Nella
Larsen and Her "Bad Women"
Larsen's
"Bad Women"
Believing that "children
aren't everything (Larsen 81)," she believes motherhood is a cruel thing
and cares little for her child, She
places her feelings above the feelings of others. She even admits to her best friend that she does not have
"any proper morals or sense of duty (Larsen 81)." She becomes infatuated with her best
friend's husband and begins an affair with him. This is Clare Kendry, Nella Larsen's "Bad Woman" in the
novel Passing. Kendry has every
aspect of a "home wrecker."
Home wreckers are the ultimate "bad women." If you will, they are the goddesses of
"bad womanhood."
Nobody likes "home
wreckers." In no society is it
acceptable to be a "home wrecker."
In some countries an adulteress would even be killed by her own family
because of the shame and dishonor. In
the U.S. the hatred of the "home wrecker" can be seen just by
watching one of the numerous talk shows like Montel or Jerry Springer. Anyone who has been hurt by a "home
wrecker" would tell you that she is a "bad woman," or something
worse.
Irene Redfield, the one whose
husband has an affair with Clair Kendry, would appear to be a "good
woman." She tries to be a good
mother [" I know very well that I take being a mother seriously (Larsen
81)"] and wife, and enjoys her family life. However, it can be argued that she does not remain a "good
woman" forever.
Irene's worry over Clare
eventually twists her into that which she fears. Irene believes that if Clare becomes free of her husband, John
Bellew, her security and family life will be ruined because of the relationship
between Clare and Brian, Irene's husband.
At a party, Clare ends up falling out of a window. How it happened is obscure, but there are
good indications that Irene is responsible.
Just before the fall Irene has this one thought that "She couldn't
have Clare Kendry cast aside by John Bellew.
She couldn't have her free (Larsen 111)." Based on this action, it seem that Irene is just like Clare in
that she will "do anything, hurt
anybody, throw anything away" so that she can "get the things [she]
wants badly enough (Larsen 81)."
Both Clare and Irene were victims
of uncontrollable feelings. Clare had a
lack of a "proper morals or a sense of duty (Larsen 81)" which
impaired her control, whereas Irene was inflicted with too much
"terror" and "ferocity" (Larsen 111) for her to keep on
leash at the time of her downfall.
Biography
Nella Larsen (1891-1964), one of
the most acclaimed and influential writers of the Harlem Renaissance, was born
on April 13, 1891 as Nellie Walker. She
was an American novelist and short story writer (Larsen i).
Her mother, Mary Hanson Walker, was Danish, and her
father, Peter Walker, was West Indian (Britannica). She was born in Chicago,
Illinois on April 13, 1891. Her father died when she was two years old. Shortly
afterwards, her mother married Peter Larsen.
Together they had a daughter, Larsen's half-sister. Larsen attended public schools in Chicago
along with her half-sister.
Peter Larson enrolled Nella Larsen in Fisk University's Normal School in
1907. Larsen studied science
there. Between 1912 and 1915, Larsen
trained as a nurse in New York and, upon her graduation, went down to Tuskegee
Institute in Alabama to work as head nurse at John Andrew Memorial Hospital and
Nurse Training School. By 1916, however, Larsen returned to New York and took a
nursing job there. She then spent two years
working at Tuskegee Institute. The next three years, from 1916-18, she worked
as a nurse at her alma mater, Lincoln Hospital. Her writing was first published in The Brownie's Book while she was working as a Department of
Health nurse for New York City from 1918-21.
This is also when she met Elmer S. Imes, who she married on May 3, 1919.
Her love of books helped her decide to be a librarian
in the Harlem Branch of the New York Public Library. Some of her favorite
authors were James Joyce, John Galsworthy, Walter White, and Carl Van Vechten.
"As a socialite wife" (Brown-Guillory 696) Larsen started to
establish relationships with major Black authors of the Harlem Renaissance
including James Weldon Johnson, Jessie Fauset, Jean Toomer, and Langston Hughes
(Brown-Guillory 696).
Larsen's first novel Quicksand "which is largely
autobiographical" (Peters 278), was published in 1928 and won a Bronze
medal from the Harmon Foundation that same year. Her second novel, Passing,
followed in 1929. In 1930, she was the
first black woman to receive a Guggenheim fellowship for creative writing. That same year she was accused of
plagiarism. Apparently, her short story "Sanctuary" bore too close of
a resemblance to another story published in 1922. She was able to prove her
innocence, but was not published again during her lifetime. Marital problems
during this same time led to her "crudely sensationalized 1933
divorce" (Peters 279). The Afro-American press reported rumors that Imes
was "having an affair with a white woman and that Larsen tried to kill
herself by jumping out of a window" (Brown-Guillory 697).
Larsen was crushed by both the
accusation of plagiarism and by the negative publicity during her divorce. She
gradually drew away from her literary friends and worked as a nurse in
Manhattan from 1941 until her death. Nella Larsen was found dead in her
apartment at age 72 in March of 1964.
Larsen
Criticism
Passing was
looked at as a successfully written novel.
It "is classically pure in outline, single in theme and impression,
and for these reasons -- if for no others -- powerful in its catastrophe
(Seabrook)."
However, W.B. Seabrook seems to
think that more emphasis should have been put on Clare. Seabrook said, "Miss Larsen should
either have told us the story of Clare Kendry directly, without the device of
an intervening character...(Seabrook)."
Despite any slight problems the
book may have had, it is "that rare object, a good novel (Seabrook)."
Esther Hyman did not acclaim the
novel quite as much. Hyman says Larsen
had "not completely fulfilled the promise inherent in her theme
(Hyman)."
Hyman believes the climax lacks
"conviction." Apparently
Hyman thinks that the ending should have been less obscure, needing a
"very decided push, such as could scarcely escape the attention of a crowd
of people (Hyman)."
It is apparent that the fall of Clare
did escape the attention of the crowd because of the confusion towards how she
fell at the end of the novel.
Works
Cited
Brown-Guillory, Elizabeth.
"Nella Larsen (1891-1964)." Black Women and America: A Historical Encyclopedia. Vol I. Brooklyn: Carlson Publishing,
Inc. 1993.
Hyman Esther. Rev. of Passing by Nella Larsen. Bookman 4 June 1928: 427-28.
"Larsen, Nella,"
Encyclopedia Britannica® Online Encyclopedia 2000. http://www.britannica.com ©
2000 Britannica. All rights reserved.
Larsen, Nella. Passing. New York: Penguin Books,
1997.
Peters, Joanne M. "Nella Larsen 1891-1964."
Contemporary Authors Vol 125.
Detroit: Gale Research, Inc. 1989.
Seabrook, W.B. "Touch of the Tar Brush." Rev. of Passing by Nella Larsen. Review
of Literature 18 May 1929: 1017- 18.