"The Graduate"



            “The Graduate” is a classic film that takes a satirical approach to the affluent suburbs of Los Angeles through the 1960s.  This approach is displayed through the eyes of Benjamin Braddock, played by Dustin Hoffman.  Benjamin is the protagonist of the play and most of the movie is shown from his point of view.  Benjamin is a recent college graduate from the University of Berkley and now is facing the tough transition from an intellectual student in California to the materialistic society known as Los Angeles.  Through Benjamin’s eyes, we are taken on a journey through high class suburban life, witnessing such things as the adulterous acts performed between Ms. Robinson and Benjamin.  The director seems to only show shots of Benjamin’s facial reaction to key points in the film.  Because of this, I feel that the theatrical angle and key shot elements that were taken of Benjamin throughout “The Graduate” display how everyone is connected by Ben’s character and their truly is no order in this world that seems filled with madness and chaos.

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            As a true outsider of affluent Los Angeles society, you think everyone lives a perfect lifestyle and has everything anyone could want in life.  But the realization is that everyone in “The Graduate” is an outsider in their own world.  In the opening shot of the film, a close up of Dustin Hoffman’s blank, lifeless face is shown as he is making his way through the LAX airport, after returning from the University of Berkeley.  This shot was almost a fore-shadowing event that continued throughout the film, showing close-ups of Benjamin’s lifeless face, and displaying how he never felt secure with his position in the materialistic society.  This shot was repeated after he had finished having intimate moments with Mrs. Robinson which showed the lack of connection and emotion that he lacked from both the society and Mrs. Robinson.  This shows how Benjamin seems to be running through the motions of society.  He just graduated college and now he knows its time to go back home to Los Angeles where life seems to be pre set for him.  He must now find a woman to marry, which his parents seem to have already set up in Elaine.

            Mrs. Robinson was considered an outsider of her world because she did NOT follow the ‘normal’ standards of society.  She more than likely got married too young because of pregnancy issues that had arisen with Mr. Robinson.  Mrs. Robinson was also in a sense in outsider of her own role as a wife and mother figure.  During this part of the 1950s, traditional families played a major role in society, whereas in the 1960s, open sexuality become a norm and big families and house moms were out the window.  I think that the directors took a humorous approach towards this issue within the film, through Mrs. Robinson’s character, who in the first five minutes takes advantage of Benjamin and eventually seduces him.  Through various camera angles, the director edited in shots of Mrs. Robinson undressing, or smoking a pipe but remembering to quickly return to Benjamin’s face for reaction shots of Mrs. Robinson’s sexuality.  In the infamous bathroom scene, Mrs. Robinson is topless and standing in front of Benjamin in the bathroom.  This is the first time where viewers are able to see the infatuation that Mrs. Robinson has for Benjamin and also the way in which Mrs. Robinson is more of a sexual being then a loving wife.  Mrs. Robinson also doesn’t fit the stereotype of a wealthy, house mom in suburban societies.  Mrs. Robinson’s daughter Elaine seems to be the foil character for Mrs. Robinson which is shown through various camera shots.  Mrs. Robinson is a sexual being and the camera shots show this by its various shots of her legs, or scenes with her topless or lying on a bed.  She rarely has close-ups of her face because Mrs. Robinson seems to lack emotion that Elaine possesses.  You can see this through the angles the director decides to take with close-ups on her face and actions, rather than on her physical appearance.  Because Elaine seems to possess real emotions and values in life, Elaine is also considered an outsider of a world that she seems to be physically apart of.

            Because everyone is separated within their suburban lifestyle, love also does not seem to be a major issue since love needs some type of emotional connection.  This is even shown through camera shots where every shot seems to be a straight cut nothing seems to dissolve or fade into one another or lead to the next scene.  With the relationship of Mrs. Robinson and Benjamin, lust and comfort seems to be the two key factors that have influenced this relationship.  For example, Ben finds comfort in calling her ‘Mrs. Robinson’ because treating her as an elder and not a sexual partner still makes him feel like secure or that he is a free college student again at Berkley, and not a lost adult in Los Angeles.  Mrs. Robinson also lacks the love and support of her husband, who even sleeps in a different bed than Mrs. Robinson and only seems to play the role of ‘bringing the meat to the table.’  Elaine seems to want answers in a life where things seem to be confusing and questionable.  She seems to be longing to be loved and is so pure and innocent, yet cursed because of her parents past and identities.  At the end of the movie, Elaine and Ben seem to be confused about the decision they just made regarding the wedding and question whether they are truly in love.  This shows how characters within “The Graduate” seem to act more out of passion and curiosity instead of love because I feel as if none of the characters truly know what love really is because they have grown up in a society where love and morality are non –existent.  Overall, I feel that this film was a film not about someone leaving college and entering the real world, but Ben actually leaving the real world and entering this distant world where people are trying to become ‘the graduate’ of life, love and misunderstandings.  



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