the 1997 South by Southwest Film Festival, and the Best Indian-Produced Short Documentary Award at the 1997 Red Earth Film Festival.


SELECTED PROFESSIONAL EXPERIENCE

 

Adjunct Faculty, Center for Documentary Studies, Duke University. January 2002-present.

Religion 196S, ’ÄúNative American Places,’Äù an interdisciplinary junior-senior seminar focusing on the creation and use of sacred places within Native American communities and for Americans as a whole. Readings included texts from anthropology, history, religious studies, cultural studies and folklore. Students were required to conduct a fieldwork project among the Lumbee Indians of Robeson County, NC. Team-taught with Dr. Charles D. Thompson.

 

Graduate Teaching Assistant, University of North Carolina-Chapel Hill, August 2001-present.

Organize and lead discussion sections and grade for History 72A, ’ÄúEastern Native Americans,’Äù taught                              by Dr. Michael Green; History 22, ’ÄúU.S. History, 1865-present,’Äù taught by Dr. Jerma Jackson.

Producer/Developer/Co-Writer, Sounds of Faith: an educational CD-ROM (1999)
Wrote, researched, designed and produced a multimedia CD-ROM and website concerning Lumbee Indian political, religious and musical history. Includes maps, photos, text, audio, video and a comprehensive bibliography.

Lecturer, American Indian Studies, San Francisco State University- San Francisco, CA
Researched, designed and taught AIS 235, a general education course concerning popular images of Native Americans. January 1997-December 1998.

Consultant, The Learning Company - Fremont, CA
Consulted with project producers about ethical and historical issues on a children's CD-ROM game with Native American themes. July 1997.

Intern, National Museum of the American Indian, Film and Video Center, Smithsonian Institution - New York, NY
Produced a special installation for the Museum's initiatives in acquiring Native-produced radio. Researched and catalogued recent video acquisitions. June-August 1996.

Research Assistant, Midnight Films - Cambridge, MA
Examined primary documents, photographs, etc. for a documentary film on the Wampanoag Indians, directed by Paul Stekler. November 1992-June 1993.


PUBLISHED ARTICLES

’ÄúMaking Christianity Sing: The Origins and Experience of Lumbee Indian and African-American Church Music,’Äù in Confounding the Color Line: Indian-Black Relations in a Multidisciplinary Perspective, edited by James Brooks (University of Nebraska Press, forthcoming 2002).

’ÄúIndians Got Rhythm, Too: Lumbee Indian and African-American Church Music,’Äù North Dakota Quarterly, special issue edited by Peter Nabokov (Winter 2001).

’ÄúThe Cowboys Always Win: The Indian Reorganization Act of 1934,’Äù in History in Dispute, Vol. I, edited by Robert Allison (Manly, Inc., 2000).

 

"Sara Bates: Honoring the Earth" - published in Aboriginal Voices, Jan./Feb. 1998
Portrait of Cherokee artist Sara Bates.

"Borderline" - published in Aboriginal Voices, Oct./Nov./Dec. 1996
Essay on Lumbee identity and history.


SELECTED PRESENTATIONS

 

’ÄúPeople and Place: Croatan Indian Migration to Bulloch County, Georgia, 1890-1920,’Äù November, 2002.

Southern Historical Association Annual Conference, Baltimore, MD.

 

’ÄúOral History in the Classroom: Using Documentary to explore North Carolina History,’Äù May 2002.

’ÄúRediscovering the Collective Strength of the Circle,’Äù sponsored by First American Teacher Education Association, University of North Carolina at Pembroke, Pembroke, NC.

 

’ÄúPeople and Place: Croatan Indian Migration to Bulloch County, Georgia, 1890-1920,’Äù February 2002.

Consortium on Georgia History’Äôs 2002 Symposium, Georgia College and State University, Milledgeville, GA.

’ÄúNative American and African-American Religious Experiences,’Äù October 2000. Symposium in conjunction with To Conserve a Legacy: American Art from Historically Black Colleges and Universities, North Carolina Central University, Durham, NC.

’ÄúNative American and African-American Racial Stereotyping,’Äù invited lecture and film screening, ’ÄúEating Out of the Same Pot:’Äù Relating Black and Indian (Hi)stories, Dartmouth College, Hanover, NH, April 2000.

’ÄúBeyond Cowboys and Indians: Contemporary Native American Filmmaking,’Äù invited lecture, Pam Hanitchak Lecture Series, Stanford University, Stanford, CA, November 1999.

’Äú’ÄòOne People, Under God:’Äô Crossing Boundaries Between Native American and African American Identities,’Äù invited lecture and film screening, Broadening the Circle: Cultural Connections Between Native Americans and African Americans in the Southeast, Smithsonian Institution, Washington, D.C., November 1999.

’Äú’ÄòI Will Sing With the Understanding Also:’Äô Lumbee Indian and African American Gospel Music,’Äù invited lecture, African Americans and Native Americans: Explorations in Narrative, Identity and Place, Auburn Avenue Research Library on African American Culture and History, Atlanta, GA, June 1999.

’ÄúReligious Freedom for Northern California’Äôs Native American Communities,’Äù panelist, California Indian Museum Lecture Series, San Francisco, CA, April 1999.

’ÄúMedia of the Moment: Documenting Communities in Action,’Äù panelist, Women in the Director’Äôs Chair Film Festival, Chicago, IL, March 1998.

’ÄúPersonal Documentary and Indigenous Diaspora Identities,’Äù plenary speaker, Native American Art Studies Association, UC-Berkeley, Berkeley, CA, October 1997.


AWARDS/HONORS

 

Southern Research Circle Summer Stipend, May 2001

Rockefeller Film/Video/Multimedia Fellowship, 2001-2002

Royster Society of Fellows Scholarship, UNC-CH, 2000-2005

Corporation for Public Broadcasting Multicultural Producer Scholarship, 1998-1999

Sundance Institute Native Initiative Fellow, 1998

North Carolina Arts Council Folklife Documentary Grant, 1997

Best Indian-Produced Short Documentary, 1997 Red Earth Film Festival

Best Short Documentary, 1997 South by Southwest Film Festival

National Endowment for the Humanities Younger Scholar, 1994

Smithsonian Institution Research Fellowship, 1993


Community Service

Coordinator, Lumbee River Fund for the Preservation of Lumbee History and Culture, August 2000-present.

Responsibilities include consulting with an advisory board to create program initiatives to preserve the history and culture of Indians of Robeson County, North Carolina, as well as fundraising, staff management, community outreach and supervising research in oral history and photography preservation.

Member, First Nations Graduate Circle, UNC-Chapel Hill, August 2000-present.

Selection Committee, Brower Youth Awards, July 2001.

The Brower Youth Awards were created in honor of environmental leader David Brower to reward young environmental activists, ages 13-22.

Board Member, Working Films, May 2001-present.

Serve as Board Secretary on the Executive Committee. Working Films is a national non-profit organization based in North Carolina that creates partnerships between documentary film projects and social change groups.

 

Volunteer, Oral History Association Conference, October, 2000.

 

Maintained registration desk and book table for four-day conference in Durham, NC.


Steering Committee, Indian Leadership Initiative, October 2000-May 2001.

 

Responsibilities included proposal writing for a pilot project begun by UNC Chapel Hill’Äôs American Studies department in collaboration with the North Carolina Commission on Indian Affairs to enhance leadership skills among North Carolina’Äôs Indian population.

 

Diversity and Environmental Justice Committees, Earth Island Institute, May 1999-August 2000.

Member of committees that evaluate and direct Earth Island Institute’Äôs effectiveness in these areas of service to both the organization and the environmental movement as a whole.

Lecturer on American Indian and documentary film topics for classes, student groups, and the general public, 1997-present.

Institutions served include Centennial Campus Middle School (Raleigh, NC), Jeffries Middle School (Raleigh, NC), Robeson County’Äôs Youth Opportunity Program (Red Springs, NC), Triangle Native American Society (Raleigh, NC), North Carolina Society of Ethical Culture (Carrboro, NC), Chapel of the Cross Episcopal Church (Chapel Hill, NC), Duke University, Elon College, North Carolina State University, University of North Carolina-Chapel Hill, Stanford University, University of California at Berkeley, the California Indian Museum, Swarthmore College, University of New Mexico, University of North Carolina at Pembroke, and Cornell University.

Volunteer, Annual Stanford Powwow, 1996-1997.

Duties ranged from videography to registration and clean-up.

Juror, National Educational Media Network, March 1996.

Judged and awarded prizes to films submitted to the Native American culture category of the National Educational Media Network Festival.